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D BANJI IS A KULL GUY HE MIGHT BE UP TO SOMETHING ELSE DONT CRUCIFY HIM. |
Getting a career in nollywood is not an easy task. Part of the problem is there is a lot of people out there looking for the same job. But the good news is that its still very possible if you know the rules If you think you must have a degree from a good school or know someone in the business to get a Nollywood job , realize that these are not guarantees . Your desire and ability to prove yourself to others will be what ultimately gets you hired or fired. please i am still writing more of this in my next post but for now visit www.moviejobs..com |
THINK YOU CAN DO BETTER THAN THESE GUYS? PROVE YOURSELF AND STOP CRITICIZING THEM. JOIN THESE NEW GUYS WHO ARE COMING OUT TO MAKE A DIFFERENCE LONG LIVE NOLLYWOOD www.de-starsplayhouse..com. |
my name is emeka john , i am a scriptwriter, a director and currentlly the publicity manager of De-stars play house entertainment, www.de-starsplayhouse..com with a vision to take film making to the next level in nigeria |
guys i dont see anything really wrong with d banj suddenly, but tuface enter d place is not worth watching what is the message? kelly hansome deserves to be banned and even punished he is giving the international community more reasons to label nigerians as dubious people |
check this out www.freephonebrowsing..com, i think it will solve that problem. |
Gamine:yep, i think she's got a shop at the palm |
THIS IS A PORTION OF A 52 EPISODE NEED SOMETHING LIKE THIS? EXT ALONG A BUSY ROAD DAY The environment looks untidy houses arranged carelessly, the gutter nearby smells as Ma A is seen occasionally closing her nose or spiting on the dirty floor some children are seen playing football Ma A approaches them immediately OTIKPO and KOBO emerge Men in their early twenties. OTIKPO /KOBO Ma A general! They raise their hands in salute Ma A simple nods, ignoring them. Kobo looks disappointed while Ma A keeps moving KOBO Imagine this thing self, na we dey run things for this ghelto Points to ma A , who keeps moving. OTIKPO You dey craze? What if she hear am. Looking at kobo angrily KOBO Who bloody care weather she hear am, na we get paradise A o o o OTIKPO MOVES AWAY ANGRY EXT Ma A HOUSE DAY A girl in her eighteen is seen sweeping the floor, she is Mata the expression on her face shows a girl who has seen tough times Ma A is seen approaching from her left hand side Ma A O.S Hey na now you dey sweep? Useless girl, you no go kill me for dis house oh o o o. Ma A now beside her Mata, moves back in fear. Ma A look at her angrily MA A CONT Goat, Ewu mme!!! Mata nods her head as if in agreement and continues with her sweeping Ma A enters her half block and half plank house. INT MA A ROOM DAY A window is seen opened, the picture of Ma A is seen on the wall, a boy of fifteen is seen struggling to transfer the locally made radio outside through the window immediately MA A enters he jumps out through the window. MA A follows suit. MA A O S Come and steal your mother property thief onye oshi |
every one seem to be tnterested in money, before rendering a simple help. why? pay into this or that account is the in thing now. |
EXT ALONG A BUSY ROAD DAY The environment looks untidy houses arranged carelessly, the gutter nearby smells as Ma A is seen occasionally closing her nose or spiting on the dirty floor some children are seen playing football Ma A approaches them immediately OTIKPO and KOBO emerge Men in their early twenties. OTIKPO /KOBO Ma A general! They raise their hands in salute Ma A simple nods, ignoring them. Kobo looks disappointed while Ma A keeps moving KOBO Imagine this thing self, na we dey run things for this ghelto Points to ma A , who keeps moving. OTIKPO You dey craze? What if she hear am. Looking at kobo angrily KOBO Who bloody care weather she hear am, na we get paradise A o o o OTIKPO MOVES AWAY ANGRY EXT Ma A HOUSE DAY A girl in her eighteen is seen sweeping the floor, she is Mata the expression on her face shows a girl who has seen tough times Ma A is seen approaching from her left hand side Ma A O.S Hey na now you dey sweep? Useless girl, you no go kill me for dis house oh o o o. Ma A now beside her Mata, moves back in fear. Ma A look at her angrily MA A CONT Goat, Ewu mme!!! Mata nods her head as if in agreement and continues with her sweeping Ma A enters her half block and half plank house. INT MA A ROOM DAY A window is seen opened, the picture of Ma A is seen on the wall, a boy of fifteen is seen struggling to transfer the locally made radio outside through the window immediately MA A enters he jumps out through the window. MA A follows suit. MA A O S Come and steal your mother property thief onye oshi Ma A comes inside through the window, immediately, Mata enters. Ma A bounces on her and starts beating her MA A CONTD You arrange with your boyfriends Make them come steal my radio eh- Mata is seen crying. EXT ALONG A BUSY ROAD DAY Otikpo is seen carrying a bag running, a boy is seen running after him, Otikpo notices kobo afar off he throws the bag to him and disappears kobo holds it poise for action the boy running after Otikpo on noticing kobo takes another direction kobo watches him go. KOBO Come take am, power mike! Kobo moves away still carrying the bag. INT AN UNCOMPLETED BUILDING DAY Some boys are seen smoking India hemps, Otikpo and Kobo enter ignoring them kobo sits turns to one of the boys who seems to get his message, the boy |
what kind of a script do you want buddy? an action film? a comic or just any kind of script? indicate and you will get a sample of your choiced one . how about that? |
Many up and coming writers believe that if they were able to find the right agent or producer, then life would be wonderful and they'd be within inches of their goal. Nice fantasy! Are you ready for reality? Agents and producers are important only AFTER the material is ready. More truth--most writers with a new project are pumped. They're convinced that their script is absolutely ready to be grabbed up. It rarely is. Scripts usually need CRITICAL work. It's hard (for many writers) to see this themselves. Honest, professional feedback without risk is essential. Most of us would rather not hear this (because it interrupts our need for instant gratification) but it's the truth. Now there are those who think that if their material is almost "there," then surely smart professionals will recognize the potential. No way! It doesn't happen. Material must be hot and and ready or you're wasting your time. This is not bad news because it puts the control right back into your hands. Instead of spending your time wishing, hoping and lamenting, you can put that energy into making sure that your script is absolutely ready. Good material eventually finds an audience. I really believe this! It may not happen on your ideal timetable, but it does happen. That's where we come in. email us at screenplaycoach@yahoo.com. We give careful, perceptive and very professional notes. The price is right and, unlike many of the so-called "readers" out there, we have honest-to-God, industry credentials. If you're really serious about pursuing the tough avenue of creating and marketing screenplays, please take our advice and treat yourself to this valuable help. It will not only enhance your current project but it will also provide important insights for future projects. email screenplaycoach@yahoo.com. |
who does the most difficult part of the work and who recieves the biggest pay. it is dissappointing that movie directors get higher pay than our scriptwriters why? |
lets stop talking about doing an action film, let s do it . |
please how do i get educational material on videos? can any body help me out. screenplaycoach@yahoo.com. |
Are you strong enough to write a good nollywood action film? screenplaycoach@yahoo.com |
my guy, you made a fool of yourself at that thing you called synopsis. abi which one you dey sef ? |