As the long-delayed DC Comics sequel finally debuts  —  on HBO Max and in theaters  —  it serves as the litmus test for an unprecedented release strategy. Top studio brass weigh in on whether the “movie" business will ever be the same.
Less than three weeks before WarnerMedia would announce a radical and sweeping new release strategy — one that would alienate much of Hollywood with remarkable speed — its top executives shared a lunch on the Burbank studio lot that few knew would prove so momentous. At the time, the agenda seemed significant but contained: what to do about the studio’s long-delayed tentpole, Wonder Woman 1984.
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