SCENE 2 (INT/EXT_ NIGHT_ THE GODMAN GOODHEAD EDIFICE/ROAD)

XTERS: Tina, Patricia, Lambert, Godman Goodhead, and the LIB Team.

BLURB: A dumb show/an active flow¬_ with INTRINSIC background score(s) _ a slow visually narrative insert of the empty space on Patricia’s BED hit our retinas, this time, Camera extends gradually to the other half portion of the bed; thereby revealing a male figure. For a moment he was still in his sleep, as Camera scans through to reveal parts of him, he made a few set of moves like a man in a mild nightmare, but no; it is his way of express sweet night rest.

Camera left the bed, and commenced scanning the interior of the sparsely dark bedroom. In a slow panoramic shot, we saw framed photographs of Patricia and someone that looks like the male figure we saw on the bed. The photographs obviously are revealing; it is Patricia and her husband Godman that are in them. A happy family is what the pictures interpret to viewers at first sight. With smiles in the faces of both man and wife; they displayed their rings in all displayed still pictures.

SHOT: Cut to their Kitchen, guestroom, and other parts of the house. And finally to the exterior of the house where shot now rests. In the well lit, but still sparsely dark compound we saw three packed Cars, at the security post corner, we saw Lambert sleeping outside obviously waiting to receive Patricia back into the house. Mix

In the dark came two full headlights heading towards Camera from a distance with disturbing amount of speed, and distorting decibel of screeching sound. The Car drove passed top of the shot revealing the bottom of the vehicle, so the screen was dark for a moment, and then returned with a reverse insert of the Car exiting; firing solo on the scanty expressway. Cut to the interior of the Car to reveal her occupants, it is Patricia and her friend Tina, they both appeared sober, but more sober is Tina who is firing the man made machine like she invented the piece herself.

SHOT: Still in the interior of the Car, the ladies are quiet; both submerge in their worlds of separate thoughts. From the interior we saw their vehicle approaching the traffic lights on a 4-ways junction, Tina’s foot went to her break(s) almost immediately, Camera exposes the foot pedal(s) region of the Car as Tina’s right foot reaches for one; applying the break to slow down the acceleration purpose machine before approaching the central point of this 4-ways road. As the Car got to the subject point in a bid to wait for the traffic light’s stay-still duration, a jeep appeared from nowhere exactly, and double crossed the Car that Tina and Patricia are occupants of. Tina, confused, but sharp. She reached quickly for the central lock knobs and shut all the entrance of the Car.

The jeep packed right in front of them, and out of it came two men in suits- both; big in size. With long and sides sharp metallic devices in both men’s hands as they approached the jeep without fear. On seeing this, Tina headed for reverse, but before she could initiate the command synergy to the gear and pedals; her Car jerked forward abruptly, indicating that something physical had had contact with it from behind. Camera swiftly pans behind to reveal only part of the Car that made the depriving collision.

The bumper of the intrusion vehicle is lapping right on Tin’s Car fender. In the interior of the ladies Car, we saw frightened to death Tina and Patricia screaming and demonstrating their fears with several physical actions and gestures. From both driver and passenger sides the men went straight to work, and in less than 5 seconds the Car doors were maneuvered and opened, the ladies were instantly blind folded and abducted. It was a clean and well planned operation.

THE EXIT: The men each got one lady and off they carried them from Tina’s small Car back to their Jeep. From the collision Car behind came out one male in smart dark outfits wearing mask and gloves. He entered into Tina’s Car, the one behind reversed back a bit; the tinted glass of the jeep opened and a gloved hand hung out to signal a move. At once the three Cars zoomed off into the dark in three different directions.

Diagram description of the physical positions of Cars, and their exit methods/directions:

Road 3

Collision Car
EXIT RD




--Tina’s Car EXITING Road 1 JEEP-- Road 2 JEEP EXITING--
-- Tina’s Car
!
Collider



Road 4

Tina’s Car
Approach point