Nigeria’s rising Singer, Cruise Rapper, known for his unique sound that blends elements of Afrobeat and reggae to create a feel-good, cruise vibe has said that the likes of Wizkid, Shata Wale and the late Bob Marley inspired his type of music.



The Singer who was born as Desmond Mike Obeahon has crafted his own signature style that resonates with audiences around the Nigerian Music Industry.

With the release of his debut album, New Chapter, featuring ten tracks that showcase his musical versatility and talent, he has captivated listeners with his infectious melodies and catchy hooks.

Cruise Rapper’s music has garnered critical acclaim and praise from fans, solidifying his place as a promising artist on the rise.
Currently, he is embarking on a tour across Nigeria, bringing his electrifying live performances and infectious energy to audiences everywhere. With his smooth vocals and dynamic stage presence, Cruise Rapper is sure to leave a lasting impact on all who experience his music first-hand.



With his sights set on sharing his music with the world, the music talent is poised for success and ready to make a lasting impression on the music scene.

Review: Harteez’s ‘Milestone EP’ A Journey of Struggle, Aspiration and Resilience


Harteez, the rising star in the Nigerian music scene, has dropped a compelling 3-track EP titled “Milestone,” offering listeners an intimate glimpse into his journey of struggle, aspiration, and resilience. Each track on the EP is a testament to Harteez’s artistry and determination to make it in the industry.

The EP opens with “Make it out,” featuring Folapondis, where Harteez lays bare his struggles and desires to overcome obstacles. Through heartfelt lyrics, he expresses a deep yearning for divine intervention, resonating with anyone who has faced adversity on their path to success.

Transitioning seamlessly to “Baba God” featuring Lil Frosh, Harteez continues to paint a vivid picture of his journey, emphasizing the importance of perseverance and seizing opportunities. The track’s infectious beat and Lil Frosh’s dynamic contribution elevate the narrative, reinforcing Harteez’s aspiration to rise above his circumstances and achieve greatness.

Closing the EP with “No tata 4 yan yan” featuring Portable, Harteez delivers a powerful anthem of ambition and empowerment. With Portable’s catchy hook driving the message home, Harteez boldly declares his desire for financial abundance and security, refusing to settle for anything less than success.

Throughout “Milestone,” Harteez’s lyrical prowess shines brightly, supported by the impeccable production. The EP’s thematic consistency and collaborative efforts with featured artists create a cohesive listening experience that leaves a lasting impression on audiences.


However, In evaluating Harteez’s latest EP, “Milestone,” it’s imperative to acknowledge its strengths while also considering areas for potential growth. While the EP undeniably showcases Harteez’s lyrical prowess and artistic vision, its reliance on featuring other artists throughout the three tracks presents a notable limitation. While collaborations can inject freshness and diversity into a project, they somewhat obscure a clear assessment of Harteez’s individual strengths and artistic identity. A fair critique lies in the absence of a solo track on the EP, which could have provided listeners with a more direct insight into Harteez’s capabilities as a standalone artist.

Despite these considerations, “Milestone” remains a compelling body of work that underscores Harteez’s potential as a rising star in the Nigerian music scene. “Milestone” is not just a collection of songs; it’s a journey—a journey of struggle, aspiration, and resilience. Harteez’s raw honesty and unwavering determination shine through in every track, making this EP a must-listen for anyone who appreciates authentic storytelling. With “Milestone,” Harteez has undoubtedly cemented his place as one of Nigeria’s most promising musical talents, leaving fans eagerly anticipating what he’ll accomplish next. Moving forward, a balance between collaborative efforts and solo compositions could further showcase Harteez’s versatility and solidify his place as a standout talent in the industry.

Harteez, the rising star in the Nigerian music scene, has dropped a compelling 3-track EP titled “Milestone,” offering listeners an intimate glimpse into his journey of struggle, aspiration, and resilience. Each track on the EP is a testament to Harteez’s artistry and determination to make it in the industry.

The EP opens with “Make it out,” featuring Folapondis, where Harteez lays bare his struggles and desires to overcome obstacles. Through heartfelt lyrics, he expresses a deep yearning for divine intervention, resonating with anyone who has faced adversity on their path to success.

Transitioning seamlessly to “Baba God” featuring Lil Frosh, Harteez continues to paint a vivid picture of his journey, emphasizing the importance of perseverance and seizing opportunities. The track’s infectious beat and Lil Frosh’s dynamic contribution elevate the narrative, reinforcing Harteez’s aspiration to rise above his circumstances and achieve greatness.

Closing the EP with “No tata 4 yan yan” featuring Portable, Harteez delivers a powerful anthem of ambition and empowerment. With Portable’s catchy hook driving the message home, Harteez boldly declares his desire for financial abundance and security, refusing to settle for anything less than success.

Throughout “Milestone,” Harteez’s lyrical prowess shines brightly, supported by the impeccable production. The EP’s thematic consistency and collaborative efforts with featured artists create a cohesive listening experience that leaves a lasting impression on audiences.


However, In evaluating Harteez’s latest EP, “Milestone,” it’s imperative to acknowledge its strengths while also considering areas for potential growth. While the EP undeniably showcases Harteez’s lyrical prowess and artistic vision, its reliance on featuring other artists throughout the three tracks presents a notable limitation. While collaborations can inject freshness and diversity into a project, they somewhat obscure a clear assessment of Harteez’s individual strengths and artistic identity. A fair critique lies in the absence of a solo track on the EP, which could have provided listeners with a more direct insight into Harteez’s capabilities as a standalone artist.

Despite these considerations, “Milestone” remains a compelling body of work that underscores Harteez’s potential as a rising star in the Nigerian music scene. “Milestone” is not just a collection of songs; it’s a journey—a journey of struggle, aspiration, and resilience. Harteez’s raw honesty and unwavering determination shine through in every track, making this EP a must-listen for anyone who appreciates authentic storytelling. With “Milestone,” Harteez has undoubtedly cemented his place as one of Nigeria’s most promising musical talents, leaving fans eagerly anticipating what he’ll accomplish next. Moving forward, a balance between collaborative efforts and solo compositions could further showcase Harteez’s versatility and solidify his place as a standout talent in the industry.

DJ Hardcord set to make waves in the Music Industry with his Mixtapes

There has been an exceptional rise in the numbers of talented Disc jockey in the entertainment industry, Djs who understand music and can hold the crowd for hours, Dj Hacord is one of them.


Bilahu Biodun Akorede who goes by the stage name Dj Hacord is a professional Disc Jockey who started his practice as a teenager before he went professional in the year 2013.


DJ Hacord vast knowledge of music and flow direction has given him that much recognition that made him One of the most sought after disc jorkey in the industry.


Hacord who graduated from Lautech has been a household name in Ogbomosho where he schooled and has since taken over as the Next big thing.


Apart from his exceptional mixing and transition skills, he has dropped several electrifying mixtapes such as Life of the Party Mix, Summer afro piano Vibez, Naija Throwback Mix, Best of burna boy, Piano xperience, just to mention a few and has gathered massive streams thereby making his mix most listeners favorite.


According to Dj Hacord, his goal is to evoke joy and promote good vibes through his mixes.


Dj Hacord has a new Party mix out now which is guaranteed to keep you dancing for hours as well as a South African tour come October-November.

Introducing the Captivating DJ “DJ Karty” and Her Stunning New Studio Pics!

Get ready to be mesmerized by the talent and beauty of this incredible female DJ as she takes the music scene by storm. Check out the breathtaking new studio pictures that showcase her passion, style, and undeniable charisma. Get ready to groove to the beats and witness the rise of a superstar DJ!

#DJKarty #StudioPics #MusicMagic

Growing up in the city of Lagos where achieving success requires that you offer nothing but the best, Bolaji Olamilekan Ajenifuja popularly known by his stage name BeeJayLee is an afrobeat music artiste gradually winning hearts with his musical works.



Beejay Lee was born in 1999 in Ijora Badia part of Lagos state where he spent his entire childhood days and acquired childhood experiences that fueled his zeal to become creatively extraordinary.

He attended Badia Primary school and then moved to Sari Iganmu Senior Secondary school where he got in contact with music. BeeJay Lee decided to make music his career path right from secondary when he noticed several of his colleagues were fast becoming fans of his raw music freestyles back then.



After completing his secondary education, BeeJay Lee began exerting lots of energy in making music, establishing connections with his peers in the music game while also growing his fanbase. His music career started on a good note in 2018 as lots of Nigerian music lovers instantly recognized his exceptional pen game and vocal dexterity.

For BeeJayLee, talent and hardwork are two things responsible for his ongoing successful music career run and his energy keeps elevating as he is looking to break bigger boundaries, gain more recognition while moving up the ladder with his outstanding talent.

Meanwhile, BeeJay Lee has cooked a new tune for fans delight, the song which is set to be released soon is a beautiful blend of Afrobeat Rhythm with soulful lyrics that speak about love and affection. The song which is titled “This Kind love” features another amazing young talent, 7Teen whose smooth vocals combined well with BeeJay Lee’s tuneful voice to deliver a mesmerizing romantic song.

No doubt, “This Kind Love” by BeeJay Lee is just a taste of what’s to come from this exceptional talent that has been incredibly slept on in Nigeria’s music industry. Having a quick glimpse into his discography so far and his soon-to-be released single, it will be easier to agree that BeeJay Lee is definitely an incredible talent to watch out for in the Nigerian music industry.

Growing up in the South-South part of Nigeria, precisely Delta State, Emmanuel Ike Akpeki is one of the country’s youngsters doing wonders and melting heart with Afrobeat music.

As a teenager in a church musical group, Kaysix Brown found love in music, developed strong passion for it and nurtured his talent to become a fully bred artiste with huge potential to become a global star.

His style of music can easily be recognised as Afro-pop, a sub-genre of Afrobeat with distinct sound that blends with catchy melodies and lyrics that speaks from his heart while connecting to many minds.

Kicking-off his professional music journey in 2016, Kaysix brown has done a lot to prove himself worthy of a big spot in the ever-growing Nigerian music industry. His journey to stardom has produced with outstanding singles like; Local man, Cover Me, Higher to mention but few. These music projects beamed the light on Kaysix Brown’s talent.

Having performed at several events and concerts across Nigeria, Kaysix Brown’s loyal fanbase continues to grow as he makes music that not only provides entertainment value but also inspire listeners.

Meanwhile, Kaysix Brown is set to release another exciting new single to further solidify his position as one of the rising stars in Nigerian music industry. His forthcoming single titled “Pressure (Ti Wa)” features Rayson and set to be released on Friday 28th of April.

With his unique style, creative instinct and undeniable talent, Kaysix Brown is fast becoming a force to reckon with in the Nigerian music scene.

Christened Omonojo Clinton Omoniyi and widely recognised by his stage name Neyoog, he is one of the few young Nigerian artistes armed with the intent of rewriting the history of Afrobeats as the genre continue to evolve.

The talented singer born in Lagos, by Ondo Parents, hit the music industry few years ago with a genre of his own, Afro-Ilaje which is a sub-genre of Afro-fusion and all under the heavens of Afro-beats. Not many artistes is courageous enough to choose uniqueness in a music industry overly proliferated but Neyoog did and he is standing tall against all odds.

His name got registered in the wall of radically talented young artistes to look out for in 2020 when he released “Sho Fo”, an Afro-Ilaje tune that got people asking who is this guy? “Sho Fo” came with an indescribable melody, sweet and tuneful enough to elicit a “whao!” exclamation in the mouth of many, endless replays on devices and multiple airplays on radio stations nationwide. Listening to Neyoog’s music breathes relief, induces body and soul with soothing vibe.

Surprisingly, Neyoog as an artiste has over the years exhibited hardwork beyond his music skills. His consistency and zeal in the quest to always deliver exciting tune for fans is unmatched. There has never been a dull moment for fans and music lovers following up with his activities in the music space.

Just 3months into 2023, Neyoog, the pioneer of Afro-Ilaje is all set to hit the ground running as he recently released a brand new song titled “Reply”, most definitely a song for people who still have their heads wrapped around the question of how much longer can this guy stay consistent with delivery of good music in the Afro-Ilaje style?

With “Reply” Neyoog has yet again proven himself to be a king in his lane. It’s amazing how he perfectly put together a lyrical composition that portrays a near-ending love which requires serious messages of re-assurance to make things right. Talking about flexing muscles with musical pen game with deep but melodious vocal delivery on a smooth running beat, he basically murdered this song.

Worthy of looking out for and staying glued to is Neyoog, a multi-talented singer, performer and songwriter with pleasant personality. No doubt, he is musically on an exciting journey and it’s going to be a jolly good ride.

The Central Bank of Nigeria (CBN) has extended the deadline for the use of the old notes till February 10.

CBN Governor, Godwin Emefiele, announced the extension in a statement signed on Sunday.

He explained that the apex bank has sought approval from President Muhammadu Buhari to extend the deadline for the use of the old notes by 10 days.

“Based on the foregoing, we have sought and obtained Mr President’s approval for the following: A 10-day extension of the deadline from January 31 to February 10 to allow for the collection of more old notes legitimately held by Nigerians,” the statement read.

“A 7-day grace period, beginning from February 10 to February 17, in compliance with Sections 20(3) and 22 of the CBN Act allowing Nigerians to deposit their old notes at the CBN after the February deadline when the old currency would have lost its Legal Tender Status.”

The CBN Governor also solicited the cooperation of all Nigerians in ensuring a hitch-free process for the implementation of the policy.

Before the apex bank extended the use of the naira note, many Nigerians experienced difficulty in lodging their old banknotes.

The scramble by many Nigerians to meet the initial January 31 deadline has been chaotic as many of them flood banking halls with huge cash in old notes to exchange them with new ones.

Others are seen in long queues at the few ATM points having the new naira notes in different parts of the country to have access.

The naira redesign was greeted by criticism by some Nigerians, including the presidential candidate of the ruling All Progressives Congress (APC), saying the policy was intended to scuttle his presidential ambition.