₦airaland Forum

lilbest4:
I know this would be unpopular but I don't care.
They are finding it difficult to hide their feminist agenda in the film.
Who told Dany that the people did not want to accept a woman's leadership, was she the one who made lady Mormoth the lady of Bear Island?

Did anyone complain when Sansa was given winterfell?
Did anyone complain when Cersei took over the throne?
Look at Sansa talking about how easy it is to manipulate men just the way she manipulated Joffrey and Ramsey
Tormound turned feminist because of pussy (I actually think the big woman deserves to be knighted though) but still prove the point that hórny beta males are the ones pushing the feminist bills and agendas in the West

All the men are gradually being relegated to the background.
I just hope they learn from the fall of "The Walking Dead" and use their head

simi4me:
This is the bravest person I have ever met in westeros.

meforkene:
Arya unappealling? And you call yourself Nymphomaniac. Please change your name to Eunuch.

Yonce:
The crypts have been mentioned so much this season alone and HBO even dedicated a whole trailer showing just the crypts.
The crypts of Winterfell have been speculated to keep the dead from rising as it was built by the same man who built the wall. . .around the same time just after the last war(a long winter) with a Night King.

The key to defeating the Night King could be in the crypts.

zicoraads:
Elder, if you want us to go this lane, this thread will be laid to waste.

Look at this useless pathological psychopath. Useless son from a failed home thinking he has an opinion.

This thing pain you sha

nymphomaniac:
oga if u find Arya appealing, your sexuality is warped. Well it isn't as everyone has what tickles them but I'd rather fvck a disabled dany than that your Arya. Don't get me wrong, she is one of my fav characters but she isn't just appealing sexually make we talk true

Adek15:
she has that disease princess shireen had. See davos almost cried seeing her

nymphomaniac:
oga if u find Arya appealing, your sexuality is warped. Well it isn't as everyone has what tickles them but I'd rather fvck a disabled dany than that your Arya. Don't get me wrong, she is one of my fav characters but she isn't just appealing sexually make we talk true

Ksslib:
I see why it's easy to hate this episode & label it a total bore, but - to me - this is one of the best episodes. It's so subtle yet powerful. Maybe because it deeply appeals to my melancholic side.

No need to rush. I love the gradual transitioning. No need to rush. Is it not blood you want? Don't worry, it is coming. Blood will so spill you'll be forced to use rolls of tissue in wiping off splashes that flew from your favorites & landed on your screen protectors. No worry.

These are characters we've been with for years( I prefer to use "almost all our lives" , it sounds more dramatic ). Bretheren, these are characters we've been with for almost all our lives. They are our brothers, our sisters. They're now a part of us whether we choose to admit it or not. Some, or all of them, will die. And we'll miss them.

So why should we rush? Don't we want to be with them for one more, last final time? This episode is beautiful & powerful because most times we see the war, the bravery, the bloodshed, the victory, but most times we don't see the personal, emotional and philosophical battles they struggle with in the final moments leading to the war itself.

They are so many enriching, powerful scenes in this episode - one of them being the chamber gathering between Tyrion & Jamie, then joined by Brienne, Podrick, ser Devos & Tormund aka.. Giants bane...lol

But I'll talk about two.

One -my personal favorite actually - when Ser Devos was serving supper and this man, after collecting his share, tells ser Devos that he's not a warrior, panic visible in his eyes. Then this little girl comes up, collects her food and tells Ser Devos she wants to fight. So tiny in contrast to the previous man, yet no fear in those little eyes. Powerful stuff!

I was pissed at the man. Like how could this little child be willing to fight & die, but you want to cower & tow a coward's path. You no get shame? But then again, we all are victors or victims of our circumstances. The little girl said her two brothers were soldiers & she wants to fight too. But the man? Maybe he was an average
trader before, a care-giver nursing the elderly perhaps, a banker, or just an average Nigerian like you & me far faaar less braver & perhaps much more likely a coward than an eight-year old Afghan whom has tasted War. Like I said, we all are victor or victims of our circumstances.

You know, it's so easy to assume that since a war is coming, everybody will automatically be pumped-up, gingered, motivated, prepared & ready to die. Sadly, some will never be ready to die. Even in their death. That's life.

These are some of the philosophical psychological battles of war - and many more - people fight in the final moments even before the main war begins. And it's important to show it.

Second one is the post-sex scene between Gendrya.

Here, Arya is seen staring far far into the neverlands - a place only she can see- while that beautiful poetic rendition by Podrick plays in the background. Here, her eyes look wide open but she looks lost. She was there but wasn't there. This scene is so powerful that the look on her face could be interpreted for one-thousand different meanings and all would be correct.

Did Podrick dickmatize her? - as he did those whores - and she's here thinking, wow!! So na wetin I dey miss be this?. Is the War even worth it? Maybe we could find somewhere cozy below the crptys and I'll hide on this D1ck till the war is over. A girl has no shame..

Maybe here, Arya knows she'll die, and for the first time, death no longer has many faces and she's starting at death..... in the face...

Maybe for all the bravery, For all the "A girl has no face" shenanigans, For all the training, For all her cold-heartedness, deep down somewhere she's just like everyone. A normal human being like you and I afraid to die, wishing that this fffucked up world could be a slightly less horrific & a better place.

The only part I felt was a bit rushed at first was how Arya transitioned from pinning a triplet of dragon glass to a wood in quick successions to make Podrick facilitate the construction of her secret special weapon, to her pinning the same Podrick to bed few seconds later.

I felt it was too fast. I felt they needed a tad bit more bonding and... gasps.... fans who still saw Arya as that semi-innocent dedicated virgin girl were not ready to see her in this new light. But like I said earlier, what makes this whole episode very powerful is that it deals with the philosophical psychological battles people fight even before the main war begins.

Before you get disappointed or angry, I want you to understand that both in witchcraft & christianity, and science even, Time is a very important constraint. Time & Space is to the Universe and Mordern science/physics what Native chalk & schnapp is to Amadioha.

The concept of Time changes everything. When you know you have a certain amount of time to live, it changes your perspective about every fffuking thing. Everything!

Now it doesn't matter if you're made of steel like Arya or copper like Tormund , but suddenly, nothing else matters but everything matters. The little things like having the walls of your v@gin@ greased by this guy you kind of like. Coming from a long- ass frightening journey that almost featured your flesh on the Night's King's Archimedes sprial and the first thing you ask is if "The big lady is still around" .

This episode was beautiful, philosophical & very necessary. So many subtle but deep elements. Is it how Grey worm for all his muteness & devoutness to Dany's cause knows deep down that even if they win the war, he & Missandei won't fit in the picture?

My highlight of this episode is how it subtly reinforces "The concept of Time" as the most powerful force in the universe. And it's true!!!

There was a girl. Our chemistry was out of this world, maybe supernatural sef. We bonded so well, but didn't get to the stage where Arya & Gendry currently are before we later had issues.

We don't talk anymore. I don't even know if we are ever going to see again, talk again, or hear each other's voice again till we both die. But something tells me if somehow somehow the world is to be ending in the next 5mins and death is coming for us all, our tongues will be far deep in each other's throats & we'll be ffucking each-other in 3...2.. 1.

I'll title this beautiful Episode - "The Concept of Time: the battle before the War"..

MaziOmenuko:
I thought the reunions ended in episode 1!
Get on with it already!

Meanwhile, how come none of the battle planners factored in the fact that the knight king had a dragon with him? Or they don't believe Bran when he told them earlier?

Btw, was that Arya sceen necessary? The mental image we have of innocent little Arya just got destroyed!

Ksslib:
I see why it's easy to hate this episode & label it a total bore, but - to me - this is one of the best episodes. It's so subtle yet powerful. Maybe because it deeply appeals to my melancholic side.

No need to rush. I love the gradual transitioning. No need to rush. Is it not blood you want? Don't worry, it is coming. Blood will so spill you'll be forced to use rolls of tissue in wiping off splashes that flew from your favorites & landed on your screen protectors. No worry.

These are characters we've been with for years( I prefer to use "almost all our lives" , it sounds more dramatic ). Bretheren, these are characters we've been with for almost all our lives. They are our brothers, our sisters. They're now a part of us whether we choose to admit it or not. Some, or all of them, will die. And we'll miss them.

So why should we rush? Don't we want to be with them for one more, last final time? This episode is beautiful & powerful because most times we see the war, the bravery, the bloodshed, the victory, but most times we don't see the personal, emotional and philosophical battles they struggle with in the final moments leading to the war itself.

They are so many enriching, powerful scenes in this episode - one of them being the chamber gathering between Tyrion & Jamie, then joined by Brienne, Podrick, ser Devos & Tormund aka.. Giants bane...lol

But I'll talk about two.

One -my personal favorite actually - when Ser Devos was serving supper and this man, after collecting his share, tells ser Devos that he's not a warrior, panic visible in his eyes. Then this little girl comes up, collects her food and tells Ser Devos she wants to fight. So tiny in contrast to the previous man, yet no fear in those little eyes. Powerful stuff!

I was pissed at the man. Like how could this little child be willing to fight & die, but you want to cower & tow a coward's path. You no get shame? But then again, we all are victors or victims of our circumstances. The little girl said her two brothers were soldiers & she wants to fight too. But the man? Maybe he was an average
trader before, a care-giver nursing the elderly perhaps, a banker, or just an average Nigerian like you & me far faaar less braver & perhaps much more likely a coward than an eight-year old Afghan whom has tasted War. Like I said, we all are victor or victims of our circumstances.

You know, it's so easy to assume that since a war is coming, everybody will automatically be pumped-up, gingered, motivated, prepared & ready to die. Sadly, some will never be ready to die. Even in their death. That's life.

These are some of the philosophical psychological battles of war - and many more - people fight in the final moments even before the main war begins. And it's important to show it.

Second one is the post-sex scene between Gendrya.

Here, Arya is seen staring far far into the neverlands - a place only she can see- while that beautiful poetic rendition by Podrick plays in the background. Here, her eyes look wide open but she looks lost. She was there but wasn't there. This scene is so powerful that the look on her face could be interpreted for one-thousand different meanings and all would be correct.

Did Podrick dickmatize her? - as he did those whores - and she's here thinking, wow!! So na wetin I dey miss be this?. Is the War even worth it? Maybe we could find somewhere cozy below the crptys and I'll hide on this D1ck till the war is over. A girl has no shame..

Maybe here, Arya knows she'll die, and for the first time, death no longer has many faces and she's starting at death..... in the face...

Maybe for all the bravery, For all the "A girl has no face" shenanigans, For all the training, For all her cold-heartedness, deep down somewhere she's just like everyone. A normal human being like you and I afraid to die, wishing that this fffucked up world could be a slightly less horrific & a better place.

The only part I felt was a bit rushed at first was how Arya transitioned from pinning a triplet of dragon glass to a wood in quick successions to make Podrick facilitate the construction of her secret special weapon, to her pinning the same Podrick to bed few seconds later.

I felt it was too fast. I felt they needed a tad bit more bonding and... gasps.... fans who still saw Arya as that semi-innocent dedicated virgin girl were not ready to see her in this new light. But like I said earlier, what makes this whole episode very powerful is that it deals with the philosophical psychological battles people fight even before the main war begins.

Before you get disappointed or angry, I want you to understand that both in witchcraft & christianity, and science even, Time is a very important constraint. Time & Space is to the Universe and Mordern science/physics what Native chalk & schnapp is to Amadioha.

The concept of Time changes everything. When you know you have a certain amount of time to live, it changes your perspective about every fffuking thing. Everything!

Now it doesn't matter if you're made of steel like Arya or copper like Tormund , but suddenly, nothing else matters but everything matters. The little things like having the walls of your v@gin@ greased by this guy you kind of like. Coming from a long- ass frightening journey that almost featured your flesh on the Night's King's Archimedes sprial and the first thing you ask is if "The big woman is still around" .

This episode was beautiful, philosophical & very necessary. So many subtle but deep elements. Is it how Grey worm for all his muteness & devoutness to Dany's cause knows deep down that even if they win the war, he & Missandei won't fit in the picture?

My highlight of this episode is how it subtly reinforces "The concept of Time" as the most powerful force in the universe. And it's true!!!

There was a girl. Our chemistry was out of this world, maybe supernatural sef. We bonded so well, but didn't get to the stage where Arya & Gendry currently are before we later had issues.

We don't talk anymore. I don't even know if we are ever going to see again, talk again, or hear each other's voice again till we both die. But something tells me if somehow somehow the world is to be ending in the next 5mins and death is coming for us all, our tongues will be far deep in each other's throats & we'll be ffucking each-other in 3...2.. 1.

I'll title this beautiful Episode - "The Concept of Time: the battle before the War"..

omobs:
Jon is really foolish, why can't he wait till after the war before telling dany that he is aegon

Ksslib:
I see why it's easy to hate this episode & label it a total bore, but - to me - this is one of the best episodes. It's so subtle yet powerful. Maybe because it deeply appeals to my melancholic side.

No need to rush. I love the gradual transitioning. No need to rush. Is it not blood you want? Don't worry, it is coming. Blood will so spill you'll be forced to use rolls of tissue in wiping off splashes that flew from your favorites & landed on your screen protectors. No worry.

These are characters we've been with for years( I prefer to use "almost all our lives" , it sounds more dramatic ). Bretheren, these are characters we've been with for almost all our lives. They are our brothers, our sisters. They're now a part of us whether we choose to admit it or not. Some, or all of them, will die. And we'll miss them.

So why should we rush? Don't we want to be with them for one more, last final time? This episode is beautiful & powerful because most times we see the war, the bravery, the bloodshed, the victory, but most times we don't see the personal, emotional and philosophical battles they struggle with in the final moments leading to the war itself.

They are so many enriching, powerful scenes in this episode - one of them being the chamber gathering between Tyrion & Jamie, then joined by Brienne, Podrick, ser Devos & Tormund aka.. Giants bane...lol

But I'll talk about two.

One -my personal favorite actually - when Ser Devos was serving supper and this man, after collecting his share, tells ser Devos that he's not a warrior, panic visible in his eyes. Then this little girl comes up, collects her food and tells Ser Devos she wants to fight. So tiny in contrast to the previous man, yet no fear in those little eyes. Powerful stuff!

I was pissed at the man. Like how could this little child be willing to fight & die, but you want to cower & tow a coward's path. You no get shame? But then again, we all are victors or victims of our circumstances. The little girl said her two brothers were soldiers & she wants to fight too. But the man? Maybe he was an average
trader before, a care-giver nursing the elderly perhaps, a banker, or just an average Nigerian like you & me far faaar less braver & perhaps much more likely a coward than an eight-year old Afghan whom has tasted War. Like I said, we all are victor or victims of our circumstances.

You know, it's so easy to assume that since a war is coming, everybody will automatically be pumped-up, gingered, motivated, prepared & ready to die. Sadly, some will never be ready to die. Even in their death. That's life.

These are some of the philosophical psychological battles of war - and many more - people fight in the final moments even before the main war begins. And it's important to show it.

Second one is the post-sex scene between Gendrya.

Here, Arya is seen staring far far into the neverlands - a place only she can see- while that beautiful poetic rendition by Podrick plays in the background. Here, her eyes look wide open but she looks lost. She was there but wasn't there. This scene is so powerful that the look on her face could be interpreted for one-thousand different meanings and all would be correct.

Did Podrick dickmatize her? - as he did those whores - and she's here thinking, wow!! So na wetin I dey miss be this?. Is the War even worth it? Maybe we could find somewhere cozy below the crptys and I'll hide on this D1ck till the war is over. A girl has no shame..

Maybe here, Arya knows she'll die, and for the first time, death no longer has many faces and she's starting at death..... in the face...

Maybe for all the bravery, For all the "A girl has no face" shenanigans, For all the training, For all her cold-heartedness, deep down somewhere she's just like everyone. A normal human being like you and I afraid to die, wishing that this fffucked up world could be a slightly less horrific & a better place.

The only part I felt was a bit rushed at first was how Arya transitioned from pinning a triplet of dragon glass to a wood in quick successions to make Podrick facilitate the construction of her secret special weapon, to her pinning the same Podrick to bed few seconds later.

I felt it was too fast. I felt they needed a tad bit more bonding and... gasps.... fans who still saw Arya as that semi-innocent dedicated virgin girl were not ready to see her in this new light. But like I said earlier, what makes this whole episode very powerful is that it deals with the philosophical psychological battles people fight even before the main war begins.

Before you get disappointed or angry, I want you to understand that both in witchcraft & christianity, and science even, Time is a very important constraint. Time & Space is to the Universe and Mordern science/physics what Native chalk & schnapp is to Amadioha.

The concept of Time changes everything. When you know you have a certain amount of time to live, it changes your perspective about every fffuking thing. Everything!

Now it doesn't matter if you're made of steel like Arya or copper like Tormund , but suddenly, nothing else matters but everything matters. The little things like having the walls of your v@gin@ greased by this guy you kind of like. Coming from a long- ass frightening journey that almost featured your flesh on the Night's King's Archimedes sprial and the first thing you ask is if "The big woman is still around" .

This episode was beautiful, philosophical & very necessary. So many subtle but deep elements. Is it how Grey worm for all his muteness & devoutness to Dany's cause knows deep down that even if they win the war, he & Missandei won't fit in the picture?

My highlight of this episode is how it subtly reinforces "The concept of Time" as the most powerful force in the universe. And it's true!!!

There was a girl. Our chemistry was out of this world, maybe supernatural sef. We bonded so well, but didn't get to the stage where Arya & Gendry currently are before we later had issues.

We don't talk anymore. I don't even know if we are ever going to see again, talk again, or hear each other's voice again till we both die. But something tells me if somehow somehow the world is to be ending in the next 5mins and death is coming for us all, our tongues will be far deep in each other's throats & we'll be ffucking each-other in 3...2.. 1.

I'll title this beautiful Episode - "The Concept of Time: the battle before the War"..

losprince:
Sansa and theon scene was very memorable

Ksslib:
I see why it's easy to hate this episode & label it a total bore, but - to me - this is one of the best episodes. It's so subtle yet powerful. Maybe because it deeply appeals to my melancholic side.

No need to rush. I love the gradual transitioning. No need to rush. Is it not blood you want? Don't worry, it is coming. Blood will so spill you'll be forced to use rolls of tissue in wiping off splashes that flew from your favorites & landed on your screen protectors. No worry.

These are characters we've been with for years( I prefer to use "almost all our lives" , it sounds more dramatic ). Bretheren, these are characters we've been with for almost all our lives. They are our brothers, our sisters. They're now a part of us whether we choose to admit it or not. Some, or all of them, will die. And we'll miss them.

So why should we rush? Don't we want to be with them for one more, last final time? This episode is beautiful & powerful because most times we see the war, the bravery, the bloodshed, the victory, but most times we don't see the personal, emotional and philosophical battles they struggle with in the final moments leading to the war itself.

They are so many enriching, powerful scenes in this episode - one of them being the chamber gathering between Tyrion & Jamie, then joined by Brienne, Podrick, ser Devos & Tormund aka.. Giants bane...lol

But I'll talk about two.

One -my personal favorite actually - when Ser Devos was serving supper and this man, after collecting his share, tells ser Devos that he's not a warrior, panic visible in his eyes. Then this little girl comes up, collects her food and tells Ser Devos she wants to fight. So tiny in contrast to the previous man, yet no fear in those little eyes. Powerful stuff!

I was pissed at the man. Like how could this little child be willing to fight & die, but you want to cower & tow a coward's path. You no get shame? But then again, we all are victors or victims of our circumstances. The little girl said her two brothers were soldiers & she wants to fight too. But the man? Maybe he was an average
trader before, a care-giver nursing the elderly perhaps, a banker, or just an average Nigerian like you & me far faaar less braver & perhaps much more likely a coward than an eight-year old Afghan whom has tasted War. Like I said, we all are victor or victims of our circumstances.

You know, it's so easy to assume that since a war is coming, everybody will automatically be pumped-up, gingered, motivated, prepared & ready to die. Sadly, some will never be ready to die. Even in their death. That's life.

These are some of the philosophical psychological battles of war - and many more - people fight in the final moments even before the main war begins. And it's important to show it.

Second one is the post-sex scene between Gendrya.

Here, Arya is seen staring far far into the neverlands - a place only she can see- while that beautiful poetic rendition by Podrick plays in the background. Here, her eyes look wide open but she looks lost. She was there but wasn't there. This scene is so powerful that the look on her face could be interpreted for one-thousand different meanings and all would be correct.

Did Podrick dickmatize her? - as he did those whores - and she's here thinking, wow!! So na wetin I dey miss be this?. Is the War even worth it? Maybe we could find somewhere cozy below the crptys and I'll hide on this D1ck till the war is over. A girl has no shame..

Maybe here, Arya knows she'll die, and for the first time, death no longer has many faces and she's starting at death..... in the face...

Maybe for all the bravery, For all the "A girl has no face" shenanigans, For all the training, For all her cold-heartedness, deep down somewhere she's just like everyone. A normal human being like you and I afraid to die, wishing that this fffucked up world could be a slightly less horrific & a better place.

The only part I felt was a bit rushed at first was how Arya transitioned from pinning a triplet of dragon glass to a wood in quick successions to make Podrick facilitate the construction of her secret special weapon, to her pinning the same Podrick to bed few seconds later.

I felt it was too fast. I felt they needed a tad bit more bonding and... gasps.... fans who still saw Arya as that semi-innocent dedicated virgin girl were not ready to see her in this new light. But like I said earlier, what makes this whole episode very powerful is that it deals with the philosophical psychological battles people fight even before the main war begins.

Before you get disappointed or angry, I want you to understand that both in witchcraft & christianity, and science even, Time is a very important constraint. Time & Space is to the Universe and Mordern science/physics what Native chalk & schnapp is to Amadioha.

The concept of Time changes everything. When you know you have a certain amount of time to live, it changes your perspective about every fffuking thing. Everything!

Now it doesn't matter if you're made of steel like Arya or copper like Tormund , but suddenly, nothing else matters but everything matters. The little things like having the walls of your v@gin@ greased by this guy you kind of like. Coming from a long- ass frightening journey that almost featured your flesh on the Night's King's Archimedes sprial and the first thing you ask is if "The big woman is still around" .

This episode was beautiful, philosophical & very necessary. So many subtle but deep elements. Is it how Grey worm for all his muteness & devoutness to Dany's cause knows deep down that even if they win the war, he & Missandei won't fit in the picture?

My highlight of this episode is how it subtly reinforces "The concept of Time" as the most powerful force in the universe. And it's true!!!

There was a girl. Our chemistry was out of this world, maybe supernatural sef. We bonded so well, but didn't get to the stage where Arya & Gendry currently are before we later had issues.

We don't talk anymore. I don't even know if we are ever going to see again, talk again, or hear each other's voice again till we both die. But something tells me if somehow somehow the world is to be ending in the next 5mins and death is coming for us all, our tongues will be far deep in each other's throats & we'll be ffucking each-other in 3...2.. 1.

I'll title this beautiful Episode - "The Concept of Time: the battle before the War"..

losprince:
Then he looks at brienne and says "at least we'll die together"

streetdisciple:
Jon: My name, My real name is Aegon Targaryen

Dany: Who told you?

Jon: Bran

*Next Episode*

Stegomiah:
Tormund is in love with brienne who is in love with Jamie
Hope we get to see a thre.esome

Ksslib:
I see why it's easy to hate this episode & label it a total bore, but - to me - this is one of the best episodes. It's so subtle yet powerful. Maybe because it deeply appeals to my melancholic side.

No need to rush. I love the gradual transitioning. No need to rush. Is it not blood you want? Don't worry, it is coming. Blood will so spill you'll be forced to use rolls of tissue in wining off splashes that flew from your favorites & landed on your screen protectors. No worry.

These are characters we've been with for years( I prefer to use "almost all our lives" , it sounds more dramatic ). Bretheren, these are characters we've been with for almost all our lives. They are our brothers, our sisters. They're now a part of us whether we choose to admit it or not. Some, or all of them, will die. And we'll miss them.

So why should we rush? Don't we want to be with them for one more, last final time? This episode is beautiful & powerful because most times we see the war, the bravery, the bloodshed, the victory, but most times we don't see the personal, emotional and philosophical battles they struggle with in the final moments leading to the war itself.

They are so many enriching, powerful scenes in this episode - one of them being the chamber gathering between Tyrion & Jamie, then joined by Brienne, Podrick, ser Devos & Tormund aka.. Giants bane...lol

But I'll talk about two.

One -my personal favorite actually - when Ser Devos was serving supper and this man, after collecting his share, tells ser Devos that he's not a warrior, panic visible in his eyes. Then this little girl comes up, collects her food and tells Ser Devos she wants to fight. So tiny in contrast to the previous man, yet no fear in those little eyes. Powerful stuff!

I was pissed at the man. Like how could this little child be willing to fight & die, but you want to cower & tow a coward's path. You no get shame? But then again, we all are victors or victims of our circumstances. The little girl said her two brothers were soldiers & she wants to fight too. But the man? Maybe he was an average
trader before, a care-giver nursing the elderly perhaps, a banker, or just an average Nigerian like you & me far faaar less braver & perhaps much more likely a coward than an eight-year old Afghan whom has tasted War. Like I said, we all are victor or victims of our circumstances.

You know, it's so easy to assume that since a war is coming, everybody will automatically be pumped-up, gingered, motivated, prepared & ready to die. Sadly, some will never be ready to die. Even in their death. That's life.

These are some of the philosophical psychological battles of war - and many more - people fight in the final moments even before the main war begins. And it's important to show it.

Second one is the post-sex scene between Gendrya.

Here, Arya is seen staring far far into the neverlands - a place only she can see- while that beautiful poetic rendition by Podrick plays in the background. Here, her eyes look wide open but she looks lost. She was there but wasn't there. This scene is so powerful that the look on her face could be interpreted for one-thousand different meanings and all would be correct.

Did Gendry dickmatize her? and she's here thinking, wow!! So na wetin I dey miss be this?. Is the War even worth it? Maybe we could find somewhere cozy below the crptys and I'll hide on this D1ck till the war is over. A girl has no shame..

Maybe here, Arya knows she'll die, and for the first time, death no longer has many faces and she's starting at death..... in the face...

Maybe for all the bravery, For all the "A girl has no face" shenanigans, For all the training, For all her cold-heartedness, deep down somewhere she's just like everyone. A normal human being like you and I afraid to die, wishing that this fffucked up world could be a slightly less horrific & a better place.

The only part I felt was a bit rushed at first was how Arya transitioned from pinning a triplet of dragon glass to a wood in quick successions to make Gendry facilitate the construction of her secret special weapon, to her pinning the same Gendry to bed few seconds later.

I felt it was too fast. I felt they needed a tad bit more bonding and... gasps.... fans who still saw Arya as that semi-innocent dedicated virgin girl were not ready to see her in this new light. But like I said earlier, what makes this whole episode very powerful is that it deals with the philosophical psychological battles people fight even before the main war begins.

Before you get disappointed or angry, I want you to understand that both in witchcraft & christianity, and science even, Time is a very important constraint. Time & Space is to the Universe and Mordern science/physics what Native chalk & schnapp is to Amadioha.

The concept of Time changes everything. When you know you have a certain amount of time to live, it changes your perspective about every fffuking thing. Everything!

Now it doesn't matter if you're made of steel like Arya or copper like Tormund , but suddenly, nothing else matters but everything matters. The little things like having the walls of your v@gin@ greased by this guy you kind of like. Coming from a long- ass frightening journey that almost featured your flesh on the Night's King's Archimedes sprial and the first thing you ask is "If The big woman is still around" .

This episode was beautiful, philosophical & very necessary. So many subtle but deep elements. Is it how Grey worm for all his muteness & devoutness to Dany's cause knows deep down that even if they win the war, he & Missandei won't fit in the picture?

My highlight of this episode is how it subtly reinforces "The concept of Time" as the most powerful force in the universe. And it's true!!!

There was a girl. Our chemistry was out of this world, maybe supernatural sef. We bonded so well, but didn't get to the stage where Arya & Gendry currently are before we later had issues.

We don't talk anymore. I don't even know if we are ever going to see again, talk again, or hear each other's voice again till we both die. But something tells me if somehow somehow the world is to be ending in the next 5mins and death is coming for us all, our tongues will be far deep in each other's throats & we'll be ffucking each-other in 3...2.. 1.

I'll title this beautiful Episode - "The Concept of Time: the battle before the War"..

Endy10:
Damn!
It was like reading what I would write...ecxept for the part you kept calling Gendry Podrick (You wished it was he instead who did the deed)

Okay, need to ask some questions
Do you stay in lag
If yes, where?
If yes, send a DM.

losprince:
Arya sex scene reminded me of my first time everything was rushed and amateurish

Ksslib:
Yea. Don't know why I keep mixing both guys up. This has happened before.

No. I don't stay in Lag. But if it's concerning the hard copy of the books, I can have them waybilled.

simi4me:
This is the bravest person I have ever met in westeros.

meforkene:
Just unconsciously bumped into a summary of Episode 3. Don't worry i wouldn't say what i read. I'm ready for anything.

shogz89:
So varys did not even speak a word in a whole episode..

Endy10:
No, not because of the books.
I like interacting with intellectuals