Death Grips – Year of the Snitch Full leaked Album. Download link in MP3 ZIP/RAR formats
Year of the Snitch makes it easier to see how their essence may have leached into today’s serrated musical landscape. The convergence of nu-metal and SoundCloud rap might’ve happened anyway—same with the bonkers, jump-cutting metalcore of bands like Code Orange and Vein—but it’s possible to hear their groundbreaking 2012 album The Money Store as a soft launch for what was to come—a context to understand the kind of heavy music either associated with high-intensity CrossFit or Mountain Dew-fueled eSports.The fourth single, "Hahaha", was uploaded by the band to their YouTube page on June 7.[18] That same day, the album's release date was announced as June 22.[19] A music video for the track "Dilemma" featuring Andrew Adamson was uploaded on the Death Grips YouTube channel on June 15.[20] A sixth single, "Shitshow", was uploaded to YouTube two days later.[21] Three days later, on June 20, the official video for "Shitshow" was released. It was directed by Zach Hill and Galen Pehrson

Year: 2018
Genre: Hip-Hop
Quality: mp3, 320 kbps

Track list:
01. death grips is online
02. flies
03. black paint
03. linda’s in custody
05. the horn section
06. ha ha ha
07. shitshow
08. streaky
09. dilemma
10. little richard
11. the fear
12. outro
13. disappointed

Even still, Death Grips’ sonic signature is so completely their own that it can’t be evoked with anything short of parody. It proves to be very adaptable to an increasingly diffuse number of sounds on Year of the Snitch. Mid-’90s drum ‘n’ bass beats with shoegaze guitars? “Death Grips is Online” will certainly try to create a “Dreamcast Teenage Riot.” “What if Death Grips went rockabilly?” is a question nobody was probably asking, but god bless “Disappointed” for giving us the answer. Is “Streaky” MC Ride’s stab at trap-rap or a strip club anthem? It’s hard to tell from its actual lyrics, but when the album threatens total abstraction, that’s where a drummer as expressive and destructive as Zach Hill grounds the sound into something resembling a band playing a song.