|
ehie (f)
|
i think i have abt ten
I remember looking outside my office one day and this Poem just came to mind,it was apt
SYMPATHY SYMPATHY . . .
BY PAUL LAURENCE DUNBAR
I know what the caged bird feels, alas! When the sun is bright on the upland slopes; When the wind stirs soft through the springing grass, And the river flows like a stream of glass; When the first bird sings and the first bud opes, And the faint perfume from its chalice steals— I know what the caged bird feels!
I know why the caged bird beats his wing Till its blood is red on the cruel bars; For he must fly back to his perch and cling When he fain would be on the bough a-swing; And a pain still throbs in the old, old scars And they pulse again with a keener sting— I know why he beats his wing!
I know why the caged bird sings, ah me, When his wing is bruised and his bosom sore,— When he beats his bars and he would be free; It is not a carol of joy or glee, But a prayer that he sends from his heart’s deep core, But a plea, that upward to Heaven he flings— I know why the caged bird sings!
|
|
|
|
|
|
ehie (f)
|
My second poem is by another Harlem renaissance writer Countee Cullen called Heritage
What is Africa to me: Copper sun or scarlet sea,
Jungle star or jungle track, Strong bronzed men, or regal black
Women from whose loins I sprang When the birds of Eden sang?
One three centuries removed From the scenes his fathers loved, Spicy grove, cinnamon tree, What is Africa to me?
So I lie, who all day long Want no sound except the song Sung by wild barbaric birds Goading massive jungle herds, Juggernauts of flesh that pass Trampling tall defiant grass
Where young forest lovers lie, Plighting troth beneath the sky. So I lie, who always hear, Though I cram against my ear Both my thumbs, and keep them there,
Great drums throbbing through the air. So I lie, whose fount of pride, Dear distress, and joy allied, Is my somber flesh and skin, With the dark blood dammed within Like great pulsing tides of wine That, I fear, must burst the fine Channels of the chafing net Where they surge and foam and fret.
Africa? A book one thumbs Listlessly, till slumber comes.
Unremembered are her bats Circling through the night, her cats
Crouching in the river reeds, Stalking gentle flesh that feeds By the river brink; no more
Does the bugle-throated roar Cry that monarch claws have leapt From the scabbards where they slept.
Silver snakes that once a year Doff the lovely coats you wear, Seek no covert in your fear
Lest a mortal eye should see What's your nakedness to me? Here no leprous flowers rear Fierce corollas in the air;
Here no bodies sleek and wet, Dripping mingled rain and sweat, Tread the savage measures of Jungle boys and girls in love.
What is last year's snow to me, Last year's anything? The tree Budding yearly must forget How its past arose or set—
Bough and blossom, flower, fruit, Even what shy bird with mute Wonder at her travail there,
Meekly labored in its hair. One three centuries removed From the scenes his fathers loved, Spicy grove, cinnamon tree, What is Africa to me?
So I lie, who find no peace Night or day, no slight release From the unremittent beat Made by cruel padded feet Walking through my body's street. Up and down they go, and back, Treading out a jungle track. So I lie, who never quite Safely sleep from rain at night— I can never rest at all When the rain begins to fall; Like a soul gone mad with pain I must match its weird refrain; Ever must I twist and squirm, Writhing like a baited worm, While its primal measures drip Through my body, crying, "Strip! Doff this new exuberance. Come and dance the Lover's Dance!" In an old remembered way Rain works on me night and day. Quaint, outlandish heathen gods Black men fashion out of rods, Clay, and brittle bits of stone, In a likeness like their own, My conversion came high-priced; I belong to Jesus Christ, Preacher of Humility; Heathen gods are naught to me. Father, Son, and Holy Ghost, So I make an idle boast; Jesus of the twice-turned cheek, Lamb of God, although I speak With my mouth thus, in my heart Do I play a double part. Ever at Thy glowing altar Must my heart grow sick and falter, Wishing He I served were black, Thinking then it would not lack Precedent of pain to guide it, Let who would or might deride it; Surely then this flesh would know Yours had borne a kindred woe. Lord, I fashion dark gods, too, Daring even to give You Dark despairing features where, Crowned with dark rebellious hair, Patience wavers just so much as Mortal grief compels, while touches Quick and hot, of anger, rise To smitten cheek and weary eyes. Lord, forgive me if my need Sometimes shapes a human creed. All day long and all night through, One thing only must I do: Quench my pride and cool my blood, Lest I perish in the flood, Lest a hidden ember set Timber that I thought was wet Burning like the dryest fax, Melting like the merest wax, Lest the grave restore its dead. Not yet has my heart or head In the least way realized They and I are civilized
|
|
|
|
|
|
ehie (f)
|
The second poem i love is Heritage by Countee Cullen another Harlem renaissance writer
Heritage
What is Africa to me: Copper sun or scarlet sea, Jungle star or jungle track, Strong bronzed men, or regal black
Women from whose loins I sprang When the birds of Eden sang?
One three centuries removed From the scenes his fathers loved,
Spicy grove, cinnamon tree, What is Africa to me?
So I lie, who all day long Want no sound except the song
Sung by wild barbaric birds Goading massive jungle herds,
Juggernauts of flesh that pass Trampling tall defiant grass
Where young forest lovers lie, Plighting troth beneath the sky. So I lie, who always hear,
Though I cram against my ear Both my thumbs, and keep them there, Great drums throbbing through the air. So I lie, whose fount of pride,
Dear distress, and joy allied, Is my somber flesh and skin, With the dark blood dammed within
Like great pulsing tides of wine That, I fear, must burst the fine
Channels of the chafing net Where they surge and foam and fret.
Africa? A book one thumbs Listlessly, till slumber comes.
Unremembered are her bats Circling through the night, her cats
Crouching in the river reeds, Stalking gentle flesh that feeds
By the river brink; no more Does the bugle-throated roar
Cry that monarch claws have leapt From the scabbards where they slept.
Silver snakes that once a year Doff the lovely coats you wear,
Seek no covert in your fear Lest a mortal eye should see
What's your nakedness to me? Here no leprous flowers rear Fierce corollas in the air;
Here no bodies sleek and wet, Dripping mingled rain and sweat, Tread the savage measures of
Jungle boys and girls in love. What is last year's snow to me, Last year's anything? The tree Budding yearly must forget How its past arose or set— Bough and blossom, flower, fruit, Even what shy bird with mute Wonder at her travail there, Meekly labored in its hair. One three centuries removed From the scenes his fathers loved, Spicy grove, cinnamon tree, What is Africa to me? So I lie, who find no peace Night or day, no slight release From the unremittent beat Made by cruel padded feet Walking through my body's street. Up and down they go, and back, Treading out a jungle track. So I lie, who never quite Safely sleep from rain at night— I can never rest at all When the rain begins to fall; Like a soul gone mad with pain I must match its weird refrain; Ever must I twist and squirm, Writhing like a baited worm, While its primal measures drip Through my body, crying, "Strip! Doff this new exuberance. Come and dance the Lover's Dance!" In an old remembered way Rain works on me night and day. Quaint, outlandish heathen gods Black men fashion out of rods, Clay, and brittle bits of stone, In a likeness like their own, My conversion came high-priced; I belong to Jesus Christ, Preacher of Humility; Heathen gods are naught to me. Father, Son, and Holy Ghost, So I make an idle boast; Jesus of the twice-turned cheek, Lamb of God, although I speak With my mouth thus, in my heart Do I play a double part. Ever at Thy glowing altar Must my heart grow sick and falter, Wishing He I served were black, Thinking then it would not lack Precedent of pain to guide it, Let who would or might deride it; Surely then this flesh would know Yours had borne a kindred woe. Lord, I fashion dark gods, too, Daring even to give You Dark despairing features where, Crowned with dark rebellious hair, Patience wavers just so much as Mortal grief compels, while touches Quick and hot, of anger, rise To smitten cheek and weary eyes. Lord, forgive me if my need Sometimes shapes a human creed. All day long and all night through, One thing only must I do: Quench my pride and cool my blood, Lest I perish in the flood, Lest a hidden ember set Timber that I thought was wet Burning like the dryest fax, Melting like the merest wax, Lest the grave restore its dead. Not yet has my heart or head In the least way realized They and I are civilized
|
|
|
|
|
|
ehie (f)
|
TS elliot Hollow men has to be the third
We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats' feet over broken glass In our dry cellar
Shape without form, shade without colour, Paralysed force, gesture without motion;
Those who have crossed With direct eyes, to death's other Kingdom Remember us -- if at all -- not as lost Violent souls, but only As the hollow men The stuffed men.
II
Eyes I dare not meet in dreams In death's dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind's singing More distant and more solemn Than a fading star.
Let me be no nearer In death's dream kingdom Let me also wear Such deliberate disguises Rat's coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer --
Not that final meeting In the twilight kingdom
III
This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man's hand Under the twinkle of a fading star.
Is it like this In death's other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone.
IV
The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms
In this last of meeting places We grope together And avoid speech Gathered on this beach of the tumid river
Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death's twilight kingdom The hope only Of empty men.
V
Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o'clock in the morning.
Between the idea And the reality Between the motion And the act Falls the Shadow
For Thine is the Kingdom
Between the conception And the creation Between the emotion And the response Falls the Shadow
Life is very long
Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow
For Thine is the Kingdom
For Thine is Life is For Thine is the
This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
|
|
|
|
|
|
WokarGwa (m)
|
I cant say I have a best poem,the same way I cant say I have a favourite writer.But there are some poems that I have read which made me to ponder long afterwards,either because of their sublime thoughts or their sheer aesthetic beauty.Wole Soyinka's "Death in the Dawn" and "Requiem", Christopher Okigbo's "He was a shrub among Poplars" and "The Newcomer", Coleridges' "The Rime of the Ancient Mariner", Tennyson's "In Memoriam:A.H Halam" are some of the poems that have kept me enthralled.But to have a best poem,I am not sure I do.
|
|
|
|
|
|
Phlegmwash
|
Ulysses by Wole Soyinka, my worst actually. The most disjointed piece i ve ever read, he took d poetic license to d xtreme,anyways thats y he's a nobel prize winner. I luv poems of dr lenrie peters, odia ofeimum
|
|
|
|
|
|
psyche003
|
, I love 'to my coy mistress" by andrew marvell, it's great,
"the graves a fine and private place but none i think do there embrace" thats one of my best quotes from it, then
"a thousand years to praise thine eyes and on thy forehead gaze" it is so romantic.
i also love shakespeares, " can i compare you to a summer's day, thou art so lovely and so temperate" love it.
try dylan thomas "do not go gentle into that goodnight" now that is my best poem. read walter raleigh's "souls errand" and Rudyard Kipling's "if"
i can talk about poems all day, anyway i love all these.
|
|
|
|
|
|
EmpressC (f)
|
Nursery Rhyme Lament By Mutabaruka
fus time jack an' jill use fi run up de hill everyday now dem get pipe wata rate increase
everday dem woulda reincarnate humpty dumpty fi fall of de wall likkle bway blue who love to blow im horn to de sheep in the meddow likkle bway blue grow up now an de sheep dem get curried ina likkle cold suppa shap dang de street
yuh rememba wen man dida panda fi guh moon yet dem did 'ave de cat a play fiddle suh de cow coulda jump ova it every full moon an' , lite bill increase
, den there was de old ooman who neva huh nuh family plannin clinic she use fi live somewhey dung a back-o-wall ina a lef' foot shoe back-o-wall tun tivoli gardens now suh she move
jack sprat, yes jack sprat who could'nt stan' fat im start eat it now but im son tun vegetarian cause meat scarce
likkle bo peep who lost her sheep went out fi look fi dem an' fine a politician instead an is now livin on beverly hills an society grow,
dic aree privates aree doc de mouse run up de clock all de tennats 'ave heart attack suh de lan' lard nuh 'ave need fi com back
fus time man use fi lov' dem but dem deh days dun an wi write,
|
|
|
|
|
|
adebayo201 (m)
|
Dat 1 na nursery rhyme  Even u kno fit memorize 'am. Topic: Here is my father, my caring loving father. Working hard all day to make my future brighten, strict but kind, day and night, caring father, i love my father. Do u love your papa 
|
|
|
|
|
|