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|Re: Symbolism,Satanism,Illuminati,and Mind Control in Music by Nobody: 5:33pm On Oct 08, 2014|
[size=18pt]The 2014 VMAs: All About Oversexualization Pushed by Music Industry Puppets[/size]
The 2014 VMAs were focused on a single theme – a theme that was expressed using most of the stars of the show. From Nicki Minaj and Ariana Grande to Iggy Azalea and Beyonce, the sight and the sounds of the VMAs were about one thing: Oversexualization using Illuminati puppets.
Last year’s VMAs were all about Miley Cyrus acting like a fully programmed Beta Kitten. This year, nearly all of the performers who took the stage were acting like fully programmed Beta Kittens. When the “highlights” of an award show are the butt implants of Nicki Minaj and (most likely) Iggy Azalea, you know there wasn’t much substance there. After the show, MTV reported as “news” that Austin Mahone said about Nicki Minaj:
“Her butt was just huge. That was all I could focus on.”
This pretty much sums up the 2014 VMAs: a dumbstruck audience staring at butts for a few hours, mixed with some industry pawns getting shiny trophies. While some viewers might say “That was awesome!”, let’s not forget that the target audience of MTV are born around the year 2000. They are the ones growing up watching this, absorbing the sights and sounds. And the sights and sounds of the 2014 VMAs sent a clear message to these youths.
Oversexualization means, simply, “sexualizing excessively”. Yes, making love is a wonderful part of life, but when this act is debased, corrupted, exploited, and sold to young, immature minds, it can produce lifelong negative psychological and interpersonal effects. However, to the occult elite, those effects are desirable because it produces a population with “loose morals”, which is just the kind of population they are looking to create.
One giant creepy All-Seeing Eye is letting you know that the elite is sponsoring this fiasco.
As usual, the VMAs featured small selection of performers. Even “crowd reaction” shots were focused only on a few guests, namely Katy Perry, Taylor Swift, and Kim Kardashian. In short, the 2014 VMAs were all about the industry kittens.
Here’s a look at the main stars of the VMAs and their main message. You will probably realize that they are all similar, almost as if they were controlled by the same people. Newsflash: They are.
Ariana Grande is another children favorite (she was first seen on Nickelodeon TV shows) who is turning industry Kitten.
Ariana Grande is yet another child TV star turned into an industry Kitten.
Ariana Grande mastered the “I-am-so-young-and-innocent” look during her TV career. That look is now combined with skimpy outfits to please perverts around the world. Even the host of the show, Jay Farrow, addressed the uncomfortable feeling caused by Grande’s act.
“Ariana Grande is killing it right now. I’m attracted to her and, you know, I feel a little weird about it because … she looks kind of young, don’t she? You should not be a grown man enjoying Sam & Cat just like your five-year-old nephew. He’s like: “Uncle I like her”. I’m like: “I like her too baby, she’s amazing”.
Sam and Cat was a Nickelodeon show primarily aimed at children under 12. As with many other children favorites, both stars got sexual.
Sam & Cat was a Nickelodeon show popular among children under 12.
Grande's co-star Jennette McCurdy caused some controversy when revealing selfies "leaked" online. Subjecting young fans to these kinds of transformations has become an almost necessary ritual in the entertainment industry.
Grande’s co-star Jennette McCurdy caused some controversy when some of her racy selfies “leaked” online. Once again, young fans witnessed the transformation of a young girl they idolized into a product of the Beta Kitten industry.
Ariana Grande is currently getting a huge push from the industry to launch her career. Unsurprisingly, she is already pushing the messages and the symbolism that comes with being an industry puppet.
In her video "Break Free", the Kabbalistic Tree of Life in used to launch the spaceship. A great way to promote the occult elite's philosophy to clueless viewers.
In her “Break Free” video, the Kabbalistic Tree of Life is used to launch the spaceship. Not unlike Madonna, Britney Spears and other industry Kittens, Grande is into “Hollywood Kabbalah”.
The seal of the Illuminati pawn.
The official seal of the industry pawn.
Re-read the title of this article to fully understand this image.
As documented in several articles on this site, Nicki Minaj has been used to push all kinds of Agendas in the few past years. Her latest single, Anaconda, is a continuation of her doing exactly what the industry wants her to do. The song samples Sir Mix-A-Lot’s Baby Got Back and repeatedly uses the line “My anaconda don’t want none unless you got buns, hun” which can be translated to “You will not attract guys if you do not have a gigantic butt like Nicki Minaj’s”. When Sir Mix-A-Lot rapped this line in the original song, it was kind of funny and amusing. But, in the context of Minaj’s song, it became a way of making young girls feel inadequate.
If you’re able to not focus exclusively on her butt and listen to the lyrics, you’ll notice that each verse is about Nicki banging a different guy. Because he has money. Pretty uplifting.
This dude named Michael used to buy motorcycles
D*ck bigger than a tower, I ain’t talking about Eiffel
Real country ass n***a, let me play with his rifle
P***y put his ass to sleep, now he calling me NyQuil
Now that bang bang bang, I let him hit it cause he slang cocaine
He toss my salad like his name Romaine
And when we done, I make him buy me romaine
I’m on some dumb s**t
The last line of this verse is quite accurate. But things get dumber. A part of the song repeatedly says “Oh. My. Gosh. Look at her butt”. Meanwhile, during her performance Nicki shook her surgically enlarged behind continuously. It’s these moments of clarity where you realize that our civilization has reached a new cultural low and that we are not far from Roman-style all-out decadence.
Of course, one might say: “It’s a fun song about big butts! Get over it pal!”. Well, okay, pal. Let’s look at the other performance given by Minaj:
Usher bangs his head on Minaj’s behind and then slaps it.
It was not just one song. The entire awards show was all about selling “it” through industry puppets.
The official seal of the industry pawn.
Jessie J and friends after performing “Bang Bang”. As if to highlight the real message of the awards, Minaj could barely keep her clothes on.
For some reason, Jessie J is always invited to big events. Maybe it is because she’s always been down with the Illuminati Agenda. In this case, her single Bang Bang fits perfectly in the overarching theme of the 2014 VMAs. Here is the chorus of the song:
Bang bang into the room (I know you want it)
Bang bang all over you (I’ll let you have it)
Wait a minute let me take you there (ah)
Wait a minute tell you (ah)
Bang bang there goes your heart (I know you want it)
Back, back seat of my car (I’ll let you have it)
Wait a minute let me take you there (ah)
Wait a minute tell you (ah)
Jessie J is just another puppet selling “it” to the youth.
The official seal of the industry pawn.
Iggy Azalea and Rita Ora
After trying for years to make it in the music industry, Iggy got buttocks implants and that is pretty much what she's about now.
Iggy Azalea got down and dirty while performing Black Widow.
Iggy Azalea and Rita Ora have both been featured on Vigilant Citizen because they push the Illuminati Agenda. In the VMAs, they performed the song Black Widow, which is the name of venomous female spiders who eat the males after mating. Guess what the song is about? Yup, copulating with a guy and killing him afterwards. Vengeful, evil copulation mixed with death. That is the kind of crap the industry loves to promote.
Two performers, two official seals of the industry pawn.
A lot of legs were spread during this awards show.
Not unlike the VMAs of the past few years, Jay-Z and Beyonce acted as the “royal family” of the awards. Beyonce was given the Video Vanguard Award and got to perform a whole lot of songs. Beyonce being awarded in this edition of the VMAs makes sense, since for years she has been the main figure of the Kitten industry. As stated in several articles on this site, Beyonce has been used to push all aspects of the elite’s Agenda.
As expected, Beyonce’s performance got rather raunchy and explicit. Here’s a verse from her song Partition.
Driver roll up the partition please
I don’t need you seeing Yoncé on her knees
Took 45 minutes to get all dressed up
We ain’t even gonna make it to this club
Now my mascara runnin’, red lipstick smudged
Oh he so Hot, yeah he want to f**k
He popped all my buttons and he ripped my blouse
He Monica Lewinski’d all on my gown
This was intertwined with a confusing bit about feminism.
I am not a big fan of any term that finishes with -ist. And I do know why Beyonce is standing in front of it.
None of this makes sense. To top it off, it was followed by her singing “Bow down b*tches”.
While Beyonce was performing, the camera kept cutting to Jay-Z and Blue Ivy.
“Look, mommy is on the stripper pole now”.
While the presence of Blue Ivy was somewhat heartwarming, there is a question that is needs to be asked. Is anyone else bringing their kids? Why is she so present and publicized? Does she need to be in that spotlight? In the context of these VMAs – which are almost ritual dramas, yes, she needed to be there. She is the heir of the royal couple. Like all of the young people around the world, she witnessed a few hours of intense oversexualization. And then she saw her mother get a trophy for it. The Agenda is about implementing values to the younger generation. And Blue Ivy represented that. And that is how the VMAs ended.
Official seal of the industry pawn.
This year’s VMAs did not contain the usual occult symbolism that is described on this site. In fact, it did not contain much substance at all. It focused solely on an key part of the industry agenda: Sexualizing the youth and exposing them to debasing, degrading messages. It is about associating art, music and creation with the exploitation of lust. As seen in the lyrics and images above, the “stars” of the show are not independent artists, they are puppets part of the same system, all linked together under the “one-eye sign”.
In an ideal world, this kind of spectacle would prompt viewers to question the state of modern society’s mass art and culture, which is constantly sinking to new lows. It would make viewers wonder why all this “music” has become a homogenous cesspool of overstimulating, mind-numbing messages. Unfortunately, most viewers will have just one reaction to the 2014 VMAs: “Look at her butt!”
|Re: Symbolism,Satanism,Illuminati,and Mind Control in Music by Nobody: 9:58am On Dec 23, 2014|
[size=18pt]The 2014 American Music Awards Were Littered With Illuminati Symbolism[/size]
The 2014 American Music Awards featured
Watching award shows is a dizzying, mind-numbing experience for most people but they become a truly revolting experience for those who understand their underlying symbolism. In my article about the 2014 VMAs, I explained how it was about “oversexualization pushed by music industry puppets“. Although produced by another television network, the 2014 American Music Awards were a perfect continuation of this trend. The same few artists got the exposure they crave by taking the stage and performing (those who are being pushed under the spotlight), we saw the same “celebs” in the crowd overreacting to mediocre songs (seeing Taylor Swift or the Jenner sisters dancing to a new single is a great way to get people to download it from iTunes) and the same message is ultimately pushed : To make it in the industry, you have to push the elite’s message.
Let’s look at the debasing and dehumanizing messages that were served to the public during the 2014 AMAs.
Taylor Swift Kills a Bunch of Men
The AMAs began with the idol of suburban America : Taylor Swift. Young girls love her because she is so “cool and down to earth”. Is ritualistically killing a bunch of men in horrific ways “cool and down to earth”? Well that is what her performance was about … And I am not sure that many “swifties” (yes, that’s how Taylor Swift fans call themselves) understood that message. Swift is not the humble, guitar strumming singer anymore – she’s all about Illuminati pop now.
While performing her single Blank Space, Swift plays the role of a man-eating rich woman.
The performance begins with Swift sitting in a classy dining room with some poor sap. Notice the dualistic pattern in the background used in MKULTRA. Notice the dualistic pattern in the background which refer to the ritualistic connotation of the act.
The room - and the paintings inside of it - stretch down, revealing the horrible fate of the men in the painting.
The room then stretches down and reveals the horrible fate of the men in the painting. They’re her past victims.
Swift then gives a red apple to the poor sap who immediately eats it like an idiot and dies. TAKE THAT MEN!
Swift then gives a red (the color is important) apple to the poor sap who immediately eats it like an idiot and dies. Murder is cool when Taylor Swift does it.
The entire set is made of a dualistic black and white pattern juxtaposed with objects that are red the color of blood sacrifice. Taking place in a posh mansion, the performance refers to the blood sacrifices the occult elite loves to indulge in.
Swift holds a rose on that's on fire - this red rose represents sacrifice.
Swift holds a red rose on that’s on fire. She holds a flame in her other hand, hinting to the deadly witchcraft involved in her killings.
The backup dancers are actually dead men who got killed by Swift. One of them got ran over by a car, another one has bullet holes on his chest and another one appears to have been strangled. Uplifting. Notice the red drapes in the back that represents their blood sacrifice.
The backup dancers are actually dead men who got killed by Swift. A closer look at their attire during the performance reveals that one of them got ran over by a car, another one got shot several times in the chest and another one was strangled. Uplifting. Notice the red drapes in the back.
This performance is yet another example of the elite wanting to make death and murder cool and sexy.
Someone is knocking at Taylor's red door (which was scratched by someone who attempted to escape but died horribly). Who could that be?
Someone is knocking at Taylor’s red door (which was scratched by someone who attempted to escape). Who could that be?
... another poor sap.
… another poor sap. *** Applause and standing ovation for Taylor Swift *** !
The good and wholesome Taylor Swift played the role of a rich elite Madam who sacrifices men inside a big mansion. Swifities enjoyed all of that!
Charli XCX is clearly a new favorite of the music industry. Her performance at the AMAs was a perfect occasion to “introduce” her to the American public. The result? Another ritualistic performance color coded to symbolize an initiation into the music industry.
Charli began the performance dressed in a virginal gown in a setting akin of a school prom.
Charli began the performance dressed in a virginal gown in a setting akin of a school prom. Such innocence.
She takes off the gown to reveal a black latex suit.
At the next song, she takes off the gown to reveal a black latex suit. Her name appears in white gooey letters in the background … which is … not sexual at all.
The performance follows the classic narrative of “good girl gone bad” – where the artist begins wearing white, looking somewhat pure to then morph into a black-clad sex bomb. Britney Spears, Rihanna, Beyoncé, Lady Gaga, Taylor Swift and many other female pop stars went through this narrative at one point or another in their career.
Charli ended her performance with her crotch in the face of a rabbit-faced guy. Welcome the music biz Charli!
Iggy Azalea – P*ssy Power
As if to emphasize the fact that only a select few get the spotlight, Charli XCX went back on stage with Iggy Azalea … who was later featured with Jennifer Lopez.
Iggy’s began her performance hosting a mock press conference surrounded by a very symbolic logo.
This could be the official logo of Sex Kitten Programming. The face of a cat that has a thunderbolt (representing electroshock torture) splitting its head in half (representing the fracturing of the psyche of MK slaves).
Underneath the electroshocked kitten head is the word “power”, which is almost ironic as none of these slaves have any power over their lives.
The second song performed by Iggy was Beg for It and its lyrics are in perfect line with her Beta Kitten persona. The first words of the song pretty much refer to her being a prostitute.
Pulled up looking picture perfect, baby
High price, but I’m worth it, baby
The first words of the second verse explain that the cat logo means “P*ssy Power”. While one might interpret that as a mentally challenged brand of feminism, it is actually about being a Beta Kitten.
Pussy power, pay me by the hour
The cover of the single Beg For It features Azalea and a feline behind her - her Beta Kitten alter persona.
The cover of the single Beg For It features Azalea and a feline behind her – which represents her Beta Kitten alter persona.
Yes, I was begging for it … Begging for that song to stop.
All Eyes of Fergie
Then Fergie came on stage to perform her single L.A. Love which is about loving Los Angeles. No need to incorporate a bunch of Illuminati symbols in that, right? Wrong. Her music video and her AMA performance were drenched in Illuminati imagery.
Fergie’s performance began with bunch creepy All-Seeing Eyes blinking in the dark, as if the occult elite is saying : “We’re watching you”.
Fergie's music video and her AMA performance both revolve around a single object : A weird bus with a weirder "entrance". Why so much emphasis on this? Because it is a replica of the entrance of a Masonic temple.
Fergie’s music video and her AMA performance both revolved around a single object : A weird bus with colorful “entrance”. Why so much emphasis on this entrance? Because it is a replica of the entrance of a Masonic temple.
Fergie indeed performs in front an entrance made of two pillars – on which are drawn All-Seeing Eyes – topped by a triangle. This is a classic design used in Masonic imagery and architecture.
Here are two Masonic paintings that feature Masonic entrances. Both of these images are topped by an All-Seeing Eye.
Here are two Masonic paintings that feature Masonic entrances made of columns holding a triangle. Both of these images are topped with an All-Seeing Eye.
The entrances of two actual Masonic lodges.
The entrances of two actual Masonic lodges.
At the very end of her performance, Fergie removed some of her clothes (she really didn’t need to) and stood between the two pillars. Was she getting ready for her initiation?
J-Lo Trying to Stay Relevant
Jennifer Lopez is looking to be a music industry star again. What does she need to do? Step 1 : Make a song called “Booty” and feature Iggy Azalea. Step 2 : Push Kitten Programming.
J-Lo on all fours while feline prints are projected on her. Yup, that’s another nod to Kitten Programming.
But wait, isn’t that scene a little familiar?
This is a screenshot of Beyonce’s video Partition. She’s doing stripper stuff while animal prints are projected on her.
Did J-Lo’s team lack imagination? No. Because J-Lo’s team is actually Beyonce’s team who is Iggy Azaleas’s team. They are all pawns of the same group who uses them to push their specific codes.
To reinforce the Beta Kitten vibe of the performance, Iggy Azalea and Jennifer Lopez perform around a stripper pole while a dualistic pattern is project on them.
To drive home the Beta Kitten message of the performance, Iggy Azalea and Jennifer Lopez perform around a stripper pole while dualistic patterns are projected on them. Fine role models for young women across the world.
Whether it be the MTV Video Music Awards, the Grammys or American Music Awards, I’ve been analyzing award shows for years (while attempting to conceal my aversion for them) because they are a mirror of the music industry. These shows are indeed a clear reflection of the elite’s rituals, symbols and agenda. If one would read all of my articles on award shows, a clear and obvious pattern emerges – one that cannot be ignored or written out as being “coincidence”.
Award shows do not exist to reward the most deserving artist, they are a carefully planned media event that celebrates those behind the music industry … And these people are simply sick. The 2014 AMAs were an unholy mix of oversexualization and dehumanization, peppered with veiled rituals and occult symbolism. And all of this garbage was intercut with quick shots of the Kardashians dancing with a blank stare on their faces. In short, if you did not watch these awards, you did the right thing.
|Re: Symbolism,Satanism,Illuminati,and Mind Control in Music by GRACES5: 6:32pm On Dec 24, 2014|
THE TRUTH IS MOST HUMANS STIL DONT UNDERSTAND WHY THEY ARE ON EARTH. IF U DONT UNDERSTAND , SATAN & HIS COHORTS WIL BE TOASTING U LIKE A WOOD IN THE ATLANTIC OCEAN..ITS GOOD WE UNDERSTAND WHY GOD AND satan EXIST. IGNORANCE HAS SENT AND IS STIL SENDING MANY FOLKS TO HELL. satan WAS D HEAD OF THE MUSIC DEPARTMENT IN HEAVEN, DATS WHY U NEED AN EMPOWEMENT FROM THE HOLY SPIRIT TO SHUN AL THESE AMERICAN MUSIC FROM THE HRT. THIS MUSICS ARE CURUPTING THE BELIEVES OF MANY BELIEVERS IN THE NAME OF MODERNITY. AND MOST FOLKS DONT KNOW DAT THESE MUSICS IS A FORM OF WORSHIP TO SATAN. HOW CAN U PARTAKE FROM THE TABLE OF GOD AND DEVILS AT THE SAME TIME. THEY DEDICATE THEIR ALBUMS TO BAPHOMETH ..BEFORE THEY REALEASE IT. AS A RESULT WEN U LISTEN TO THEM, THE demons OF MUSIC ENTERS U AND A YOUNG GUY STARTS BEHAVING LIKE LIL WAYNE OR BEYONCE. FRIENDS BE CAREFUL OF WAT ENTERS UR EARS OR UR EYES COZ U WIL PLAY THE SCRIPT CONCIOUSLY OR UN CONCIOUSLY. BE CAREFUL COZ WE ARE NOT IGNORANT OF THE DEVICES OF SATAN.. JESUS LORD"S ALL
|Re: Symbolism,Satanism,Illuminati,and Mind Control in Music by Nobody: 2:20pm On Apr 12, 2015|
Good write up. We are still exposing them. Its not over yet
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