An ideal choice for the working guitar player – easy to transport and fit on the smallest of stages. Ashdown bass combos are designed and aimed at serious amateurs and pro users.

Ashdown amp heads have the tone and power to get your point over on any stage. And for a product that’s handmade in Ashdown’s UK custom shop, we think it’s very good value for your money. Why not magnify your tone and hear the difference with Ashdown’s wide range of amp heads and bass combos.

Ashdown Music is well known all over the world as an industry standard in bass amplification, with a huge user-list that reads like a who’s who of the world’s greatest bass players. It’s such a strong reputation that Ashdown’s equally impressive guitar products sometimes tend to be a little unfairly overshadowed. Ashdown’s unwavering focus on design and innovation is plain to see in a product collection that encompasses tube and hybrid amps and combos, practice amps, FX pedals, and the groundbreaking B-Social – combining wireless connectivity of instruments and mobile devices to create the perfect amplification and recording hub for a bass player’s home.

Launched back in 2020, Ashdown’s Guitar Magnifier heads and combos take their inspiration from the best-selling Bass Magnifier range. Designed by amp guru Dave Green and made in the UK at Ashdown’s Essex Custom Shop, the bass combo and amp heads collection promises great tone and real-world versatility at affordable prices.

An ideal choice for the working guitar player – easy to transport and fit on the smallest of stages that work well across a wide range of genres. Used unboosted, you can go from spanky funk and reggae cleans to chiming AC-inspired jangle and a slightly gnarlier pushed crunch, which sounds great for blues and country.

There’s no favouritism for guitars; humbuckers and single coils both sound great thanks to a smooth, predictable passive EQ. With a little practice, it’s easy to dial in any instrument; there are no annoying midrange peaks or treble fizz. Flipping the Boost switch adds a significant chunk of filth, going from crunch up to screaming leads with both gain controls maxed out.

Engaging Boost mode keeps both gain knobs active as the signal cascades from one stage into the next, generating subtle shifts in colour and dynamic response as the controls are tweaked relative to each other. Meanwhile, the Clip switch alters the gain structure for more versatility, tightening up the low-end and adding upper-mid harmonics.

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