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mahal (m)
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Mahal, that is an excellent interpretation of Prairie Architecure, which was the style Frank Lord Wright was known for. Would you have any Mies Van Der Rhoe or Le Corbusier interpretation? The Last 2 buildings that you posted are clearly Early American influenced Prairie styles done rather well. Who is the Architect?
I am , Mies van der Rhoe, Ahh ahh, Le corbusier, Haa! i dont like their style.
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Fredique (m)
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@ Larez, What do you think about architecture in the age of relativism?
I think that is what post modernism is all about. Relativism is the popular culture that says that there is no moral obligation and usually defies tradition.
What in your opinion is the impact of technology on what you call 'purity of form'? In the days of Le Corbusier and even far back to the classical era, hybrid structures that have pushed the boundaries of form making was not possible.
There are other 21st century realities that have taken architecture beyond the imperial concerns of the classical times. For example, sustainability and eco concerns and the inclination to want to do more with less.
If you say good architecture retains traditional links, I would say that 'tradition' is precisely what post modernism revolts against. and that is where the world is right now.
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larez (m)
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Here is an English Tudor / French Manor style. As mentioned before, the key is to blend today's lifestyle with Historical Heritage. As I have mentioned in other threads. I have chosen not to take on clients in Nigeria except for close Friends and Associates. With my History of designing personal Homes for many Superstars in America, and being a purist, it will be very difficult to work with mostly unappreciative Nigerian Clients who see Architects as draftsmen.
I have been known to visit sites of some of my clients and stopping the work there, while calling the builder to come meet me at the site and make the corrections to inadequate work done by workers. This despite not being paid as Site Architect. It's about pride in work.
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larez (m)
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Larez, i have been wondering when you would come in, welcome,
Great Work Mahal, you have mastered the Prairie style. Ever tried the New England / Shingle styles? Will you design my house? lol. Thanks for the welcome. Next time you have a Nice size commercial or Mall, I'd like to be involved. Where are you located?
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larez (m)
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@ Larez, What do you think about architecture in the age of relativism?
I think that is what post modernism is all about. Relativism is the popular culture that says that there is no moral obligation and usually defies tradition.
What in your opinion is the impact of technology on what you call 'purity of form'? In the days of Le Corbusier and even far back to the classical era, hybrid structures that have pushed the boundaries of form making was not possible.
There are other 21st century realities that have taken architecture beyond the imperial concerns of the classical times. For example, sustainability and eco concerns and the inclination to want to do more with less.
If you say good architecture retains traditional links, I would say that 'tradition' is precisely what post modernism revolts against. and that is where the world is right now.
Frederick, With the advent of concrete, a lot of restrictions in large scale structures were lifted, and this gave rise to post modernism etc, This is what I had clarified in the previous post as an evolution/revolution, which gave rise to a new form. Which I referred to as the Skyscraper style. Even with these, I have personally found that the ones considered Instant classics usually have some hidden classical aspects, such as classical proportions. You know, when a person views some buildings, they see some as looking Nice and right, while some are considered awkward. What are the premises of these feelings? They are usually scale and balance which are traditional traits.
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mahal (m)
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Great Work Mahal, you have mastered the Prairie style. Ever tried the New England / Shingle styles? Will you design my house? lol. Thanks for the welcome. Next time you have a Nice size commercial or Mall, I'd like to be involved. Where are you located?
Thank You larez, "New English/Shingle Style"  Havn't heard of it, but would like to learn and see if it's a style that can work here in Nigeria. Location? Warri, Delta State Nigeria.
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larez (m)
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Thank You larez, "New English/Shingle Style"  Havn't heard of it, but would like to learn and see if it's a style that can work here in Nigeria. Location? Warri, Delta State Nigeria. Cool, Forget the New England style for Naija. To orient you, the New England style includes the Cape Cod. I believe these may have influenced Frank Lord Wright in his early Architecture which he used to derive his Prairie style. I was trying to remember some other of his famous works and can only think of the Kaufman House, I used to like Le Corbusier and studied the Notre Dame du Haut. But his only well known influence after him might be the Sidney Opera house. On Post modernist Architecture, an extrEme will be Gaudi, whose work I find amazing that the cities allowed him to build them. But then, he clearly influenced the concept of Gotham City for Batman. As you know the name Gaudi generated the saying "Gordy" which implies a tasteless design. Let me stop before I go on and on.
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yoruba
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@Larez I think your buildings are all crap(just a personal opinion) and shows typical american residential homes. You take a pre-designed style(i.e English Todor / French Manor style, Early American, Classical French Country etc) and you build from there(Its like you havent designed anything kinda like copy n paste) those are the sort of buildings that makes architecture all boring(because they have been done before i.e templates). What happened to doing a proper site analysis, use of materials, designing contemporary architecture to suit the clients every day needs. Designers all across the world know that most Americans do not understand style. Good examples of contemporary residential architecture is Australian Sandcastles, Japanese, Swiss, European architecture which they have left post-modern architecture(like yours) a long time ago. Im currently in South Africa, where there is alot of tuscan houses being built, but the few architects designing contemporary buildings that suits there needs(clients) are very successful and making alot of money. Architects like you make the environment look crap because of the redundancy in the buildings and I have no respect for buildings. (sorry thats how I feel) Nowadays Architecture is moving away from your style and I think you will be left behind.
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larez (m)
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@Larez I think your buildings are all crap(just a personal opinion) and shows typical american residential homes. You take a pre-designed style(i.e English Todor / French Manor style, Early American, Classical French Country etc) and you build from there(Its like you havent designed anything kinda like copy n paste) those are the sort of buildings that makes architecture all boring(because they have been done before i.e templates). What happened to doing a proper site analysis, use of materials, designing contemporary architecture to suit the clients every day needs. Designers all across the world know that most Americans do not understand style. Good examples of contemporary residential architecture is Australian Sandcastles, Japanese, Swiss, European architecture which they have left post-modern architecture(like yours) a long time ago. Im currently in South Africa, where there is alot of tuscan houses being built, but the few architects designing contemporary buildings that suits there needs(clients) are very successful and making alot of money. Architects like you make the environment look crap because of the redundancy in the buildings and I have no respect for buildings. (sorry thats how I feel) Nowadays Architecture is moving away from your style and I think you will be left behind.
I won't be surprised about the crass of your response. It's about a lifestyle that you would obviously never understand. This is typical of you guys. You speak about Japanese, Swiss and and New European without an idea of how the forms are indeed derivative of their historical styles. The Japanese have History, which they respect in their new derivative forms. You speak about Tuscan with no idea that it evolved from a Mediterranean style popular in historical Tuscany which is a place that exists until today, and has a historical column proportional sytem from the classics.
Reading through your post again, I can see that you are indeed unenlightened, and would rather throw out cliches rather than focus on study. Why don't you post some of your interpretations of these styles that you throw around without the knowledge behind them? By the way, Architects are supposedly custodians of popular culture of their times, and I just wonder if your approach and manner reflects your societal values which you interpret in your Architecture.
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larez (m)
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To add to my last post,
Regardless of what school of thoughts and Architecture that anyone subscribes to, there are still good and bad methods of application. Transitions of forms and how they connect are still basics in Architecture. Orientation and considerations of Negative space exploration of forms are still basics of Architecture. The fact still remains that Architecture is an Art, and while schooling and awareness may help, there is still a requirement of talent in execution. Talent is mostly showcased in Residential design than in commercial properties which have a range of scopes for consideration.
The Bottomline here is anyone can claim, but very few have the finesse. My Clientele and Multiple awards (always first place) of my designs in competitions in America bear me witness and not just talking Architectural jargon.
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Fredique (m)
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You know, when a person views some buildings, they see some as looking Nice and right, while some are considered awkward. What are the premises of these feelings? They are usually scale and balance which are traditional traits.
The relativist premise of post modernism would not accept traditional traits as universal. Based on relativism, what will seem to be in the right scale to you may not be in the right scale to me, and the same goes for balance. There is nothing wrong with holding unto traditional values, but it will be hard to convince me that a style that does not retain a link to tradition is not good architecture. When it comes to architecture, I am inclined towards relativism, If it feels right for the context, do it. To hell with tradition!
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larez (m)
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The relativist premise of post modernism would not accept traditional traits as universal. Based on relativism, what will seem to be in the right scale to you may not be in the right scale to me, and the same goes for balance. There is nothing wrong with holding unto traditional values, but it will be hard to convince me that a style that does not retain a link to tradition is not good architecture. When it comes to architecture, I am inclined towards relativism, If it feels right for the context, do it. To hell with tradition!
Would be nice if you posted some pictures of what you consider relativism. We may debate better if we have omse visuals to pin-point, despite our differing school of thoughts.
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yoruba
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It's about a lifestyle that you would obviously never understand and I am sure you would understand(give me a break) You speak about Tuscan with no idea that it evolved from a Mediterranean style popular in historical Tuscany which is a place that exists until today, and has a historical column proportional sytem from the classics.
I have studied History and Appreciation of Architecture(Just so that I should let you know and I know it is tuscan is Mediterranean), with regards to tuscan in South Africa, my point is tuscan doesnt fit into the South African climate conditions(creating alot of waterproofing problems regardless of waterproofing technology being placed) so tuscan is not a good solution for SA. Reading through your post again, I can see that you are indeed unenlightened, and would rather throw out cliches rather than focus on study You highly doent understand what is the difference between Architectural theory and Architectural history. Do you understand Architectural theory(i.e site analysis, use of materials, designing contemporary architecture to suit the clients every day needs and so on) Transitions of forms and how they connect are still basics in Architecture. Orientation and considerations of Negative space exploration of forms are still basics of Architecture. Architecture is forever evolving, let me say it again evolving none of your buildings are energy efficient(Green Architecture is now the in-thing) Talent is mostly showcased in Residential design than in commercial properties which have a range of scopes for consideration What talent are you showing when you do redundant buildings like yours? My Clientele and Multiple awards (always first place) of my designs in competitions in America bear me witness and not just talking Architectural jargon Hmmm please I'd like you to show me. Contemporary Architecture that is practised in South Africa is called Southern African Architecture(Not venacular, contemporary , based on good site analysis, choice of materials, good understanding of clients needs and reflective to its surroundings also highly stylish.
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yoruba
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For some reason, I knew I was gonna bump into people like larez, old Architects who are non-innovative designers, I could go on the whole day but probably you wouldnt understand because you were taught historic architecture as a principle of design and they dont know the meaning of contemporary
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larez (m)
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The relativist premise of post modernism would not accept traditional traits as universal. Based on relativism, what will seem to be in the right scale to you may not be in the right scale to me, and the same goes for balance. There is nothing wrong with holding unto traditional values, but it will be hard to convince me that a style that does not retain a link to tradition is not good architecture. When it comes to architecture, I am inclined towards relativism, If it feels right for the context, do it. To hell with tradition!
By the way, I hope you understand that my perspectives relate to residential and not commercial. A case example is in an upper-scale area of Atlanta known as Buckhead, which is considered the most expensive part of Atlanta. In the 70's during he time of the exploration of L'Art Nouveau Modern Contemporary, a few homes followed this trend. Many of them have since been torn down and replaced with classic style homes. The others meanwhile, stick out like sore thumbs and are never resold unless at huge losses. When they are sold, it is usually for the value of the Land, and they are promptly demolished. There are however homes from the early 1900's in Buckhead that I have designed renovations for, keeping the old and trying to adapt the additions to the original styles. This is the preferred choice of lifestyle and considered to be everlasting. I have also designed homes from scratch that look like they were built 100 years ago until you enter them and discover that they are very contemporary inside. This is the difference between the Bourgeois and the classic lifestyles.Classic seems to be winning over bourgeois at least within Southern United States. Here is a picture of one of these houses that I describe that was built in the early 90s.
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larez (m)
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For some reason, I knew I was gonna bump into people like larez, old Architects who are non-innovative designers, I could go on the whole day but probably you wouldnt understand because you were taught historic architecture as a principle of design and they dont know the meaning of contemporary
This where you are wrong son, I have more innovation on the tip of my little finger than you can muster in a lifetime. Innovation does not equate to marketability. maybe you should learn the difference. A successful design is relative to the existing target market.
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yoruba
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Innovation does not equate to marketability. maybe you should learn the difference. A successful design is relative to the existing target market. Hmmmm, thats why you copy and paste and say it is innovative.
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larez (m)
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and I am sure you would understand(give me a break)I have studied History and Appreciation of Architecture(Just so that I should let you know and I know it is tuscan is Mediterranean), with regards to tuscan in South Africa, my point is tuscan doesnt fit into the South African climate conditions(creating alot of waterproofing problems regardless of waterproofing technology being placed) so tuscan is not a good solution for SA. You highly doent understand what is the difference between Architectural theory and Architectural history. Do you understand Architectural theory(i.e site analysis, use of materials, designing contemporary architecture to suit the clients every day needs and so on)Architecture is forever evolving, let me say it again evolving none of your buildings are energy efficient(Green Architecture is now the in-thing)What talent are you showing when you do redundant buildings like yours?Hmmm please I'd like you to show me.
Contemporary Architecture that is practised in South Africa is called Southern African Architecture(Not venacular, contemporary , based on good site analysis, choice of materials, good understanding of clients needs and reflective to its surroundings also highly stylish.
reading through your posts confirms how clueless you are. Nothing you can ever come up with can be as thermally efficient as any of my designs. If you had any idea, you will realize that purity of design rarely has anything to do with recent technological applications. The R-ratings of the walls in every building I design are still high up there with the applications of today's technology. The windows are double insulated with some of them including trapped argon gas.
Ceilings are insulated to meet a minimum of R-30 while, we also use rigid insulation in foundations as well some times. Solar considerations can also be applied with strategically placed thromb walls. All that you talk about is stylish, but how do you define stylish? You still have a lot to learn.
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mahal (m)
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Talent is mostly showcased in Residential design than in commercial properties which have a range of scopes for consideration.
This is the part i don't understand/agree and would need an explanation.
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larez (m)
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@Mahal
Commercial design is more of an engineering feat in the sense that you are basically designing a shell structure with fenestration. Internal spaces are usually generic and much is left for the leasee to complete by themselves. Religious buildings and and Institutional buildings may be somewhat in-between the 2, because they somewhat focus on group activities rather than separate ones typical in commercial Architecture. The successful Commercial Architect focuses more on fenestration and thematic ties rather than the more intricate details of personal lifestyles and deciphering/interpreting the residential client.
The fact is that a home remains a box, and the rest becomes interpretation of lifestyles and the client's tastes. This is where the challenges of residential begins. The social aspect of being able to deal with extreme ends in your clientele and still being able to satisfy the desires of these opposites in tastes and values is very challenging. It is more of a social quest which brings some sort of intimacy into the picture.
A Residential Architect has to be capable of getting into the mind of the client to read their thinking. This has to then be interpreted and turned into a desirable design regardless of personal preferences of the Architect. The key here which is the challenging part is being capable of getting the general ideas of the client and molding into a form of Art. The next client my have the opposite taste and desires as the previous one. Man (and Woman) is still the most difficult of everything on earth to understand. Now imagine the added burden of when the Wife has extremely opposite tastes as the Husband. I have always felt an extra form of achievement when my design resolved these issues. Many people have been known to end up in divorce over the issue of getting their homes designed and built.
Residential design
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Fredique (m)
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@ Larez.
I may not agree with everything you say, but I think I like your arguments and reasoning. I'm kinda learning alot from you.
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kuramo
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@ yoruba
it's interesting to know what your area of specialisation is, are you an art / architectural historian or a practising architect ?
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larez (m)
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@ Larez.
I may not agree with everything you say, but I think I like your arguments and reasoning. I'm kinda learning alot from you.
Yes Fredique, we are not required to always be in agreement, but how we communicate our views counts very much. The funny thing here is that most people reading my posts will assume that I am a traditionalist in approach to Architecture which will be untrue. I can remember in College having all kinds of dreams of inventing my own wheel, and coming up with designs never before seen while exploring shapes of form.
Reality however is a different thing as whatever we design remains conceptual unless they get built. The region that I was in hence dictated my direction since my focus was in Residential. This is a point many people miss out. Your location itself, and society WILL influence your Architecture unless you have unlimited funds and can wait years while sitting on Real estate to be sold. I have realized a long time ago that markets of Metropolitan areas are more conservative generally than the markets of Cosmopolitan areas. I guess this is why certain cities keep their character, which attracts visitors to come just for the experience.
A typical Atlanta home will stick out like a sore-thumb if you try to build it in New Orleans downtown area for example, or along the Charleston Battery. But if you go a few miles from the Battery and create a private sub-division that is fenced off, you may be able to get away with the Atlanta style homes within the specified thematic enclosure. Part of Architecture is therefore a study of the movements within it (Architecture). A discerning Architect will realize what could be in-place and out of place.
For those Architects who wish to explore studies of form and create unique pieces that do not correlate with known styles will have better chances doing that in places like Los Angeles and San Francisco. These places are Cosmopolitan with a mix of various cultures, and hence a natural orientation to acceptance of the unknown. Abuja for example is another city that will fit this bill. It is a city yet to define itself by a unique form of Architecture.
To sum this up and back to my initial point, location is another aspect of influences in Architecture, which is different from the famous cliche of 'Form and Function'. Architecture remains conceptual unless it gets built. The chances of designs getting built could rely on various factors such as political, societal, cultural and economic influences. The desire of an Architect to create unique forms could be hampered by economic factors unless he is individually wealthy and could impose new ideas in an otherwise conservative market. If he has made a name for himself already and arouses curiosity, then he could also have a freer hand at influencing acceptable Architecture in his society. Names such as Ian Pei, and John Portman comes to mind when I think about this. Louis Kahn is another name that comes to mind.
Personally, I have many futuristic sketches that I would have loved to explore in Architecture, but the reality of getting them built may still be some way off. Meanwhile, I have found a personal satisfaction in studying and learning Traditional Architecture of European origins. While I am aware of Architects like Aero Saarinen, I have not put much effort into studying their works to begin to have my personal interpretations of them. But regardless of what style it is, I still have a lot of appreciation for Architecture in general. An example is the work that Mahal did which I very much admire. He has obviously studied works by Frank Lord Wright to be able to come up with beautiful forms that bring out his legacy/style. His success of doing this is what I refer to as adapted purism. This is clearly because of the recognition of the historical aspect of the form, despite the contemporary nature of the design itself.
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topup
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My responses to page 1:
When I created this topic, I waited a few hours but received no responses, I have now returned to it to find that it's bursting full of life.
I believe this is symbolic of what will happen for Nigerian architecture. Whether you believe this or not is a different question.
I've read the responses on page 1, and here are mine:
Justkunmi - I am in my final year of the part one BArch (Hons) course in the UK.
Desse - I agree a project that's supervised by a great architect is definitely different. You can tell.
Tmoni - Why'd you quit - I felt like quitting when I was in my first year, but the internal push just keeps me going that one extra step at a time.
Aasog - I agree with the ideas behind a construction manager who can handle the particulars of building construction much more efficiently however, I don't believe that a person trained in that can assess certain issues that an architect is trained to assess. Issues such as light quality, ambience e.t.c. It is not that I think that one is lesser than the other (since I don't know what a construction manager really does) in the bigger picture, it's just that I believe that the issues I mentioned are very important. We need to realise that being an architect is not just about painting and handing over the piece of paper to someone else to do all the dirty work. In my first year, I had such a broad curriculum, ranging for forces and physics involved with construction and structures to conceptual design, to CAD modelling, to philosophy of design, all these things contribute greatly to the success of a design of a building.
Mahal - I also agree, to many people the word does not exist, I will go on to analyse whose fault that is later, but for now, I think it's 50:50. Our Nigerian-born architects should receive more acknowldegment, the emphasis in my course is on travel - you spread the word, you bring back ideas and inspiration, not copies of American prarie houses, nor huge mansions, but a new vernacular style with a purpose. When a Nigerian architect becomes notable across the world, believe me, the public with know what the word means.
Lovestorm - Some of the blame should go to the mentality of fellow Nigerians, who do not wish to spend a kobo on home improvement - the number of people who drive fancy cars, but who's interiors lack imagination are countless, it's acceptable for the layout of the house to be clumsy, for certains rooms to eminate neglect, it's the norm - nobody blinks an eyelid. In the bigger picture, a lot of us are temporary thinkers, we want the money now, the fame now, the children now, it saddens me that there are no equivalent of 'cathedrals' or 'castles' here, they've all worn away or have been badly maintained - because no one wants to spend money on maintainance, we are easily distracted by new trends, and we never quite manage to convince ourselves that this one or that one will stay so we don't put all our eggs in one basket. In terms of interior design, we are lacking in taste that appreciates the dawn of a new century, we immitate western styles, okay the occasional family will have a wooden carved painting of a woman carrying a baby in a wrapper. We don't realise that these styles are not in fact western, but a collection of 'what works' around the world. Ornaments were adopted from Asia, the whole idea of a centre-piece, be it a coffee table or a vase, I could go on and on. .
Junjustin - Like I'm implied above, we are short sighted unfortunately, we want the here and now, we want the house completed before we fall sick, we want grandma and granddad to live in it before they pass, or we want something to impress them, after all it took us this long to make our wealth, so why not enjoy it now - that's the mentality. With little or no precedent in great Nigerian architecture, people can't find examples to look towards for 'a better standard' of buildings. Sometimes you even have to remind me that it does exist.
zPixel - Welcome.
Sprumbaba - What do you mean?? As designers we all have various concepts. Most of us haven't been given the chance to develop these.
Woodpecker - I cannot communicate on the politics as I have little knowledge in that area.
Yoruba - I could only find ONE book on Nigerian architecture in my university library, and that was written in the 1940s (if I remember correctly) and it was written by an englishman who wanted to discuss the differences between architecture of the different tribes at the time. As for contemporary architecture, I'm not sure if I'll find anything on Amazon (I've searched. . nothing I could order).
dblock - The best of luck to you.
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topup
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Guys I've been reading the posts, please can we keep it civil, no digs at anyone's opinions, matured discussion only. Please.
More responses Pages 2/3/some 4:
Chrixto - All the best
Dis Guy - The same thing happened to South Africa, the architecture in places such as pretoria and Johannesburg don't reflect on their ingenious architecture in the slightest, this is where their history comes into play. We have to recognize that though the settlers that came to SA are not the natural occupants of the land, they contributed to the history of the land, and so the architecture sort of has a reason for being there. I still believe that the lessons learnt from their collonialist architectural ventures can be used to create a new architecture that returns to the vernacular. It all sounds contradictory, but what I mean is that we can evolve the indegenous architecture, but we don't need to lose the lessons learnt, especially in regards to new materials and construction techniques that may be better for the climate.
Mahal - If the roof is a sun filter, then why does it have holes above the occupied spaces? The pictures you posted of the JBN office are getting closer to the ideal, the building is white (reflects heat keeping the building cooler on the inside and light), and it has a double roof which actually relates to the climate, as it becomes a heat barrier, keeping the building cooler, since it's directly above the building it's even better as Nigeria is very close to the equator. In future we should definitely invest in solar power, we'd be silly not to. Yes, the input costs are high, but the return is very significant, especially as Nigeria is striving to be more concerned with how energy is used.
Would we have as many problems with generating electricity if every house had it's own solar power 'station', maybe, maybe not, we'll never know until we try it.
It's times like this that I urge designers, architects and engineers to please look at precedent research, regarding energy consumption. Nigeria isn't the only country that's hot!!
Moag - Yey
Lekside44 - Wish I could tell you but I don't use any, I'm currently learning to use AUTOCAD2007 (downloaded two days ago), but I usually use Google SketchUp and render it with Indigo.
Mahal - SketchUp alone could not, but if an external rendering program plugin was installed (along with the program) you could.
dblock - Fantastic!!
Yoruba - I'm more than impressed!
Mahal - Fantastic!!
Larez - Beautiful homes but they contradict your post where you stated the importance of architecture relevant to our history and country.
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yoruba
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@Larez This is to show you, you have no clue what talking about I'd like you to read through my post: Beautiful homes but they contradict your post where you stated the importance of architecture relevant to our history and country. I highly agree, at least someone notice that and among other things. reading through your posts confirms how clueless you are. Nothing you can ever come up with can be as thermally efficient as any of my designs. If you had any idea, you will realize that purity of design rarely has anything to do with recent technological applications. The R-ratings of the walls in every building I design are still high up there with the applications of today's technology. The windows are double insulated with some of them including trapped argon gas.
Again you are proving to me a point, all you are stating is technical specifications and Ive said nothing regarding to the architectural technology you've placed in, that is not Architectural theory(you still cannot tell the difference) As I said, you one of those old architects who doesnt know how to be innovative and hence if you study architecture at any top university in the world(yet alone in SA) you wouldnt even make through first year with those sort of buildings. I would like to read articles about your buildings and see your Architectural Awards(seriously). And I beg you please sir, show me your innovations in your buildings(you copy and paste and call it stylish?).
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yoruba
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To show you how much Americans are lagging behind in Architecture, notice this is just a simple example. The first Stadium is for the University of Minnesotta, 70 000 capacity. The Second stadium is for Valencia fc, 60 000 capacity. You probably thinking why should I compare a university stadium and a football club, you will notice that the university stadium is alot expensive than the Valencia stadium(The stadium cost for this stadium is cheaper than expected). I could have shown you other stadiums and buildings done in America(even recent) and compare it with the rest of the world but this is just an example.(Even South Africa 2010 football stadiums look alot better than Americas newly built stadiums).
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yoruba
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Yoruba - I could only find ONE book on Nigerian architecture in my university library, and that was written in the 1940s (if I remember correctly) and it was written by an englishman who wanted to discuss the differences between architecture of the different tribes at the time. As for contemporary architecture, I'm not sure if I'll find anything on Amazon (I've searched. . nothing I could order).
I have the same problem, when I search contemporary buildings in the world in Africa I only get South African Buildings and Architects.
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larez (m)
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[color=#008855][font=arial]
Larez - Beautiful homes but they contradict your post where you stated the importance of architecture relevant to our history and country.
And where did I state this? Please direct me to the statement.
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larez (m)
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To show you how much Americans are lagging behind in Architecture, notice this is just a simple example. The first Stadium is for the University of Minnesotta, 70 000 capacity. The Second stadium is for Valencia fc, 60 000 capacity. You probably thinking why should I compare a university stadium and a football club, you will notice that the university stadium is alot expensive than the Valencia stadium(The stadium cost for this stadium is cheaper than expected). I could have shown you other stadiums and buildings done in America(even recent) and compare it with the rest of the world but this is just an example.(Even South Africa 2010 football stadiums look alot better than Americas newly built stadiums).
Considering that you are merely a student at this time who is hardly wet behind the ears in design, you are an arrogant lil fkuc. I bet you that you would not last 2 years in Architecture after graduation if you do graduate. You posted 2 pictures and decided yourself which one is more beautiful. As you would say in your words, "more stylish". You clearly lack the decorum or manners to even be considered in a dignified occupation in Architecture. You are obviously lacking in culture and therefore prone to be lacking in taste. Another student posts an opinion that is grounded on a statement that may be misconstrued at best, and you come back jumping as if you have achieved something. Since this is the last post that I will make directed to you, it is my intention to attempt to better educate your clueless self. One of the first rules of Architecture is to realize that there are different tastes for different folks. In the first Stadium, I see what is clearly a Georgian style successfully done on a large scale project. The design itself probably fits the theme of the buildings around it and helps it to blend into it's neighborhood easily. Your clueless self bring a picture of the Stadium out of it's context, and decide that "It is not stylish to be technologically efficient". Your statements and attitudes stink badly of the 'La Riche Nouveau', who is probably a product of looted public funds. The object of education is study. I can bet that you have not taken the moment to check on the facts about that building and the probable efficiency gems embedded in it. Just from my experience and knowing that it is a structure in an academic institution will make me assume that there are products of research used in it's construction. Architecture is about class and not plasticity. Good Architects are continuous students of society and her general behavioral patterns. They are aware of thr numerous gray areas of life and are not prone to jumping into conclusions without the benefits of good research. You have failed woefully as a mere student who is supposed to be learning, to close up your mind from understanding while you show how pompous you are. You remain clueless on a conceptual level to even grasp the contents of my previous posts. Guys like you back in the days would have dismissed the Porsche Carerra and called it ugly while being oblivious to the clear aerodynamic qualities that it possessed. The smoothness of it's engines as the cams over it's pistons sequence with each other gracefully, like a stage production of the most elegant ballet dancers of the world. The Driver becomes one in unison with the superb product as he is firmly settled in the embrace of it's bucket seats. You won't understand this lifestyle just as you will never get to see the greens of any exclusive golf club outside of Nigeria. There are still some places in the world where "La Riche Nouveau cannot buy there way into with stolen country wealth. The second stadium is a very beautiful futuristic style building. It articulates negative space nicely. It is clearly 'modernistic architecture'. The problem I have with this approach is how it will be seen in 20-30 years. How will it age? Gracefully or bad deterioration? What is the annual rainfall statistics for the area, and how will the continuous flow from the top which lacks any water collection/shedding qualities be maintained? Is it cost effective maintenance wise? I look at it again, and I begin to see the form of a broken egg shell spaced out. But do you notice that by seeing that it is the natural instinct of human nature to try to identify the unknown with something familiar? What you are looking at and calling Modernistic/Futuristic I hate to burst your bubble may be considered old by some. Aero Saarinen who is basically the best known Architect for fluidity of forms had been doing projects like this since the sixties. I will suggest that you get familiar with some of this Guy's work, especially the TWA Terminal, since you like 'modern, innovative etc'. Le Corbusier also has a product called Ronchamps (Chapel de Notre Dame du Haut). There is a saying that 'the more you learn, the more that you will realize that you know nothing'. This wisdom will then begin to change the perspective of a wise man regarding absolutes. Looking back in History help to avoid pitfalls in the future, and I can bet you that the second stadium will be imploded sooner than the first of your pictures. Regardless of your rantings, I see both buildings as being beautiful. Each one within it's own style. Objectivity requires stepping out of personal preferences to judge within context. It will be advisable that you attempt to see more, open your ears more to listen, and refrain from attempting to impose absolutes. Architecture is focused on people, which remains a very gray area for absolutes.
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larez (m)
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Previous post appeared
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topup
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And where did I state this? Please direct me to the statement.
It wasn't stated, but it was heavily implied. True Architecture is a continuous study of form. It is a successful interlude between space, function and culture. You could design a "beautiful home" that lacks history and hence ingratiating. I have found that many Nigerian Architects indeed lack Historical knowledge of Architecture. They are not cultured in styles and heritable precedence.
Fact remains that the most successful Architecture retain Historical concepts. On the advent of industrialization, the Initial Architecture remained influenced by historical concepts, styles and classical orders. This quickly evolved to a new form when the advent of Sky scrapers came into the scene. But even the Latest Skyscrapers today that are considered beautiful instead or a marvel, have roots of Classical styles.
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