₦airaland Forum

At Suptol Designs, we help businesses like yours stand out. We are an Ibadan-based digital studio that blends high-end design with smart communication strategies.

We partner with brands and agencies to deliver:

- Innovative Digital Products
- Immersive Brand Experiences
- Sustainable Design Solutions for projects of any size

You can count on us for premium service delivery and a seamless project experience.

Let’s discuss your next project.

WhatsApp: +2347056828476
Email: info@suptoldesigns.com
Web: suptoldesigns.com


Updated Portfolio (2026)

You are encouraged to post logo design port folio here: www.nairaland.com/1823110/nairaland-portfolio-logo-designers

Trybal – Borderless Money Landing Page Website

Project Type: UI/UX Design
Industry: Fintech
Tools: Figma, Photoshop, Illustrator
Year: 2025

1. The Challenge
Trybal needed a web presence that communicated "financial freedom" without the stiffness of traditional banking. The challenge was to organize a wealth of information—targeting distinct user groups like Students, Travelers, and Freelancers—without cluttering the interface. The goal was to create a journey that felt seamless, secure, and globally connected.

2. The Design Solution
Visual Identity: Energetic & Trustworthy We moved away from the standard "tech blue" and adopted a monochromatic green strategy.

• Electric Lime & Deep Forest Green: We used bright lime accents for Call-to-Actions (CTAs) to drive conversion, set against deep green backgrounds to ground the design in trust and stability.
• Clean Typography: A modern sans-serif typeface was selected to ensure high readability, specifically for the bold headlines like "Borderless money. One card. One global account."
UI Layout & Structure
• The "Bento" Grid Layout: For the "Who's It For?" section, we utilized a clean, card-based grid system. This allowed us to segment user personas (Students vs. Freelancers) into digestible blocks, using high-quality photography and 3D-style assets (like the floating green credit card) to break up the text.
• Contrast for Focus: To break the visual monotony of a long scroll, we implemented a dark-mode section for "Why Trybal?". This distinct change in background color naturally draws the eye to the key value propositions, such as "Instant Transfers" and "Global Acceptance."
• Process Visualization: The "How It Works" section uses gradient-filled cards with custom iconography (coins, chips, and currency symbols) to simplify the onboarding process into four easy steps.

3. Key Features Highlighted
• Interactive Hero Section: The landing view features a high-fidelity mobile mockup surrounded by floating UI elements (showing transaction success), immediately showing the user what the product feels like.
• Future-Proofing: We included a specialized "Future Features" section to showcase the brand's roadmap (Crypto Service, Multi-currency Wallets), reassuring investors and early adopters of the platform's scalability.
• Social Proof: A dedicated "What People Are Saying" section with star ratings reinforces credibility right before the final CTA.

4. The Result
The final design is a vibrant, responsive interface that perfectly balances lifestyle appeal with financial utility. The use of rounded corners, soft drop shadows, and abstract wave patterns creates a friendly, approachable user experience that aligns with Trybal’s mission: Your Money. Your Tribe. Your World.

Afriemd Foods – The Taste of Home

Client: Afriemd Foods
Industry: Food & Beverage / Retail
Year: 2025
Service: Brand Identity & Logo Design

1. The Overview
Afriemd Foods is a bridge between two worlds. Based in Canada, the business serves the African diaspora by providing authentic, raw local ingredients, from spices and grains to essential soup bases. The brand’s mission is simple but powerful: to help Africans abroad recreate the specific, nostalgic tastes of home in their Canadian kitchens.

2. The Challenge
The African food market in the diaspora is growing, but often lacks cohesive branding. Afriemd Foods needed an identity that felt authentic to its roots without looking dated. The challenge was to create a visual identity that communicated "freshness" and "tradition" while appealing to a modern, international audience.

3. The Design Solution
We developed a logo system rooted in the fundamental building blocks of African cooking.
• The Symbology (The "Ingredients": At the heart of the logo is a custom graphic element placed above the wordmark. These abstract geometric shapes, a starburst, seeds (dots), and organic circular forms, represent the raw materials of African cuisine: spices, grains, seeds, and fruits. They symbolize the diverse components coming together to create a complete meal.
• Typography: We chose a rounded, lowercase sans-serif typeface for the word "afriemd." This approachable font choice emphasizes the friendly, community-focused nature of the brand (echoing the word "friend". The word "foods" is stacked below in a lighter weight to maintain hierarchy.
• Color Palette: The identity is anchored in a monochromatic green scheme.
o Deep Forest Green (Background): Represents the richness of the African soil and the authenticity of the product.
o Lime & Leaf Green (Accents): These brighter shades signify freshness, organic growth, and the vibrancy of the spices being sold.

4. The Impact
The resulting identity for Afriemd Foods is clean, versatile, and distinct. It successfully positions the brand as a premium yet accessible provider of cultural comfort, promising quality to customers seeking a genuine taste of Africa in Canada.

WadaAro Bravo App is an election monitoring and management system to monitor and manage the electioneering process for Engr. Wada the gubernatorial candidate of the People’s Democratic Party (PDP) candidate in Kogi state.

We worked with Eppmedigital Technologies to create the user interface for the mobile application. Several interesting interfaces were developed such as the Wada News which provides feeds on activities and happenings about Engr. Musa Wada’s Campaign.

We designed over 21 pages such as login, message center, menu page, sign up, Gallery, profile, direct calls, settings, election monitor, etc.

Kindly visit https://www.suptoldesigns.com/portfolio/wadaaro-bravo/ to view the complete project.

Suptol Designs (2019)

Interesting. I really feel your 3D logo. What software(s) did you use for that particular image?

suptol: Thanks. I used Photoshop cs5

It makes sense bro.

@suptol, nice1. i will like to add u on watsapp so we can talk.

Partyra

Project Type: Product Design (Web Application)
Role: UI/UX Designer
Industry: Entertainment, Nightlife & Social Networking
Core Concept: A hybrid platform bridging the gap between event ticketing, social connection, and dating.
Year: 2023

1. The Overview
Partyra is more than just a ticketing platform; it is a lifestyle ecosystem. While traditional platforms like Eventbrite focus solely on the transaction (buying the ticket), Partyra focuses on the experience. The application enables users to discover nightlife events, manage their own gatherings, and uniquely find dates and friends attending the same events.

2. The Problem
The "Solo" Gap in Event Tech: Most event platforms are purely transactional. Users buy a ticket in isolation and then have to use separate apps (WhatsApp, Tinder, Instagram) to find out who else is going or to coordinate plans. There was no single platform that answered both "Where am I going?" and "Who am I going with?"

3. The Solution: A "Social-First" Architecture
We designed Partyra to operate on two distinct levels: Public Discovery (for browsing) and Personal Connection (for engaging).

A. The Public Interface: Immersive Discovery
• Visual Strategy (Night Mode): To resonate with the nightlife demographic, we utilized a deep purple and black UI theme. This mimics the low-light environment of clubs and concerts, reducing eye strain while making event photography pop.
• Scannability: The homepage features horizontal scroll lanes for "Today Events," "Popular Events," and "Venues". This allows users to digest large amounts of information quickly without feeling overwhelmed.
• Instant Filtering: The top navigation bar focuses strictly on utility: "Search Events" and "Select City", reducing the friction between landing on the site and finding a party.

B. The Dashboard: The Social Command Center
Once a user logs in, the UX shifts from a brochure-style layout to a functional web application layout.

• Hybrid Navigation System: We transitioned from a top-bar navigation (on the homepage) to a vertical sidebar for the user dashboard. This vertical rail allows for scalable feature growth, accommodating complex modules like "Messages," "Dating," and "Notifications" without cluttering the screen.
• The "Dating" Differentiator: A dedicated "Dating" tab was integrated directly into the primary navigation. This feature allows users to match with other attendees before the event, solving the social anxiety of attending events alone.

C. Creator Tools: [/b]Empowering the User
We designed the platform to treat every user as a potential organizer.
• Event Lifecycle Management: The "My Events" dashboard organizes content into clear tabs: Upcoming, Past, and Drafts.
• Draft Functionality: Recognizing that creating an event is a process, we added a prominent "Drafts" section, allowing organizers to save their work (lineups, ticket prices) and return later, rather than forcing them to publish immediately.

[b]4. Key UI Decisions
• Primary Action Buttons: We used a vibrant Sunset Orange for high-priority actions like "Create New Event" and "Sign Up". This creates a sharp contrast against the dark background, guiding the user's eye immediately to conversion points.
• Card Design: Event cards were designed with rounded corners and clear hierarchy. The Date Badge (e.g., "SAT OCT 06" is the most prominent element, followed by the image, ensuring users know when the event is before they even read the title.

5. The Impact
The Partyra design successfully merges the utility of an admin dashboard with the engagement of a social network. By placing "Messages" and "Dating" alongside "My Events", the interface subtly encourages users to stay on the platform longer, transforming it from a utility tool into a daily social hub.

Partyra Social Media Campaign

Type: Brand Identity & Social Media Marketing
Tools: Adobe Photoshop / Illustrator
Goal: Brand Awareness & App Installation
Year: 2023

1. The Strategy
The goal of the Partyra social media campaign was to stop the scroll. In a crowded feed, we needed to communicate "fun," "nightlife," and "social connection" instantly. We developed a cohesive visual language that extends the website's "Dark Mode" aesthetic into Instagram and Facebook feeds, ensuring instant brand recognition.

2. Design Direction: "The Glow in the Dark"
To maintain consistency with the web application, we utilized the core brand colors:
• Deep Violet Backgrounds: We used the same dark purple background found on the website to serve as a canvas. This creates a "nightclub" atmosphere and allows the foreground elements to pop.
• Sunset Orange Curves: A dynamic orange swoosh or circle is present in every design. This visual device acts as a "spotlight," guiding the user's eye directly to the headline or the subject.

3. Content Pillars & Execution
We designed a variety of creative assets to target different stages of the user funnel:

• The "Engagement" Post (Left):
o Headline: "If you could host a themed party, what would it be?"
o Visual: We used quirky, high-energy imagery (figures dancing in zebra and horse masks) to inject humor and personality. This invites comments and interaction rather than just pushing a sale.

• The "Product Launch" Post (Center):
o Headline: "Introducing Partyra: The Ultimate Social Connect App!"
o Visual: A high-fidelity 3D mobile mockup bursting out of the frame. This makes the product feel tangible and highlights the "Social Connect" value proposition.
• The "Vibe" Post (Right):
o Headline: "Join the party fever!"
o Visual: Dynamic 3D-style character illustration. The energy of the characters (cleaning up while partying) relates to the "after-party" or the prep—covering the full lifecycle of an event.

4. Key Components
• Clear Call-to-Action (CTA): Every post includes the "Download Partyra" tag alongside the App Store and Google Play badges. This ensures that whether the user is laughing at a meme or looking at the app, the next step (Download) is always visible.
• Typography: We stuck to the bold, clean sans-serif typeface used in the logo, ensuring readability even on small mobile screens.

5. The Result
The social media suite successfully translates the functional utility of the app into an emotional experience. The consistent use of the orange/purple palette builds a strong brand recall, making Partyra look like a premium, established player in the nightlife industry.

The Industrialist – Envisioning a New Nigeria


Project Type: Photo Manipulation / Visual Art
Theme: Nation Building & Industrialization
Tools: Adobe Photoshop
Year: 2025

1. The Concept
Nigeria stands at a pivotal threshold. With a population of over 220 million and abundant resources, the nation possesses the raw materials to become Africa's next industrial powerhouse. "The Industrialist" is a visual manifesto designed to capture this potential. The goal was to visualize the concept of "growth" not as a slow climb, but as a towering, inevitable reality.

2. The Visual Strategy
Perspective as Metaphor We utilized a radical "worm's-eye view" perspective (looking directly up). This technique serves a psychological purpose: it makes the architecture feel monumental and imposing. It forces the viewer to "look up," symbolizing aspiration, ambition, and the sheer scale of the industrial future that awaits Nigeria.

Composition & Leading Lines The image is constructed using a converging composition. The sharp angles of the glass and steel skyscrapers act as leading lines, drawing the viewer’s eye toward the center of the frame, the open sky. This represents the "limitless potential" at the core of the country's development.

Color Grading & Atmosphere The color palette was carefully graded to tell a story of transition:
• Teal & Steel (Edges): The cold, metallic tones of the buildings represent modern infrastructure, technology, and resilience.
• Warm Gold/Orange (Center): The gradient fades into a warm glow at the center, symbolizing the "dawn" of a new era and the heat of industry.

3. The Result
"The Industrialist" successfully translates complex socio-economic data into a single, striking visual. It captures the tension between where the nation is and where it is going, serving as a powerful visual anchor for narratives regarding African development and entrepreneurship.

Embee Fuels is a start-up oil company. They reached out to us to help with them to brand their new venture. And we were glad to help them with their logo design, truck branding, station branding, and to come with branded materials such as flyer, banner, ID card, receipt etc

Suptol Designs (2018)

Personal project for Christmas and Boxing day


Suptol Designs (2019)

infact nice piece of work. amma message you on whatsapp

Promotional Designs for Roadster Burger

Wonderful! Great designs: packets of inspiration

*Soliloquizing* mehn, this guy is worth following here on Nairaland o! I won't even mind following him everywhere, especially when he's doing designs. Chai! Jisos, give me the grace to consentrate and sabi work like this oga @ d top o!

Nice job, bro

11:11 Campaign designs for Lontor and GAC Motor


Suptol Designs (2018)

Book Cover designs for Silas Ozoya

Idea 2 Cash, How to Generate #5X Income in 30-90 days and 4Ms of Money.

Suptol Designs (2018)

Great jobs man!
They are mind blowing..

These designs looks great. Please can you help me design a logo for my business - New Cresent Ent. (kindly call on 08098095885).

Newcrescent: These designs looks great. Please can you help me design a logo for my business - New Cresent Ent. (kindly call on 08098095885).

Thanks. really appreciate. I will give you a call

Depression

Considering the effect of depression and staggering account the statistics of depressed people in Nigeria (as at 2018 )which is about 60 million people. That's about a third of the population report experiencing depressive symptoms. And more than 1,000 interviews conducted in all five major Nigerian languages found that 31.6 percent of the population reported symptoms of depression and 27.8 percent reported symptoms of anxiety.

This made us come up with a campaign against depression.

Suptol Designs (2018)

Great works

A Branded Smoothie Drink Can design for Dietmuncher.

Suptol Designs (2017)

Hi Bro, great works you have. please is it only photoshop you use to design? Do you use coreldraw?

Father's Day Design

Suptol Designs (2018)

Rufex07:
Hi Bro, great works you have. please is it only photoshop you use to design? Do you use coreldraw?

I use Corel draw too, but not as I use Photoshop.
Most of my jobs are executed with Photoshop.

suptol:
I use Corel draw too, but not as I use Photoshop.
Most of my jobs are executed with Photoshop.

OK thanks

#RegisterYourVibe – Youth Voter Mobilization Campaign
________________________________________

Project: Voter Awareness & PVC Registration Drive Target
Audience: Gen Z & Millennials (Youth)
Location: Ondo State (Pilot visuals shown for Ekiti)
Theme: #RegisterYourVibe
Year: 2025

1. The Challenge
Political apathy among Nigerian youth is a significant hurdle. Traditional election campaigns often feel stiff, bureaucratic, or overly aggressive, which alienates the younger demographic (18–35). The challenge was to create a voter registration campaign that didn't feel like "politics"—it needed to feel like a lifestyle movement. We needed to convince young people in the state that holding a Permanent Voter Card (PVC) is not just a civic duty, but a status symbol.

2. The Core Insight
The campaign was built on a simple cultural insight: "The Vibe." For young Nigerians, "Vibe" encompasses energy, style, and social standing. We realized that to get youth to register, we had to position the PVC as the ultimate "Access Pass" to the future they want.
• Key Message: "A vibe without a PVC is incomplete."

3. The Visual Identity
We moved away from the standard, rigid political aesthetic and adopted a Pop-Culture / Urban design style.
• Typography: We used a bold, distressed "grunge" font for the campaign hashtag #REGISTER YOUR VIBE. This mimics the style of streetwear brands and music festival posters, instantly signaling that this message is for the youth, not at them.
• Color Palette: We utilized a fresh take on the national colors—using a vibrant Kelly Green and Clean White, mixed with cooler blues. This maintains patriotic recognition but feels fresher and more digital-friendly than the standard dark government green.
• Imagery: The campaign features high-energy photography of young, smiling professionals and students holding their PVCs like trophies. This visualizes the "Soft Life" concept—implying that voting is the first step toward the comfortable, successful future they desire.

4. Campaign Copy & Tone
The copywriting speaks the language of the street and social media:
• "Soft Life Copy": connecting political participation to economic prosperity.
• "Step Up... Your Voter's Card is Your Key": Framing the PVC as a tool for personal empowerment rather than just a government requirement.
• "Ekiti's Future is YOU" (adapted for Ondo): Direct accountability, placing the burden of leadership on the voter.

5. Implementation & Assets
To ensure virality, the design system was rolled out across multiple touchpoints:
• Social Media Tiles: Square graphics optimized for Instagram and WhatsApp status updates.
• DP Frames: "I Registered" templates allowing users to insert their own photos, turning the campaign into a user-generated trend.
• Countdown Graphics: Creating urgency for the registration deadline.

6. The Result
The #RegisterYourVibe identity successfully rebranded the act of voter registration. By associating the PVC with "Vibes" and "The Future," the campaign transformed a boring bureaucratic process into a socially relevant trend, encouraging peer-to-peer mobilization across the state.