Star Wars: The Phantom Menace Star Liam Neeson Defends The Movie



Liam Neeson reflects on what happened to Ahmed Best following the movie's release, and says that he liked the movie.

Star Wars Episode I: The Phantom Menace released in 1999, and the response has been fascinating--it received mixed reviews and a sour response from older fans, but is now looked back on with a mix of derision and nostalgia. Liam Neeson, who played Jedi master Qui-Gon Jinn in the prequel, has now reflected back on the movie--and how one of its other stars was treated by fans.

Talking to SiriusXM show Radio Andy (as picked up on by IndieWire), Neeson talks about Ahmed Best, who played the controversial Jar Jar Binks in The Phantom Menace. Neeson recalls thinking that Best could be "the next Eddie Murphy," and he was upset by how much criticism the actor drew.

"I know a lot of fans and critics didn’t like it, and my lovely friend Ahmed Best, who played Jar Jar Binks, came in for a lot of criticism," Neeson says. "To the point where it really hurt his career."

Neeson says that the fans have turned around on Best now, and are more respectful. Best has previously talked about how the reception of Jar Jar Binks took him to a dark place, but he's set to return to Star Wars soon to host a new Star Wars game show.

Neeson says that he likes the movie, too. "I got to be a Jedi, got to play with those wonderful lightsabers and stuff...I liked the movie. I’m proud of it. I’m proud to have been a part of it."

Liam Neeson's Jinn dies in The Phantom Menace, but the actor made a vocal cameo in Star Wars Episode IX: The Rise of Skywalker.

While the next Star Wars movie is a while away, fans can look forward to The Mandalorian Season 2 starting October 30 on Disney +.

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Epic's Fortnite Ban And Apple/Google Legal Battle, Explained



This story was last updated on September 5 to incorporate new developments, including Epic Games filing a new injunction against Apple in an attempt to have Fortnite reinstate on the App Store.

Fortnite has been removed from the iOS App Store and Android's Google Play Store, prompting developer Epic Games to sue Apple and Google. This is huge news, both because of the potential disruption to one of the world's biggest games--Fortnite's new season won't be playable on iOS or Android as of now--and because of the fundamental way in which Epic is trying to disrupt how these mobile app stores operate. Below you can find a full explainer and rundown of everything we know so far. This will continue to receive updates as there are further developments.

What Happened to Fortnite on iOS And Android?
On August 13, Epic rolled out the Fortnite Mega Drop. This consisted of two components. First, the price of V-Bucks--Fortnite's in-game currency, used to buy its popular skins, dances, and seasonal battle passes--was dropped by 20% on all platforms. This was a straight discount on PC, PS4, Xbox One, and Nintendo Switch, but in the versions of the game distributed through the iOS App Store and Google Play Store (there are other ways to get the game on Android), it worked a little differently.

As part of this price drop, Epic introduced direct payments in Fortnite on mobile. Rather than using Apple or Google's payment processing methods, you could pay Epic directly through the game, bypassing the phone manufacturers entirely. You could still pay the old way, but you'd be paying the existing, higher price by doing so.

Both Google and Apple take a 30% cut of those sales; they get nothing from players who utilize Epic's new direct payment method, which allows the developer to earn 100% of the sale price. Even though Epic is now selling V-Bucks for 20% less than it has previously, it still would be earning 10% more than it does by using Apple and Google's payment processing.

All of this set off alarm bells among observers--bypassing Apple and Google in such a way violates their respective store policies, so the question quickly became: Will these companies ban Fortnite from their stores? The answer was soon after revealed to be yes, with Apple pulling Fortnite from the App Store within a few hours. Google followed suit later in the day.

The moves by Apple and Google rendered it impossible to download Fortnite through their respective stores, but the game remained somewhat playable under certain circumstances. Those who have downloaded it previously can grab it again, but new players are out of luck. And if you have any doubt there are still new players to attract, know that "what is Fortnite" remains a popular search term on Google, and that the game's events continue to attract increasingly large numbers of players.

A Coordinated Rollout
It's clear that Epic knew exactly what would unfold once it launched direct payments. Almost the instant Fortnite was banned from the App Store, just before 3 PM ET, Epic announced a new short would soon be premiering in Fortnite Party Royale, the game's casual, no-weapons mode, which is where things like those Christopher Nolan movies were shown. At the time, it seemed like this could just be coincidental, although the name of the short was suspect: Nineteen Eighty-Fortnite.

At the same time as this was happening, Epic filed a lawsuit against Apple, alleging antitrust violations. (More on that below.) The entire filing contains some eye-opening language, and the opening of the preliminary statement in particular is designed to grab the attention of consumers.

In 1984, the fledgling Apple computer company released the Macintosh--the first mass-market, consumer-friendly home computer. The product launch was announced with a breathtaking advertisement evoking George Orwell's 1984 that cast Apple as a beneficial, revolutionary force breaking IBM's monopoly over the computing technology market. Apple's founder Steve Jobs introduced the first showing of the 1984 advertisement by explaining, “it appears IBM wants it all. Apple is perceived to be the only hope to offer IBM a run for its money . . . . Will Big Blue dominate the entire computer industry? The entire information age? Was George Orwell right about 1984?”

Fast forward to 2020, and Apple has become what it once railed against: the behemoth seeking to control markets, block competition, and stifle innovation. Apple is bigger, more powerful, more entrenched, and more pernicious than the monopolists of yesteryear. At a market cap of nearly $2 trillion, Apple's size and reach far exceeds that of any technology monopolist in history.

Epic feels as if it's arguing its case to the public as much as it is to the court, and that's only clearer when you look at the short that debuted in Fortnite.

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Tune in up, audiophiles! Despite the fact that the Covid-19 episode may have slowed down numerous item dispatches in the sound business, it hasn't halted great sound slotxo brand NAD Electronics from feeling free to divulge its most recent Masters Series item.

The M28 is a seven-channel, superior force speaker that can frame the core of a multi-channel framework for having music or as influence of a home theater framework. The M28 is the first multi-channel intensifier that utilizes Purifi's Eigentakt (self-timing) enhancer innovation.

Eigentakt innovation previously showed up in NAD's M33 Masters Series BluOS Streaming DAC speaker and the shiny new Masters M28 power intensifier utilizes an Eigentakt enhancer, produced by NAD under permit from Purifi, a Danish organization that built up the innovation.



While there are heaps of extraordinary sounding speakers available, Purifi says it has investigated how intensifiers work and claims its specialists found a few apparently little non-linearities that whenever revised could have an emotional effect to the general sound of an enhancer.

By utilizing cutting edge innovation, imaginative circuit formats and gratitude to cutting edge scientific demonstrating, Purifi claims it has understood the final confinements of sound intensifier structures. The outcome, as indicated by Purifi, is less clamor and lower contortion. Be that as it may, the organization says the perceptible outcome is something considerably more prominent with a degree of detail and straightforwardness that can present new degrees of refinement at any volume level.

In the same manner as NAD's past ages of HybridDigital innovation, the new M28 can deal with long link runs which can keep up the equivalent wide and even data transfer capacity regardless of what the impedance of the amplifier while giving high-current ability. The M28 has up to 200W of intensity accessible into 8ω of nonstop force for all channels driven simultaneously. There's up to 560W of dynamic force into 4ω load.

In spite of the fact that it's a Class D speaker, Eigentakt innovation acts a lot of like a simple intensifier should the sign beginning section. NAD says that many Class D structures can get precarious under burden however asserts that Eigentakt innovation carries on generously with the moment recuperation that is just regularly observed on the best customary Class A/B intensifiers. NAD's specialists are especially glad for how the M28 conveys a lot of intensity with better solid quality. They are much more joyful that they've had the option to do this at a lower cost than customary speaker innovation.

For simple establishment in an assortment of circumstances, the M28 acknowledges both XLR sources of info and single-finished RCA connectors. XLR connectors utilize the equivalent productive sound interface utilized in proficient account studios where the most significant level of sign uprightness and the least commotion floor are required for the best execution. Great restricting posts are given on the M28 to make sure about speaker associations. The styling of the M28 is intended to coordinate the NAD Masters Series M17 V2i preamp/processor to make a seven-channel home theater framework.

Valuing: The M28is accessible currently to arrange and will start delivering in the not so distant future for £3,999/€5,499/US $4,999/CDN $6,999.

Highlights:

• HybridDigital Purifi Eigentakt intensifier

• 4ω for use with a wide scope of speakers

• Locking XLR connectors and interface hardware for long link

• Balanced and single-finished line inputs

• 12-Volt trigger