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other colours

Texture
Facial powder may come in a loose texture, or be pressed into compact form to be more portable, which makes sense since it’s the only product you should use for retouching your makeup. There is no difference in the texture of loose or pressed powder. Don’t confuse pressed finishing powder with compact powder foundation; the latter is a more concentrated and heavy product that gives good coverage and usually contains oil.

Application
Apply loose or compact powder with a large slightly-flattened powder brush for sheer and even application. To get the right amount of loose powder on your brush: in one hand hold a tissue with some powder on it, dip and spin your brush, shake off any excess powder, then apply it on your face.

Choose a velour puff to increase the amount of powder for better coverage, or to balance oily or uneven skin. With a puff, apply the powder by patting your skin; don’t sweep it. Use a large soft brush to remove any excess powder applied with the puff.

Apply matte or slightly iridescent powder all over the face, eyes, lips, and neck. Start with the T-zone and finish on the neck. Iridescent powders and bronzers should be applied sparingly along the top of the cheeks and the bones of the face, shoulders, and décolleté.

To avoid powder gathering in the wrinkles, stretch the area you are working on with your facial muscles, or open wrinkles around the eyes with your thumb and index finger.

Always use blotting paper first, before retouching, otherwise powder will stick to the oily zones of your face, giving you heavy and uneven application.

Colour

European complexions with pink undertones look best with yellow-based powder that illuminates the skin and neutralises ruddiness. For a sun-kissed look on a pale to medium complexion, choose golden-brown powder. Use a shade that would be your natural tanned skin colour after a few days in the sun; a darker shade on fair skin would look dirty.


Asian or mature European complexions with undesired yellow-grey undertones require pink-based powder to balance the hue. For tanned skin, the best choice would be a powder with copper undertones.


Hispanic, Arabic, or light Indian skins are neither pink nor yellow, and are fantastically amplified by apricot-coloured powder. This same hue also looks great on European complexions with freckles. To enhance a tanned face, try darker powder with subtle orange undertones.


Black or dark complexions will glow through dark brown powder with bronze (for almost any dark skin) or copper (for slightly greyish skin) undertones. To enliven a tanned complexion, you may add some iridescent powder to your normal facial powder, or use bronzer instead.

Choose shades that suit the lightness of your skin. Don’t be misled by the word “translucent” that appears in the name of many products; every powder has some colour, and it should be a flattering shade for your particular complexion.

FACIAL POWDER


You may choose not to use facial powder every day, but when you really need to boost your look, powder will give that final touch to your overall appearance.

Powder is used not only for setting your foundation in place or taking shine off oily skin. More importantly, good-quality powder reflects light in flattering colours and diffuses it over the surface of your skin. Coloured matte or slightly iridescent lightweight powder will give your complexion a special glow and an impeccable matte finish while evening out your complexion.

To choose the right shade of powder, you will need to know:

which shade works best with your natural complexion.
the difference between loose powder and compact powder.
how to apply powder.

Basics
Foundation is perfect for evening out your skin tone, but it wasn’t designed to cover faults such as blemishes, pigment spots, or pronounced under-eye circles. You can try applying a few thin layers of foundation to cover a blemish or light under-eye circles; however, don’t put concealer on top if the foundation doesn’t work. Instead, use less or no foundation on these areas, and achieve the required coverage with concealer. Remember that foundation used together with concealer will look especially heavy under the eyes.

To better understand how much concealer you need, and exactly where to place it, apply it on top of your foundation. If you use concealer without foundation, apply it on bare skin. Only colour-correcting green concealer should be applied under foundation.

Application
If you want liquid foundation to remain usable throughout its lifetime, always shake it well before application.

On dehydrated or dry skin, apply foundation before your moisturising cream is absorbed by the skin, blending foundation and cream together. On well-hydrated normal skin, let your moisturiser be absorbed for at least a few minutes before applying foundation. On oily skin, apply foundation on clean skin, or replace moisturiser with a skin-care product that reduces sebum production.


Apply foundation on the largest areas first—the forehead, the middle of the cheeks, and a small dot on the chin—blending outwards with your fingers. Work in the direction of your facial fuzz growth, if you have any. Blend it off on the jaw line and hair line. Then apply a small amount of foundation in the middle of your face, on the nose, the lips, and the eyelids. Wait a minute until the foundation is absorbed, then apply more foundation on the areas that need better coverage. Alternatively, use concealer.

On the under-eye area, apply facial makeup with a finger or with a small synthetic brush or applicator. These tools are particularly useful for accessing the inner corners of your eyes. Pat with your fingertips to blend, using your ring finger or pinkie to minimise the pressure. Never sweep makeup, to avoid wiping it off or pulling delicate skin.

On blemishes, apply concealer in small spots with a finger or a synthetic applicator, then blend the edges with your fingertips. If you use concealer on oozing blemishes, squeeze it onto the back of your hand before applying to avoid contaminating your product.

Blending
Because foundation is absorbed by your skin very quickly, you will need to apply it just as quickly to ensure even application. This is easiest to accomplish with your fingers, as the product warms up and becomes more fluid, easing application. Also, you will tend to take less on your fingertips than on a sponge or brush, sheering the application and reducing product consumption.

Foundation brushes and sponges can be used for blending; however, I prefer to blend with the fingers simply because they are easy to clean.

Setting and retouching
The worst mistake you can make is to follow liquid foundation with powder foundation (heavy powder pressed into a compact with oil). This will merely look artificial when first applied, and will have slid down your face by the end of the day.

To finish, and for retouching during the day, use loose or pressed powder that is light-textured and contains no oil. Setting foundation with a powder is a must for oily skin; however, if your skin is dry or if you use solid foundation, your foundation will stay in place without powder.

Liquid foundation should never be applied over your makeup for retouching purposes, because it is impossible to blend well on top of powder, dust, or sebum. To diminish unwanted shine, use finishing powder instead. If you use powder foundation or cream-to-powder foundation, you may sparingly retouch with the same product. Blot any excess sebum with facial tissue or special blotting paper before you retouch.

The gorgeous models featured in print media have spotless, poreless, and wrinkle-free skin thanks to the computer software used by graphic artists to create these unreal images. Accustomed as we are to this digital perfection, it is tempting to try recreating it in real life.

The “liquidware” available to us—foundation and concealer makeup—can indeed help to erase imperfections, but can also look chalky and feel heavy. To achieve the best results with your foundation and concealer, you will need to learn:


how to use foundation together with concealer for better results.
application and blending techniques.
how to maintain your makeup throughout the day

Normal skin doesn’t require much hydration, particularly if you live in a humid climate.

A light oil-free moisturiser or light liquid foundation is easiest to wear, giving sheer coverage and a natural finish. Colourless foundation with light-diffusing particles is also a good choice for evening out your skin tone and brightening your face.

A stick or a compact cream-to-powder foundation is a good choice when you want better coverage; even a very thin layer will smooth away blotchiness and slight discolouration, and you can build up more product on problem zones that require special attention without the undesirable effect of uneven and chalky coverage.

Oily skin requires extra powder to balance sebum production.

A compact powder foundation gives good coverage and a matte finish; however, it can look very unnatural and it doesn’t stop sebum production. Moreover, powder foundation contains oil to facilitate pressing the powder into a compact, which is obviously undesirable on oily skin. Don’t confuse compact powder foundation with light finishing powder that is pressed into a compact without using oils. Excess sebum is better absorbed by a powder-based oil-free liquid foundation specially formulated for oily skin. It gives good coverage and a natural-looking matte finish. If your skin is very oily, you will need to use a separate skin-care product with great sebum-absorbing power, at least on your T-zone.

Extremely uneven skin or scars require maximum coverage.

Although there are a range of maximum-coverage foundations on the market, these products are not well-designed for covering your entire face. Firstly, the product is so opaque that it’s almost impossible to find a shade that will not clash with your skin tone; secondly, it is very difficult to evenly blend and to remove. The best choice for high-maintenance skin is a heavy-duty concealer applied on spots or scars, followed by solid light-diffusing foundation, and set with loose or pressed powder.

Finish and staying-power
Quality light-diffusing foundation contains agents that create a satin finish with a skin-smoothing effect through the uniform diffusion of light at the surface. Flaws and imperfections are blurred, making the skin appear even and silky with very little coverage. This effect makes it compatible with a range of complexions, so it’s almost impossible to get the shade wrong.

Cheaper light-reflecting foundation with a bit of shimmer will give a glow to dry skin; however, be careful with these products as many of them are too shiny. For a healthy glow, use highlighter to accentuate your bone structure rather than applying shimmery foundation all over your face.

Quality matte foundation may contain a very small amount of microscopic iridescent glitter that will add vivacity to dull-looking skin without unnatural shine.

Light moisturising foundation may feel good on the skin; however, it has a limitation: reduced staying power.

For makeup that lasts, look for quality long-wear foundation; this matte product regulates sebum production and can withstand humid air.

Dry skin requires moisture and looks best with a satin finish.

If you need to add some colour to your complexion and want a product that offers light coverage and is easy to wear, tinted moisturiser is your best option for natural day makeup. It’s a good choice for younger women, and for those who normally balk at the feeling of foundation on their skin, but it doesn’t last. If you need to brighten your face and slightly even out your skin tone, use a colourless foundation (also called primer or complexion enhancer). These products generally contain light-diffusing particles that allow light to reflect evenly off your skin.

For medium coverage, choose a creamy liquid foundation with moisturising and nourishing ingredients to promote younger-looking skin. This type of foundation gives light to medium coverage with a natural, velvety finish. Its light-diffusing qualities will lessen the visibility of wrinkles and discolouration, and will add luminosity to the face.

Colour

Your choice of foundation colour will depend on your natural skin tone and the complexion you want to achieve. Match your foundation colour with your skin tone, but don’t put pink foundation on a reddish complexion, or yellow foundation on sallow skin. Instead, go with flattering neutral beige shades. In the illustration you can see that the best foundation colours for various skin tones—from pink to yellow, and from very light to almost black—are in the middle, between the cool and warm palettes.

Test your foundation in daylight, along your jaw line where the colours of the face and neck merge

how to choose FOUNDATION that suites your colour

The most important contributor to a great appearance is healthy and flawless skin. Naturally smooth and silky skin is either a blessing of nature or the result of continuous and expensive care, but we can all improve the look of our skin with very little time and effort. We just need to find the right foundation.

When choosing a foundation, you should consider:

its colour.
whether its formulation is appropriate for your skin type.
the coverage required for your skin condition.
the finish you want to achieve (satin, natural, or matte).
its staying-power.

Large wide-set eyes look beautiful as they are; smaller ones need some work. Draw your shading line in the crease, close to the inner corner, but don’t deliberately try to make your eyes appear closer by applying dark eyeshadow near your nose. Apply eyeshadow within the border defined by the eye shape, and don’t whiten your inner corners.

Mature eyes look best with a light base eyeshadow all over the eyelid, and a soft highlighter under the eyebrow. Lift your eyes by applying colour strictly above your upper eyelid, keeping the sides and lower lid free of base eyeshadow. Use brown or grey mascara instead of black.

For protruding eyes,

matte eyeshadow is preferable to iridescent as a base and contouring colour. In the crease, blend contouring colour halfway down to the lashes, visibly shrinking the size of the mobile lid. Curling your lashes may be the best remedy to reduce bulginess.

Eye shape

To make small eyes look bigger, don’t outline the contour of your eye with a dark colour. Apply shimmery base eyeshadow on the entire mobile lid. Highlight with a light iridescent shade under the eyebrow and in the inside corner and contour of the eye to define its outer corner. Instead of dark eyeshadow along the lashes, use eyeliner along and beyond the upper lash line to elongate your eyes. Use eyeliner on the lower lid for a festive look.

Texture
High-quality powder eyeshadow is heavily pigmented, which means that the colour reveals itself with the first stroke and will not fade. As a rule, matte eyeshadow has a more sheer texture, while shimmer (in the form of mica particles) gives eyeshadow a rich texture that intensifies its colour.

For easy application, and to increase staying powder, prime your eyelids with foundation or some eye cream followed by powder. Apply thin layers of eyeshadow with a dry sponge applicator, and then blend with a brush. In this way you avoid eyeshadow falling off the brush onto your face, spoiling your facial makeup. You also keep your brushes clear of colour and ready for blending.

Use a rounded applicator to apply your base colour, and a pointed applicator for contouring shades. For blending you will need:

a thick springy flat brush for applying highlighter and for precise blending.
a soft rounded brush for erasing demarcation lines by removing excess makeup.
Choose your brushes according to the size of your eyelids; the larger the area you have to work on, the bigger your brushes will need to be.

Liquid or creamy eyeshadow should have a lightweight texture that is easy to apply and blend. It must dry readily, for longevity and to avoid it gathering in the creases. Waterproof liquid eyeshadow has the best staying power.

Fluid texture is best for single colour application. Because this type of eyeshadow blends so well, don’t use it for more than two colours, as three shades will create a greyish mess on your eyelids. The same undesirable effect may occur if you use fluid creamy eyeshadow together with creamy eyeliner, or an eye pencil that is too soft.

For foolproof application of creamy eyeshadow, apply it with your fingertip. Blend it with a sponge applicator, or with a small synthetic brush.

For a more polished look, use two colour-coordinated eyeshadows in light and dark shades.

Apply the dark eyeshadow on the outer corner of the eye in a horizontal “V” shape.
Add more dark eyeshadow in the crease.
Use the light eyeshadow to highlight the inner corner of the eye, under the eyebrows and right above the iris.





APPLICATION FOR NIGHT

For sophisticated evening makeup, you can use up to four colours of eyeshadow.

Apply base colour on the upper eyelid. To avoid a clownish look, don’t bring it close to the nose or all the way up to the eyebrows.
Put contour colour along the lashes and in the crease. Add more colour to the outside corner of your eyes, connecting together the lines along the lashes and in the crease.
Use highlight colour in the area under the brow and in the inside corner of your eye.
Accent colour is applied on the mobile lid right above your iris

Situation

For a quick makeup fix, the simplest way to put on eyeshadow is to apply only one medium-bright base colour.

Apply a base shade on entire mobile lid.
Add more in the crease and blend upward, about halfway to the eyebrows.
Optionally, add a thin line under the lower lashes.

Eyeshadow application
By applying eyeshadow in different colours and textures, you can intensify or soften your regard, create a certain mood, and even improve your eye shape, depending on the look you want to achieve.

To obtain the best results, you not only need to choose the right eyeshadow colour, but also apply it in the most flattering way. In this article you will learn how to put on eyeshadow according to:

the situation you are making up for.
the texture of your makeup product.
the shape of your eyes.

Round Face[/color]
A round face is the type of face, which is equally wide long and has the greatest width at the cheek. To slenderize such a face you should apply blush on the sides of your cheekbones and blend up. To add an illusion of length you should also apply a bit of blush to your chin and blend well.

Square Face[color=#000099]
A square face has a square forehead of about the same width as the cheekbones and jaw line. For such a face beginning at the center of the eyes you should apply the blush on your cheekbones. Then blend it toward your temples and apply a dab to your forehead and chin. This will help you soften the square angle of your face.

Rectangular Face[/color]
A rectangular face has an elongated square shape. The forehead of such a face cut has about the same width as its cheekbones and jaw line. For such a face you should apply blush on your cheekbones below the outer corners of the eyes and blend well. Be sure that the blush does not extend lower than the tip of your nose.

Oval Face[color=#550000]An oval face is believed to be the ideal face cut. Such a face has forehead wider than the chin. The cheekbones of this face are dominant with the face tapering from the cheeks to a narrow oval chin. You should use your fingertips in order to locate the most prominent part of your cheekbone. And then apply the blush and blend towards your temples. It will highlight your cheekbones.

[b]Triangular FacE
A triangular face has a wide forehead and high cheekbones. Such a face tapers to a narrow chin. You should apply blush on the sides of your cheekbones. Blend up from your cheekbones to your temple and then extend the blush over your brow a bit toward the center of your forehead. This will help you balance the width of your forehead with the rest of your face.

Eyeshadow application techniques[color=#990000][/color]

The manner in which we apply eyeshadow depends on the texture of your makeup, the shape of your eyes, and the situation you are making up for. Using different colours, textures, and application techniques, you can—depending on the image you want to achieve—accentuate or soften your eyes, create a certain mood, or improve your eye shape if you are not happy with it.

Use the right technique for the texture

Creamy eyeshadow

Creamy eyeshadow has a lightweight skin-like texture, is easy to apply and blend, stays long, and does not crease if not overloaded. However, this product contains of a lot of shimmer which accentuates the structure of the skin—not a great choice for mature women.
Creamy texture is best for single colour application. Because this type of eyeshadow blends so well, don’t use more than two colours—three shades would create a greyish mess on your eyelids. The same undesirable effect may occur if you use creamy eyeshadow together with creamy eyeliner on the upper eyelid.

For full proof application of creamy eyeshadow, use your fingertip. If you use two shades in creamy texture, blend the definition shade with a small synthetic brush.
Loose powder eyeshadow

Loose powder eyeshadow with a lot of tiny glitter—which is very difficult to press into compact form—gives you an instantly glamorous effect; however, these products are more about shine than colour. Loose powder is very good as a base pastel colour—especially for mature eyes—because it doesn’t contain shimmer or strong pigments. Apply loose powder with a large base brush all over the eyelid.

Pressed powder eyeshadow

Pressed powder eyeshadow is easy to apply and blend, and has excellent staying power. High-quality powder eyeshadow is heavily pigmented, which means that the colour reveals itself with the first stroke and will not fade. As a rule, matte eyeshadow has more sheer texture, while shimmer (mica particles) gives eyeshadow a rich texture that intensifies the colour.
This form of eyeshadow is applied with a dry sponge applicator, and then blended with a brush. This way you avoid eyeshadow falling off the brush, plus you keep your brushes clear of colour, fresh for blending. It’s a good idea to use brushes of different sizes for different purposes: blend base colour with the largest brush, highlighting and accent colours with a medium brush, and contouring shadows in the crease and along the lash line with the smallest brush.
Make the most with shading and highlighting

If you have small or deep-set eyes, don’t outline the contour of your eye with a dark colour. Apply base eyeshadow with light shimmer on the entire eyelid to open up the eyes, highlighting with a light iridescent shade under the eyebrow. Medium-thick eyeliner along and beyond the upper lash line will elongate your eyes. For protruding eyes, matte eyeshadows are preferable to iridescent as base and contouring colours. In the crease, blend contouring colour halfway down to the lashes; this way you will visibly shrink the size of the mobile lid. Curling your lashes may be the best remedy to reduce bulginess. Mature eyes look best with light base eyeshadow all over the eyelid and soft highlighter under the eyebrow. “Lift” your eyes by applying colour strictly above your upper eyelid; keep the sides and lower lid free of contouring eyeshadow. Use brown or grey mascara instead of black. With Asian eyes, don’t attempt to draw a line above your natural crease with a dark colour; instead, try to create the illusion of eyelids by applying bright metallic eyeshadow on and above the crease. It should occupy about one third of the space between your lashes and eyebrows. Be aware that this technique works well only if your eyelids aren’t saggy. On wide-set eyes, draw your shading line in the crease closer to the inner corner, but don’t deliberately try to make the eyes appear closer by applying dark eyeshadow next to your nose. Apply eyeshadow within the border defined by the eye shape, and don’t whiten your inner corners. Show it off, or keep it simple

The simplest way to put on eyeshadow for a quick makeup fix is to apply a base colour over the entire eyelid, up to the eyebrows; creamy or loose powder eyeshadow are best for this technique.

For a more polished look, use two colour-coordinated shadows in light and dark shades. Apply the light shade under the eyebrow, on the upper mobile lid, and on the lower lid in the inside corner of the eye. Concentrate darker eyeshadow on the outer corner of the eye, along the lashes, and in the crease. For sophisticated evening makeup, use up to four colours of eyeshadow:
Apply a pastel base colour all over the eyelid.
T
he darkest contouring shade goes in the crease and along the lashes.
A more vibrant iridescent accent colour is applied to the mobile lid and slightly above, in the centre of the eyes.
Shimmery, very light highlighter can be applied on the brow bone and in the inner corners of the eyes.
Remember: adding more colour means that you will need to layer your eyeshadow. Your layers will be thinner if you use a high-quality product that is heavily pigmented. The less you apply, the better it will look and stay on your eyelids.

BETA HYDOXY ACID PEELS[/color]

It is becoming common for the use of beta hydoxy acid(BHA) Peels to be used instead of the stronger Alpha Hydroxy(AHA) peels due to BHA's ability to get deeper into the pore that AHA. Studies shows that BHA control oils, acne,as well as remove dead skin cells to certain extent better than AHA's due to AHA's only working on the surface of the skin[b].SALICYLIC ACID IS A BHA[/b][color=#990000]

JESSNER'S PEEL is a combination of salicylic and lactic acids, and reorcinot. It is thought to break intracellular bridges between keratinocytes.

RETINOIC ACID PEEL
this is another BHA. A derivative of vitamin A. it is found in plants. Retinioc acid like Retin A causes the skin cell to shed rapidly as cell turnover and renewal is sped up. May burn very sensitive skin.

TRICHLOROACETIC ACID PEELS

THERE ARE SEVERAL TYPES OF CHEMICAL PEELS

ALPHA HYDROXY ACID PEELS(AHAs)
they are naturally occuring organic carboxylic acids such as glycolic acid, a natural constituents of sugar cane juices and lactic, found in sour milk and tomato juice. This is the mildest of the peel formulars and produces light peels for treatment of fine wrinkles, areas of dyrness, uneven pigmentation and acne. Alpha hydroxy acids can aslo be mixed with a facial wash or cream in lesser concentrations as pasrt of a daily skin-care regimen to improve the skin"s texture.

AHA PEELS ARE USED TO';;;;;;;;;;;;;;;;

reduce fine wrinkling
treat areas of dryness
reduce uneven pigmentation
aid in the control of acneeeeeee
smoothen rough dry skin
improve the texture of sun-damaged skin

AHA PEELS MAY;
caus stinging
cause skin redness
cause mild skin irritation
cause skin dryness
take multiple treatments for desired reults

BET A HYDOXY ACIS PEELS

.

WHAT CONDITIONS DO A CHEMICAL PEEL TREAT?

Chemical peels are performed on the face, neck or hands. They can be used to ;

Reducs fine lines under the yes and around the mouth.

Treat wrinkles caused by sun damage, aging and hereidity factors

Improve the appearance of mild scarring

treat certain types of acnes

Reduce age spots, freckles and dark patches due to pregnancy or taking birth control pills(melasma)

Improve the look and feel of skin that is dull in texture and colour.
Areas of sun damage, which may contain precancerous keratoses that appear as scaly spots, may improve after chemical peeling.Following treatment, new pre-cancerous lesions are less likely to appear.

However, sags, bulges and more severe wrinkles do not respond well to chemical peels.They may require other kinds of cosmetic procedures:suc as carbon dioxide laser resurfacing, a facelift, brow lift, eyelid lift or soft tissue filter(collagen or fat).

WHO IS A GOOD CANDIDATE FOR A CHEMICAL PEEL?

Generally, fair-skinned and light- haired patients are ideal candidates for chemical peels. Darker skin types may also have a good results, depending upon the types of problem being treated.

HOW ARE CHEMICAL PEELS PERFORMED?

A chemical peelspeel can be performed in a doctor's office or in a surgery center as an outpatient procedure.

The skin is thoroughly cleansed with an agent that removes excess oils and the eyes and hair are protected. One or more chemical solutions such as GLYCOLIC ACID, TRICHLOROACETIC ACID, SALICYLIC ACID(e.g blemish control toner -mary kay), LACTIC ACID OR CARBOLIC ACID(PHENOL) arew applied to small areas on the skin. These applications produce a controlled wound, enabling new regenerated skin to appear.

Achemical peel is a body treatment techniques used to improve and smoothen the texture of the facila skin,using a chemical solution that causes the skin to blister and eventually peel off. The regenerated skin is usually smoother and less wrinkled than the old skin. Thus, the term chemical peel is dervied. Some types of chemical peels can be purchased and administered without a medical license. Howqever people are advised to seek professional help from a demalotlogist, plastic surgeon,maxiiloficial surgeon, or otolaryngologist on a specific type of chemical peel before a procedure is performed.

Chemical peels, also known as derma-peeling are a technique used to improve the appearance of the skin. The new skin, when completed also is temporaily more sensitive to the skin.

The procedure is believed to encourage the growth of collagen,the fibre that holds the cells in the skin and keeps it looking plump and healthy

teetee2:
Thx dear, What type of soap do i use with it to give me lovely moistured skin as u said.

try TRACIA LIGHTENING SHOWER CREAM(GOAT'S MILK) it is a good moisturizing soap

or neutrogena soap

fellybabe:
yagba west local govt, kogi state

yagba west local govt

egbe/iyamerin okeri

Are u fat?
Do u always wear skirt?
do u walk or treak alot?
have u ever in a time used  bleaching cream?
have u ever in a time suffered sensation burning whereby u are always scratching your private part and all through your laps?

do u have  stretch marks around your thighs and laps

Well, u can still go to your doctor and after his prescription, i advise you start using ORI, or lime(osan wenwen)

never heaard of it.
is it american product or uk

f[b]unmi01[/b][color=#006600][/color], i don't have at the moment

huhuhuhuh, it's highhhhhhh timeeeeeeeeeeeeeeee

i will surely holla you when the time comes.

happy weekend