Is it realistic for Nigerians to make movies for the rest of the world, not just Nigeria or Africa?
yes.
- How do you distribute your movie internationally without world distributors?
www.createspace.comwell, obviously that's tough.
things like Createspace . . . i look askance at them. because while they might furnish a way to get your products on Amazon, they don't really handle the advertising, do they?
see, at the end of the day, that's what distribution is really about - publicity. it's not that hard to get your movie onto a screen or a disc and into the market; the trick is making it known to a large enough number of people that your product
is in the market!
- How do you deal with the strange Nigerian English accent? Subtitles? Speech training for actors?
the Nigerian accent really is not that "strange," especially if compared to something like the Jamaican accent. and yet, "The Harder They Come"
http://www.imagesjournal.com/issue10/reviews/hardertheycome/text.htmplayed continuously in American theaters for almost 20 years!
also, Guy Rictchie's films are--for all intents and purposes--in English, but they use a dialect of English that is mostly unintelligible to people outside of the UK. . . hell, outside of London, even. and they are wildly popular worldwide.
but if worse comes to worst, you can use subtitles. (that almost assures that you'll be distributed on the "art house" circuit, though, as opposed to the commercial mainstream. but of course, being a foreign film, you'd have ended up on the art house circuit anyway).
- How do you create a storyline that travels well? Make action and horror movies, which travel well?
well, not necessarily . . . but you can do that.
the fact is: as a "foreign" film, you are almost automatically going to fall under the "art film" banner anyway, so you might as well make a movie that is more culturally specific.