Jideosik's Posts
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I need three videographers: Lagos, Abuja, and Port Harcourt to record videos. You must own a digital camcorder or a DSLR capable of recording footage at 1920 x 1080
resolution. Other requirement include the ability to do minor editing, understand audio (must use a digital recorder with camera) and must have access to email and the Internet. Our primary communication will be by constant email exchanges. Please have some work samples to show me and I can arrange for us to meet. I will pay you for the sessions. This is work for hire situation and the footage becomes copyrighted to me. Serious people with experience only should write back to jideosik@kilimanjaromedia.com |
Is anyone interested in shooting & editing video with DSLR? |
Tatia:Can you provide additional information on post-harvest processing? Thanks. |
Thank you Orikinla for the advice. I will contact all chapters of ANA. In addition, I will contact Sola Osofisan. I hope too that a mature, decent and intellectual discussion website will emerge shortly whereby Nigerian writers can exchange ideas and build a friendly community. |
Yes, send your poems (5 maximum), short stories, creative non-fiction and essays. None of the anthology submissions will be published online. Accepted work will appear in the anthology only. |
The best way to protect your work is to copyright it before sending it out to editors. In 1970, I sent my poems out to the editor of Nigerian Post and all the poems were published—and it was the first time I ever wrote anything and got paid for it. I was paid five pounds for each poem. I did not think the editor was going to steal my idea or work, and no one did. As a student at the University of Ibadan in the early seventies, I submitted poems to the Department of English magazine “Idoto” and my poems were published. This was how I met and became friends with Odia Ofeimun and many other student writers of the seventies. I sent many poems to Femi Osofisan, which he published in his poetry chapbook, “Opon Ifa” During Festac, I sent my poems to Cyprian Ekwensi and he published the poems in “An Anthology of new Nigerian Writing”, which was Nigeria’s literary entry for Festac. I did not think he was going to pilfer my work and he did not. It never crossed my mind that someone would steal my work. As a staff writer at the Daily Times between 1976 and 1980, I published hundreds of articles on the literary and performing arts in Nigeria and no one stole my articles or reprinted without the Daily Times permission. This Idea of stealing stuff is a new phenomenon in Nigeria because I know for sure that magazines and journals still ask for submissions here in the USA. I understand the concerns of writers about being plagiarized or their works stolen by other people, but the best way to protect yourself is to copyright your work. As an English instructor here at Delta College in Stockton, California I remind my students of the penalty for plagiarism which is failing the course or perhaps getting into serious trouble with the Dean of Instruction. Therefore, there is no need to engage in an unnecessary hair-splitting exercise regarding my anthology. It is a shame that Nigerians have experienced incredible dishonesty in the hands of leaders and trusted managers—which is why everything and everyone is suspect, but you have to move beyond that and keep an open mind. I would like to publish other writers because I love and teach literature. Thank you SMC for making a clear headed and thoughtful argument. By the way, I am going to put up the US copyright office link on my website so that you can register your work if you so desire. |
blissfullynaughty:Absolutely, yes! Please send your material to jideosik@kilimanjaromedia.com. Better yet, visit our website. Its address is located in my signature. |
Good talk kiwi992. How many local folks with college degrees can you hire with 900 pounds per day? How many Niger Delta indigenes make 900 pounds per day? Are there unemployed Nigerians with similar skills who can do this work—even for half of the pay, so that they can earn a decent living? The issue here is that only a few Nigerians are benefiting from the resources of the land, and 900 pounds a day is atrocious in a country where many of the youth are without employment. Unfortunately, there is continual derelict leadership and institutional rot in Nigeria. I have visited the Niger Delta and it is a shame the level of neglect and poverty on the ground. My advice to this gentleman is to skip the work—do not become a Niger Delta statistics. It is also a shame that many of the posters here do not even have the consciousness of what is at stake in the Niger Delta. When you have the kind of injustice and mindless leadership going on in Nigeria, MEND is inevitable. I am not from the Niger Delta. I am a concerned Nigerian. |
Thank you very much SMC for this announcement. Indeed, I am editing an anthology of new fiction from Africa. The focus is on unpublished work, but I will include any previously published work if the author owns the copyright. I would prefer that submissions be sent to me via email; however, a query letter should precede the submission. All contributors to this anthology will be paid for their work. No deadline has been set for this publication. In addition to the African anthology, I am also editing an anthology of immigrant writing. This publication is open to immigrants residing in the United States. Deadline for the immigrant anthology is Friday November 28th, 2008. Please go to http://www.kilimanjaromedia.com for additional information, or send me an email at: jideosik@kilimanjaromedia.com Jide Osikomaiya |
What does IT stand for and what service did you request? |
You can start a business with 700,000 or less. Provide a service that someone needs and make sure you can find other people who need your product. Start small, and grow the business. Good luck. |
Seun: combrazor:Hello fellows, would you like to share your movie making experience with the rest of us? |
Seun, If I understand you correctly, it seems to me that you are really interested in breaking into the Hollywood market. It is tough, but doable. One way to achieve this goal is to decide who you want to write for and then zero in on that program. Watch the program to study their style and nuances, write a spec script and get an agent. The agent will make the initial contact with the production company. Remember that no legit company will deal directly with you without an agent. On the other hand, if what you mean by “benefit from the opportunity since we are not involved with their unions.” is your wish to sell your finished situation comedy to an American outfit, forget it, because they are not at all interested in foreign programs-talk less of African. My honest advice is that you produce your work and sell to a multi-national pay channel, and I understand there are many of them operating in Nigeria now. In addition, you can stream your sit-com on your website and rake in a lot of money—from those buying your DVD or downloading directly from your secured dedicated server. As a matter of fact, your program may get picked up by an American distributor, based on the sales volume from your website. Watch out though for crooked distributors—there are tons of them out there. Good luck. |
I am not talking about script quality, or awards or anything of that nature. I am talking about opportunities for all writers. When everyone is agreed to a set of guild rules, that is what everyone lives by and all infractions are dealt with. Other practitioners in the industry must obey those rules. How do you recognize hardworking people if there are no parameters to evaluate the work? The checks and balances are the do's and don'ts stipulated by the guild. I hope that answers your question. |
On the contrary, there is nothing hilarious about the strike. It is serious business. Hollywood is run by unions and that is why there is some sanity here. If writers and other professionals are left to the whims of Corporate America or those media owners, Hollywood will decline fast. The unions set work conditions and pay structure. To work and succeed in the system, you must belong to a union. Can you imagine writers, directors and producers negotiating individually with studios without a mandatory set of rules? That will set Hollywood back 100 years. What you are advocating is what exists in Nigeria right now where everyone makes his own rule of engagement. That is a recipe for chaos. If you would like to take advantage of the strike, then you need an agent. Once you are represented by an agent, and your work is accepted, you are required to join the union, see? Of course you may opt not to join the union, in which case you are working out of the loop and if someone cheats you, there is no union to fight for you. In fact, if you are not union, no one in the mainstream will deal with you. Nice talk though. |
What this tells me is that there are no checks and balances in the system. It also shows that there is an incompetent market at play. If there are enough exhibition houses (private television channels, cable, satellite and Internet outlets) for writers, there will be adequate opportunities for all writers. I think what is going on is a lack of an organized writers market in which all practitioners are required to abide by an enforceable set of rules, and anyone who breaks the rule is dealt with accordingly. If the infrastructure is in place, corrupt producers will have no chance in the system. Now the question is, what does it take to be a producer? Are those currently running around producing shows really competent to be called producers? There has to be a structured system in which practitioners of the trade have to go through some standardization. You do not need a college degree to be a good producer, but you need to work in a system that has rules and regulations. Besides, once there is demand for good scripts, good writers will emerge. The problem, as I see it, is the fact that television and cable providers are not buying enough scripts from local writers. Once a writer does not depend on independent producers (Idumota marketers) as the major source of income, but instead can sell to several other channels, the problems raised in this thread will be resolved. Sleekymag is right on the money. I am impressed with your take on the issues. http://www.kilimanjaromedia.com |
Really? Very interesting perspective. Jide |
My friend, Nigeria has no movie industry. There are many talented people producing entertainment products, and I commend them. Nigeria is the third largest movie industry in the world? Are you serious? Producing thousands of mostly mediocre video programs does not translate to a movie industry. |
Exposure is what writers get, at least for now. KilimanjaroMedia is a start-up, and as such, is not currently positioned to cut out checks for budding writers. For those writers interested in having their work published, KilimanjaroMedia's online edition offers a needed outlet and potential for future publishing opportunities and recognition. Certainly, there are both online and hardcopy publications out there offering payment for submissions; we are not there yet. If you're looking to be published and receive exposure, then you'll find it at Kilimanjaro Review. The newsstand edition will be published twice a year and will be distributed to subscribers only. A considerable amount of the content for the hardcopy edition will be pulled from online submissions. Thank you for bringing up the issue. It helps to shed light on what we're trying to accomplish. |
Hello creative writers, You are invited, once again, to be part of the kilimanjaromedia family. http://www.kilimanjaromedia.com Last month, we began publishing new work on our website. We are particularly interested in unpublished work. In addition to publishing your work online, we are collecting materials for our first hardcopy edition scheduled for the spring of 2008. If you would like to contribute to, or receive our hard copy edition, then you need to subscribe to the publication. Look out for the subscription form coming up on our site shortly. Meanwhile, check us out at http://www.kilimanjaromedia.com. Send us short stories, creative non-fiction, poetry, film-short screenplays, screenplays, cartoons; or, whatever you want to share with others that you believe has a creative bent. Jide Osikomaiya Founding Editor |
Ira, I am interested in doing a feature on this author on my website. Please send me a query email. The address to my website is in my signature. |
Well, if you can't find a used book vendor in Ilorin, maybe you should look into starting your own used bookstore. You know, there may be hundreds of other people in Ilorin in search of second hand books. Just a thought. Good luck in your search. |
Why don't you finish a first draft, find a few trusted folks who can give you honest reviews, then revise your work. Get a book editor and work in private with the fellow. Good luck. |
Hello fellow writers. I have only recently read the thread on putting together an anthology by the writers on Nairaland. I believe the thread has expired. However, I'm developing an online project aimed at supporting unpublished African writers, a site called KilimanjaroMedia.com. In addition to KilimanjaroMedia being a literary site, it is also very much an arts site encompassing many other aspects of performing arts. One of the goals of this site is to publish an anthology. If you're interested in what we may have to offer, please stop by. Here is the link to the website: KilimanjaroMedia.com |
Hello fellow writers. I'm developing an online project aimed at supporting unpublished African writers, a site called KilimanjaroMedia.com. In addition to KilimanjaroMedia being a literary site, it's also very much an arts site encompassing many other aspects of performing arts. One of the goals of this site is to publish an anthology. If you're interested in what we may have to offer, please stop by. Here is the link to the website. KilimanjaroMedia.com |
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