Many Nigerians are oblivious to the story of the
woman whose picture adorns the back of 20
naira note they spend on a daily. At the back of
the 20 naira note is Ladi Kwali’s picture, a
celebrated potter who hailed from the northern
part of Nigeria.
Ladi Kwali was born in the village of Kwali,
which is located in the Gwari region of present
day Abuja, where pottery was indigenous female
tradition.
Kwali who grew up in a family in which
womenfolk made pots for a living, learnt to
make pottery as a child from her aunt.
Kwali's younger brother, Mallam Mekaniki
Kyeese, said: “Even in the early years of pottery
making, Ladi Kwali excelled in the crafts and her
wares were often sold even before they were
taken to the markets”
She produced pottery pieces that were influenced
by the Gbagyi tradition during her first
professional years.
With the help of a famous English studio potter,
Michael Cardew, Kwali came to international
prominence for her talents in the 1950s. Cardew,
who was appointed to the post of pottery officer
in the department of commerce and industry in
1951, launched the Abuja Pottery Training Centre
along with Kwali in 1952 and spent the following
fifteen years teaching and learning from Nigerian
potters.^{Many Nigerians are oblivious to the story of the
woman whose picture adorns the back of 20
naira note they spend on a daily. At the back of
the 20 naira note is Ladi Kwali’s picture, a
celebrated potter who hailed from the northern
part of Nigeria.
Ladi Kwali was born in the village of Kwali,
which is located in the Gwari region of present
day Abuja, where pottery was indigenous female
tradition.
Kwali who grew up in a family in which
womenfolk made pots for a living, learnt to
make pottery as a child from her aunt.
Kwali's younger brother, Mallam Mekaniki
Kyeese, said: “Even in the early years of pottery
making, Ladi Kwali excelled in the crafts and her
wares were often sold even before they were
taken to the markets”
She produced pottery pieces that were influenced
by the Gbagyi tradition during her first
professional years.
With the help of a famous English studio potter,
Michael Cardew, Kwali came to international
prominence for her talents in the 1950s. Cardew,
who was appointed to the post of pottery officer
in the department of commerce and industry in
1951, launched the Abuja Pottery Training Centre
along with Kwali in 1952 and spent the following
fifteen years teaching and learning from Nigerian
potters.}Many Nigerians are oblivious to the story of the
woman whose picture adorns the back of 20
naira note they spend on a daily. At the back of
the 20 naira note is Ladi Kwali’s picture, a
celebrated potter who hailed from the northern
part of Nigeria.
Ladi Kwali was born in the village of Kwali,
which is located in the Gwari region of present
day Abuja, where pottery was indigenous female
tradition.
Kwali who grew up in a family in which
womenfolk made pots for a living, learnt to
make pottery as a child from her aunt.
Kwali's younger brother, Mallam Mekaniki
Kyeese, said: “Even in the early years of pottery
making, Ladi Kwali excelled in the crafts and her
wares were often sold even before they were
taken to the markets”
She produced pottery pieces that were influenced
by the Gbagyi tradition during her first
professional years.
With the help of a famous English studio potter,
Michael Cardew, Kwali came to international
prominence for her talents in the 1950s. Cardew,
who was appointed to the post of pottery officer
in the department of commerce and industry in
1951, launched the Abuja Pottery Training Centre
along with Kwali in 1952 and spent the following
fifteen years teaching and learning from Nigerian
potters.
http://valezon..com/2018/12/ladi-dosei-kwali-woman-on-20-naira-note.html
^{Many Nigerians are oblivious to the story of the
woman whose picture adorns the back of 20
naira note they spend on a daily. At the back of
the 20 naira note is Ladi Kwali’s picture, a
celebrated potter who hailed from the northern
part of Nigeria.
Ladi Kwali was born in the village of Kwali,
which is located in the Gwari region of present
day Abuja, where pottery was indigenous female
tradition.
Kwali who grew up in a family in which
womenfolk made pots for a living, learnt to
make pottery as a child from her aunt.
Kwali's younger brother, Mallam Mekaniki
Kyeese, said: “Even in the early years of pottery
making, Ladi Kwali excelled in the crafts and her
wares were often sold even before they were
taken to the markets”
She produced pottery pieces that were influenced
by the Gbagyi tradition during her first
professional years.
With the help of a famous English studio potter,
Michael Cardew, Kwali came to international
prominence for her talents in the 1950s. Cardew,
who was appointed to the post of pottery officer
in the department of commerce and industry in
1951, launched the Abuja Pottery Training Centre
along with Kwali in 1952 and spent the following
fifteen years teaching and learning from Nigerian
potters.[sup]Many Nigerians are oblivious to the story of the
woman whose picture adorns the back of 20
naira note they spend on a daily. At the back of
the 20 naira note is Ladi Kwali’s picture, a
celebrated potter who hailed from the northern
part of Nigeria.
Ladi Kwali was born in the village of Kwali,
which is located in the Gwari region of present
day Abuja, where pottery was indigenous female
tradition.
Kwali who grew up in a family in which
womenfolk made pots for a living, learnt to
make pottery as a child from her aunt.
Kwali's younger brother, Mallam Mekaniki
Kyeese, said: “Even in the early years of pottery
making, Ladi Kwali excelled in the crafts and her
wares were often sold even before they were
taken to the markets”
She produced pottery pieces that were influenced
by the Gbagyi tradition during her first
professional years.
With the help of a famous English studio potter,
Michael Cardew, Kwali came to international
prominence for her talents in the 1950s. Cardew,
who was appointed to the post of pottery officer
in the department of commerce and industry in
1951, launched the Abuja Pottery Training Centre
along with Kwali in 1952 and spent the following
fifteen years teaching and learning from Nigerian
potters.}Many Nigerians are oblivious to the story of the
woman whose picture adorns the back of 20
naira note they spend on a daily. At the back of
the 20 naira note is Ladi Kwali’s picture, a
celebrated potter who hailed from the northern
part of Nigeria.
Ladi Kwali was born in the village of Kwali,
which is located in the Gwari region of present
day Abuja, where pottery was indigenous female
tradition.
Kwali who grew up in a family in which
womenfolk made pots for a living, learnt to
make pottery as a child from her aunt.
Kwali's younger brother, Mallam Mekaniki
Kyeese, said: “Even in the early years of pottery
making, Ladi Kwali excelled in the crafts and her
wares were often sold even before they were
taken to the markets”
She produced pottery pieces that were influenced
by the Gbagyi tradition during her first
professional years.
With the help of a famous English studio potter,
Michael Cardew, Kwali came to international
prominence for her talents in the 1950s. Cardew,
who was appointed to the post of pottery officer
in the department of commerce and industry in
1951, launched the Abuja Pottery Training Centre
along with Kwali in 1952 and spent the following
fifteen years teaching and learning from Nigerian
potters.
http://valezon..com/2018/12/ladi-dosei-kwali-woman-on-20-naira-note.html
[/sup]Many Nigerians are oblivious to the story of the
woman whose picture adorns the back of 20
naira note they spend on a daily. At the back of
the 20 naira note is Ladi Kwali’s picture, a
celebrated potter who hailed from the northern
part of Nigeria.
Ladi Kwali was born in the village of Kwali,
which is located in the Gwari region of present
day Abuja, where pottery was indigenous female
tradition.
Kwali who grew up in a family in which
womenfolk made pots for a living, learnt to
make pottery as a child from her aunt.
Kwali's younger brother, Mallam Mekaniki
Kyeese, said: “Even in the early years of pottery
making, Ladi Kwali excelled in the crafts and her
wares were often sold even before they were
taken to the markets”
She produced pottery pieces that were influenced
by the Gbagyi tradition during her first
professional years.
With the help of a famous English studio potter,
Michael Cardew, Kwali came to international
prominence for her talents in the 1950s. Cardew,
who was appointed to the post of pottery officer
in the department of commerce and industry in
1951, launched the Abuja Pottery Training Centre
along with Kwali in 1952 and spent the following
fifteen years teaching and learning from Nigerian
potters.^{Many Nigerians are oblivious to the story of the
woman whose picture adorns the back of 20
naira note they spend on a daily. At the back of
the 20 naira note is Ladi Kwali’s picture, a
celebrated potter who hailed from the northern
part of Nigeria.
Ladi Kwali was born in the village of Kwali,
which is located in the Gwari region of present
day Abuja, where pottery was indigenous female
tradition.
Kwali who grew up in a family in which
womenfolk made pots for a living, learnt to
make pottery as a child from her aunt.
Kwali's younger brother, Mallam Mekaniki
Kyeese, said: “Even in the early years of pottery
making, Ladi Kwali excelled in the crafts and her
wares were often sold even before they were
taken to the markets”
She produced pottery pieces that were influenced
by the Gbagyi tradition during her first
professional years.
With the help of a famous English studio potter,
Michael Cardew, Kwali came to international
prominence for her talents in the 1950s. Cardew,
who was appointed to the post of pottery officer
in the department of commerce and industry in
1951, launched the Abuja Pottery Training Centre
along with Kwali in 1952 and spent the following
fifteen years teaching and learning from Nigerian
potters.}Many Nigerians are oblivious to the story of the
woman whose picture adorns the back of 20
naira note they spend on a daily. At the back of
the 20 naira note is Ladi Kwali’s picture, a
celebrated potter who hailed from the northern
part of Nigeria.
Ladi Kwali was born in the village of Kwali,
which is located in the Gwari region of present
day Abuja, where pottery was indigenous female
tradition.
Kwali who grew up in a family in which
womenfolk made pots for a living, learnt to
make pottery as a child from her aunt.
Kwali's younger brother, Mallam Mekaniki
Kyeese, said: “Even in the early years of pottery
making, Ladi Kwali excelled in the crafts and her
wares were often sold even before they were
taken to the markets”
She produced pottery pieces that were influenced
by the Gbagyi tradition during her first
professional years.
With the help of a famous English studio potter,
Michael Cardew, Kwali came to international
prominence for her talents in the 1950s. Cardew,
who was appointed to the post of pottery officer
in the department of commerce and industry in
1951, launched the Abuja Pottery Training Centre
along with Kwali in 1952 and spent the following
fifteen years teaching and learning from Nigerian
potters.
http://valezon..com/2018/12/ladi-dosei-kwali-woman-on-20-naira-note.html