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Shaucha |
While you're gazing at something-and this is a sensory experience,that is to say,your eyes are focusing on one point,and you can blink and relax your eyes or shut them once in a while,you don't have to be too rigid about it-but while you are gazing,let your other attention wander wherever it will. |
Making decisions concerning my spiritual life was something I seemed to be doing more and more of. I had gone through so much change since I started meditating seven years ago, that by now I had learned to just watch my life. |
🎶 Everyday em hustling 🎶 |
I learned that a good therapist listens not to what a person is saying, but to the motives and sincerity behind the words. Rama was more skillful at this than any therapist I'd encountered. |
As soon as he had left, he rushed to the screen, and drew it back. No; there was no further change in the picture. It had received the news of Sibyl Vane's death before he had known of it himself. It was conscious of the events of life as they occurred. The vicious cruelty that marred the fine lines of the mouth had, no doubt, appeared at the very moment that the girl had drunk the poison, whatever it was. Or was it indifferent to results? Did it merely take cognizance of what passed within the soul? he wondered, and hoped that some day he would see the change taking place before his very eyes, shuddering as he hoped it. |
"I think I shall join you at the Opera, Harry. I feel too tired to eat anything. What is the number of your sister's box?" "Twenty-seven, I believe. It is on the grand tier. You will see her name on the door. But I am sorry you won't come and dine." "I don't feel up to it," said Dorian, wearily. "But I am awfully obliged to you for all that you have said to me. You are certainly my best friend. No one has ever understood me as you have." |
But suppose, Harry, I became haggard, and gray, and wrinkled? What then?" "Ah, then," said Lord Henry, rising to go,--"then, my dear Dorian, you would have to fight for your victories. As it is, they are brought to you. No, you must keep your good looks. We live in an age that reads too much to be wise, and that thinks too much to be beautiful. We cannot spare you. And now you had better dress, and drive down to the club. We are rather late, as it is |
Life has everything in store for you, Dorian. There is nothing that you, with your extraordinary good looks, will not be able to do." |
Cry out against Heaven because the daughter of Brabantio died. But don't waste your tears over Sibyl Vane. She was less real than they are." |
You said to me that Sibyl Vane represented to you all the heroines of romance--that she was Desdemona one night, and Ophelia the other; that if she died as Juliet, she came to life as Imogen." "She will never come to life again now," murmured the lad, burying his face in his hands. "No, she will never come to life. She has played her last part |
He wanted me to try some cigars that he strongly recommended. I declined. The next night, of course, I arrived at the place again |
What is that, Harry?" said Dorian Gray, listlessly. "Oh, the obvious one. Taking some one else's admirer when one loses one's own. In good society that always whitewashes a woman. But really, Dorian, how different Sibyl Vane must have been from all the women one meets! There is something to me quite beautiful about her death. I am glad I am living in a century when such wonders happen. They make one believe in the reality of the things that shallow, fashionable people play with, such as romance, passion, and love." |
Ordinary women always console themselves. Some of them do it by going in for sentimental colors. Never trust a woman who wears mauve, whatever her age may be, or a woman over thirty-five who is fond of pink ribbons. It always means that they have a history. Others find a great consolation in suddenly discovering the good qualities of their husbands. They flaunt their conjugal felicity in one's face, as if it was the most fascinating of sins. Religion consoles some. Its mysteries have all the charm of a flirtation, a woman once told me; and I can quite understand it. Besides, nothing makes one so vain as being told that one is a sinner. There is really no end to the consolations that women find in modern life. Indeed, I have not mentioned the most important one of all |
But women never know when the curtain has fallen. They always want a sixth act, and as soon as the interest of the play is entirely over they propose to continue it. If they were allowed to have their way, every comedy would have a tragic ending, and every tragedy would culminate in a farce. They are charmingly artificial, but they have no sense of art. You are more fortunate than I am. I assure you, Dorian, that not one of the women I have known would have done for me what Sibyl Vane did for you. |
The only thing in the world worse than being Oscar Wilde is not being Oscar Wilde. |
Some one has killed herself for love of you. I wish I had ever had such an experience. It would have made me in love with love for the rest of my life. The people who have adored me--there have not been very many, but there have been some-- have always insisted on living on, long after I had ceased to care for them, or they to care for me. They have become stout and tedious, and when I meet them they go in at once for reminiscences. That awful memory of woman! What a fearful thing it is! And what an utter intellectual stagnation it reveals! One should absorb the color of life, but one should never remember its details. Details are always vulgar. |
The one charm of the past is that it is the past. |
But I thought it was my duty. It is not my fault that this terrible tragedy has prevented my doing what was right. I remember your saying once that there is a fatality about good resolutions,--that they are always made too late. Mine certainly were." |
My dear Dorian, the only way a woman can ever reform a man is by boring him so completely that he loses all possible interest in life. If you had married this girl you would have been wretched. Of course you would have treated her kindly. One can always be kind to people about whom one cares nothing. But she would have soon found out that you were absolutely indifferent to her. And when a woman finds that out about her husband, she either becomes dreadfully dowdy, or wears very smart bonnets that some other woman's husband has to pay for. I say nothing about the social mistake, but I assure you that in any case the whole thing would have been an absolute failure." |
Here is the first passionate love-letter I have ever written in my life. Strange, that my first passionate love- letter should have been addressed to a dead girl. Can they feel, I wonder, those white silent people we call the dead? Sibyl! Can she feel, or know, or listen? Oh, Harry, how I loved her once! It seems years ago to me now. She was everything to me. Then came that dreadful night--was it really only last night?--when she played so badly, and my heart almost broke. She explained it all to me. It was terribly pathetic. But I was not moved a bit. I thought her shallow. Then something happened that made me afraid. I can't tell you what it was, but it was awful. I said I would go back to her. I felt I had done wrong. And now she is dead. My God! my God! Harry, what shall I do? You don't know the danger I am in, and there is nothing to keep me straight. She would have done that for me. She had no right to kill herself. It was selfish of her." |
I don't know what it was, but it had either prussic acid or white lead in it. I should fancy it was prussic acid, as she seems to have died instantaneously. It is very tragic, of course, but you must not get yourself mixed up in it. I see by the Standard that she was seventeen. I should have thought she was almost younger than that. She looked such a child, and seemed to know so little about acting. Dorian, you mustn't let this thing get on your nerves. You must come and dine with me, and afterwards we will look in at the Opera. It is a Patti night, and everybody will be there. You can come to my sister's box. She has got some smart women with her." |
"I have no doubt it was not an accident, Dorian, though it must be put in that way to the public. As she was leaving the theatre with her mother, about half-past twelve or so, she said she had forgotten something up-stairs. They waited some time for her, but she did not come down again. They ultimately found her lying dead on the floor of her dressing-room. She had swallowed something by mistake, some dreadful thing they use at theatres. |
Your letter? Oh, yes, I remember. I have not read it yet, Harry. I was afraid there might be something in it that I wouldn't like." Lord Henry walked across the room, and, sitting down by Dorian Gray, took both his hands in his, and held them tightly. "Dorian," he said, "my letter--don't be frightened--was to tell you that Sibyl Vane is dead." |
Finally, he went over to the table and wrote a passionate letter to the girl he had loved, imploring her forgiveness, and accusing himself of madness. He covered page after page with wild words of sorrow, and wilder words of pain. There is a luxury in self-reproach. When we blame ourselves we feel that no one else has a right to blame us. It is the confession, not the priest, that gives us absolution. When Dorian Gray had finished the letter, he felt that he had been forgiven. |
Selah |
One thing, however, he felt that it had done for him. It had made him conscious how unjust, how cruel, he had been to Sibyl Vane. It was not too late to make reparation for that. She could still be his wife. His unreal and selfish love would yield to some higher influence, would be transformed into some nobler passion, and the portrait that Basil Hallward had painted of him would be a guide to him through life, would be to him what holiness was to some, and conscience to others, and the fear of God to us all. There were opiates for remorse, drugs that could lull the moral sense to sleep. But here was a visible symbol of the degradation of sin. Here was an ever-present sign of the ruin men brought upon their souls. |
As he often remembered afterwards, and always with no small wonder, he found himself at first gazing at the portrait with a feeling of almost scientific interest. That such a change should have taken place was incredible to him. And yet it was a fact. Was there some subtle affinity between the chemical atoms, that shaped themselves into form and color on the canvas, and the soul that was within him? Could it be that what that soul thought, they realized?--that what it dreamed, they made true? Or was there some other, more terrible reason? He shuddered, and felt afraid, and, going back to the couch, lay there, gazing at the picture in sickened horror. |
And, yet, how vivid was his recollection of the whole thing! First in the dim twilight, and then in the bright dawn, he had seen the touch of cruelty in the warped lips. He almost dreaded his valet leaving the room. He knew that when he was alone he would have to examine the portrait. He was afraid of certainty. When the coffee and cigarettes had been brought and the man turned to go, he felt a mad desire to tell him to remain. As the door closed behind him he called him back. The man stood waiting for his orders. Dorian looked at him for a moment. "I am not at home to any one, Victor," he said, with a sigh. The man bowed and retired. |
As soon as he was dressed, he went into the library and sat down to a light French breakfast, that had been laid out for him on a small round table close to an open window. It was an exquisite day. The warm air seemed laden with spices. A bee flew in, and buzzed round the blue-dragon bowl, filled with sulphur-yellow roses, that stood in front of him. He felt perfectly happy. |
There was a rather heavy bill, for a chased silver Louis-Quinze toilet-set, that he had not yet had the courage to send on to his guardians, who were extremely old-fashioned people and did not realize that we live in an age when only unnecessary things are absolutely necessary to us; |
Was it all true? Had the portrait really changed? Or had it been simply his own imagination that had made him see a look of evil where there had been a look of joy? Surely a painted canvas could not alter? The thing was absurd. It would serve as a tale to tell Basil some day. It would make him smile. |
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