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Education / Re: Federal University Oye-ekiti (FUOYE) 2018/2019 Admission Thread by PopeExplicit(m): 12:40pm On Jun 25, 2018
Hello. Does anyone have an idea if admission processing has started in FUOYE?
Literature / Re: Nairaland Book Of Puns- Lovers Of Wordplay, Let's Pun! by PopeExplicit(m): 12:24pm On Oct 26, 2017
Literature / Re: Bukky Alakara by PopeExplicit(m): 12:15pm On Oct 26, 2017
it's pretty awesome reading through the whole story. Shewrites got my heart from the onset. I had to read all the stories that have her name as their Author.


in case you would like to read cool stories and poems, visit
www.dwartsonline.com today, tomorrow, and always.

Dwartsonline.com
Literature / Dwarts Magazine Issue 4 by PopeExplicit(m): 4:32pm On Oct 12, 2017
Dwarts Magazine, a magazine that promotes Literature, Art, and Books, curated by Wale Ayinla and Chukwuebuka Ibeh, and their host of editors has just published it's fourth literary issue.

Issue 4 comes with features from poets like , 2016 Christopher Okigbo prize winner,Oyin Oludipe, Green Author Prize winner, Mesioye Johnson, Akor Emmanuel Oche, O'Pelumi Francis Salako, and a special throwback of Romeo Oriogun, Brunel Prize 2017 winner, from Issue 2, and others.

Prose writers like Imade Iyamu, Iwundu Wisdom, and others, graced this issue with their lovely narrations.

The Issue was proposed to be a special issue for the Nigerian 57th Independence anniversary, but was changed because of some setbacks.

Issue 4 can be read via https://www.dwartsonline.com/2017/10/10/issue-4/ .

Also, we have started receiving submissions for Issue 5 which the deadline is December 10.

Cc. Divepen1, Lalasticlala, Seun, Markydebbie, shewrites, hewrites

Business / Re: How To Write Framework by PopeExplicit(m): 2:16pm On Sep 02, 2017
Please comment. We've published a couple of e-books and we're working on paperbacks. I really need your responses.
Business / How To Write Framework by PopeExplicit(m): 11:04am On Sep 02, 2017
Good day Nairalanders, I would be grateful if you can guide me through in writing/sketching a framework for my book publishing company.

I also won't mind if you can drop models, with the aid of diagram.
Literature / Re: Top 10 Nigerian Websites For Upcoming Writers by PopeExplicit(m): 7:42am On Aug 28, 2017
Divepen1:
Bookmarked and would be talked about very soon. Lovely page by the way.

Thank you, Divepen1
(modified)
We are currently accepting submissions for our fourth periodical issues which is themed around Nigeria. The deadline for submissions is September 1st . It will be live from October 1st.

Check our guidelines on www.dwartsonline.org/submissions

We also publish books
Literature / Re: Top 10 Nigerian Websites For Upcoming Writers by PopeExplicit(m): 7:20am On Aug 28, 2017
www.dwartsonline.org is also a good resource centre for African literature. It is owned by Wale Ayinla. It accepts submissions for creative nonfiction, fiction, photography, and academic essays.

www.dwartsonline.org has featured several award winning writers like Romeo Oriogun, Frances Ogamba, Troy Onyango, and many others. Log on today.
Sports / Re: Sylvester Igboun Buys 2017 G-wagon Worth $129000 by PopeExplicit(m): 5:02pm On May 29, 2017
It's like the mods are bored today, Or why is this on fp?
Webmasters / Re: Enquiries For A New Blog by PopeExplicit(m): 10:15am On May 24, 2017
lalasticlala, help me move this to fp. I need to get quality response for these quality questions
Webmasters / Enquiries For A New Blog by PopeExplicit(m): 10:13am On May 24, 2017
Hello Nairalanders,

I run a literary and art journal or better called blog, and I would like to include history and tourism journalism to it's niche.

Firstly, my hosting plan just expired and I would love to get a new one. Which hosting plan is affordable in Nigeria?

Secondly, is it advisable to buy an Adsense account, or should I apply for my own account?

Thirdly, should I require a service of a developer for my SEO?

Fourthly, History and Tourism Journalism, Art, and Literature, with a bit of Travel and Documentary photography, do these go well?

While I await your response, I'd like to know what else I need to do to increase my Alexa Ranking.

P. S: Before my hosting plan expired, I was ranked over 3million worldwide, and over hundreds of thousands in Nigeria.

adewasco2k , Slyr0x
Webmasters / Re: Fully Managed Semi VPS Server for High Traffic Sites - WordPress, e-Commerce etc by PopeExplicit(m): 9:55am On May 24, 2017
I'd like to host my blog which focuses mainly on Literature, art, history and tourism journalism. How much will that cost me
Webmasters / Re: My Blog's Hosting Plan Has Expired by PopeExplicit(m): 3:40pm On May 10, 2017
hostkobo:

hi there,
let me help you out.
check my signature for my #, msg me on whatsapp
regards HK

Thanks sir. I'll message you now.
Webmasters / Re: My Blog's Hosting Plan Has Expired by PopeExplicit(m): 8:00am On May 10, 2017
Please help me out... I'm broke right now. I'll repay as soon as I start making money.
Webmasters / My Blog's Hosting Plan Has Expired by PopeExplicit(m): 7:55am On May 10, 2017
Hello Nairalanders. I run a literary and art blog which deals with e-magazine publication and also digital publications, but my hosting plan just expired. I didn't make any dime in the past year while running the blog, though it was growing in its little way. I don't know if anyone can help host the blog for a cheaper rate, even though I'm financially handicapped. I don't want to believe that the domain will be hijacked from me... But I need someone to help me! The blog is dwartonline.com
Jokes Etc / Re: Some Common Nigerian Pidgin Proverbs by PopeExplicit(m): 9:46pm On May 02, 2017
hahaha
Webmasters / Re: The Stages Involved In Creating A Dope Website by PopeExplicit(m): 7:05am On Apr 26, 2017
This is apt and educational.
Education / Re: What Issues Are You Facing With 2017 Jamb Registration? by PopeExplicit(m): 9:17am On Apr 24, 2017
Please everyone, This is my O levels below, which course and school do you think I can put in for.

Economics B3
Government A1
English Language B2
Mathematics C6
Biology B3
Commerce D7
Yoruba C6
.....

I got the result in 2012. Please it's urgent.
Technology Market / Re: Which Good Phone Can I Get Within The Range Of 30k - 35k? by PopeExplicit(m): 10:19am On Apr 11, 2017
adecamp:
Buy tecno c7 40,000 its north it. 13mp front 13mp back. It's a camera phone

Yeah, that's what I actually got. Thanks
Technology Market / Which Good Phone Can I Get Within The Range Of 30k - 35k? by PopeExplicit(m): 10:14am On Mar 20, 2017
I have 30k with me and I need a phone that has: A good camera: 13MP to be precise. A good OS A strong battery And a good design.
Kindly drop your comments so I can choose before getting one today.
Literature / New Book: The Other Side Of Other Rooms By Wale Ayinla by PopeExplicit(m): 5:04am On Mar 07, 2017
Good day Nairalanders... I just released my book, a collection of poems, which is available on Amazon.

Here is a few blurb from the numerous comments garnered
.
THE OTHER SIDE OF OTHER ROOMS is one of the
most profound collections of poems of this age. Ayinla
has blessed this generation with a gift that many
generations will be grateful for.

— Funso Orimoloye, Co-Author of State of the State:
Sordid Beatification, Chicago, USA

This collection of poems is a philosophical pontification
on human life and essence. The book is a discourse on
the purpose of living and meaning to life in both
general and pertinent senses.

— John van Rosenberg, Professor of Philosophy, the
Netherlands

THE OTHER SIDE OF OTHER ROOMS is a beautiful
experiment of narratives with personal, global and
transcendental metaphors. It speaks to the human
spirit about the tales of self and other. There is great
hope for poetry.

— Femi Morgan , Curator, Artmosphere Nigeria and
Author of Renegade

The poet’s sensitivity to the human nature is
profound. His understanding of global issues and the
dexterity with which he tells his story is noteworthy,
The Other Side of Other Rooms is like holding a torch
to the rooms in our heart and lives.

— Rob McGrimes , Professor of Literary Studies,
Miami, USA

Ayinla’s collection of poetry [is an]exceptional
creation—prodigie kilned in the fire of a patient
finger.

— Ayoola Goodness Olanrewaju , Author of
Meditations, Ogun, Nigeria

The poet captures life’s rhythms very aptly. Reading
THE OTHER SIDE OF OTHER ROOMS is like being on
a journey through life and its dynamism.

— Tobi Israel, Essayist and Life Coach, London, UK

You can purchase the Kindle copy by clicking on the link below...

https://www.amazon.com/dp/B06WVB53M2

Mynd44 Lalasticlala
Literature / The Man: Bob Dylan, Newly Crowned Nobel Laureate by PopeExplicit(m): 4:42pm On Oct 15, 2016
No battle has raged as fervently as the one about the self of Bob Dylan—whether there was a true self beyond what had been invented for the audience. According to the Nobel Prize committee at least, he is a poet, and a literary genius of the first order—to others, not so much. In the mid-1960s the pop audience and pop critics were discovering new poetics and pop joined film as that paradoxical phenomena of mass art. Dylan and the Beatles are given dual credit for making rock music more adult, since as songwriters they plumbed themes that used to be the province of high art like loneliness and despair. This also earns rock stars biographical scrutiny. People began thinking of popular songs, especially Dylan’s, as a form of poetry. The public becomes curious about the stories behind the songs, the experience someone like Dylan could be drawing from to write, say, “Like a Rolling Stone.” Dylan’s biographer Robert Shelton wrote, “One’s image of a poet is someone, preferably under 25, revolutionary, good-looking, and doing something to excess, whether women, or drugs, or wine. It strikes the imagination very powerfully. There are many intimations of death in Dylan’s writing, but what has attracted me had been, rather, the affirmation of life. It’s like the blues, in which one is struck by the hopeful things that push through the gloom.” Rich Cohen also sees the blues running through Dylan’s music like “an homage fans don’t recognize.” Ellen Willis dissents, saying Dylan may or may not be a poet, but if Dylan is a poet, he isn’t a good one: “Poetry requires economy, coherence, and discrimination, and Dylan has perpetuated prolix verses, horrendous grammar, tangled phrases, silly metaphors, embarrassing clichés, muddled thought; at times she seems to believe one good image deserves five others, and he relies too much on rhyme.” Yet no less an authority than Oxford and Boston University professor Christopher Ricks sides with Shelton many years later: in 2004 his masterwork on the man he compares Dylan to Marvell, Marlowe, Keats, Tennyson, Yeats, and Hardy. Ricks’ Dylan’s Visions of Sin was published to mixed reviews on both sides of the Atlantic. A respected authority on Milton, Keats, and T.S. Eliot, Ricks claims, “Dylan is a performer of genius,” and that his songs in his voice rival those of any poet on the page.

Jon Landau’s essay on John Wesley Harding in early music fanzine Crawdaddy Number 15, May 1968, looked at that record as a summa of Dylan’s career, a musical and critical biography. It’s as insightful a piece of writing on Dylan at this stage in his career as any of Dylan’s full-length biographies, many of which stopped at or before this point. Landau sees circularity between Bob Dylan, the little-played debut record of one of the twentieth-century’s most mysterious and wanted men, and John Wesley Harding, named for a Old West outlaw and gunslinger. Dylan has “totally redefined himself by breaking with much that was consistently in evidence on the albums immediately preceding this one. Dylan’s abandonment of myths and melodrama that dominated all of his earlier albums” is further evidence of his growth as an artist, and adds to a sense of continuity. The new myth Dylan presents on Harding is that of himself as a “moderate man.” Landau explained, “Dylan created a myth that already existed. In a very real sense we could call it the myth of our own purity. Dylan was the only one on the scene who had the self-awareness, charisma, talent, imagination and lack of repression to give structure to this world view.” It turns out Dylan was a poet all along, Landau argued, not a prophet.



Grossman was as “ruthless in business as [Elvis’s manager] Col. Parker.” His gift was that he understood in that the folk scene was “concerned with selling authenticity.” His “initial interest was not the singer, but the song.” Grossman grasped that in music publishing was where money was, and he encouraged Dylan to veer from his Woody Guthrie-inspired schtick and write songs, in part, for his own pecuniary gain. The deal they made in July 1962 was that Grossman took 25 percent of Dylan’s publishing. His company, Witmark Music, took 20 percent cut of management and 25 percent on record and movie deals. Thus, Dylan got 40 percent of publishing while Grossman got 35 percent (half of Witmark’s 50 percent and a fifth of Dylan’s 50 percent). This deal came under much scrutiny many years later, but it set a standard for singer-songwriters at the time, and Grossman signed many other folk singers to similar deals. Though it might look like highway robbery, it was standard business practice, and Grossman guided Dylan in other ways. Many of Dylan’s biographers think Grossman and Dylan’s girlfriend at the time, Suze Rotolo, a Greenwich Village girl from a strong left-wing background, really pushed him into thinking about social justice and finding, as they say, his voice.

Dylan has never wanted a biography. It is as if it would freeze him with his mask on, leave him no room to escape being Bob Dylan. The closest he has come until writing his own oblique memoir, Chronicles Volume One, in 2004, was participating in Biograph, a three-disc retrospective of his career, in 1985, sitting for a somewhat candid song-by-song interview with Cameron Crowe (in which he still doesn’t clear up who his most vituperative song, Positively 4th Street, is about). In part this was his response to years of bootlegging, to reclaim the songs that had been released without his authorization and to reauthorize them by explaining his motives. David Hadju’s biography of Dylan, also called Positively Fourth Street, only examines the years of the folk movement, and is not about music as much as it is Dylan’s relationships during that crucial time. Greil Marcus’s first Dylan book, Invisible Republic, is largely theoretical and historical rather than biographical, and his second, Like a Rolling Stone, is clearly focused on a specific song. Christopher Ricks’ Dylan’s Visions of Sin is blatantly interested in the songs too rather than the life of the songwriter.

British critic Simon Frith wrote that people dream of Dylan not as a lover but as a friend, and as unusual as this is for a musician (it’s nearly impossible for someone to say the same about Mick Jagger, or Patti Smith), his biographers treat him as such. Though Dylan can be cruel, and has made many enemies along the way, there are few who seek revenge through the printed word. Many of the people closest to him, in fact, refused to cooperate with biographers at all: former road manager Victor Maymudes, the ubiquitous Bobby Neuwirth (of whom Dylan says in Chronicles that “He could talk to anybody until they felt all their intelligence was gone”), Sara Dylan, their children, and Albert Grossman (now dead) all refused to give interviews to any of his biographers. Clinton Heylin, who has written the most thorough if not the most penetrating book about Dylan, Behind the Mask (and updated it regularly), said of his subject, “The reader must be aware that there is much myth-building at stake here, and that Dylan’s friends and collaborators revel in that process as much as the man himself does. For each brick I pull down, there may well be another put in its place.” Heylin feels his work will never be done, the myth-making machinery will forever be undermining his search for the truth about Dylan.

The biographers Dylan got are an odd lot. In the beginning, there was Robert Shelton, the folk apostate and unapologetic Dylan worshipper, who tried to write the first authorized biography in No Direction Home (no book about Dylan has been authorized, though he has published three books, one of his lyrics, a knotty piece of experimental fiction called Tarantula, and Chronicles). Shelton had the fullest access to the man, though the stars in his eyes and the fact that his subject was at that point less than forthcoming about his past means the account was incomplete. Dylan told Shelton as he was writing, “Now, we have one thing straight about the book. I’m going to tell Albert [Grossman] we have come to an understanding about the book, Ill give you as much as I can. I’ll come very quickly to the point in all the things that I want done, but you can easily go back on me…. But I won’t forgive you for doing that, man. It’s not going to be a biography, because I’m not dead yet. It’s going to be a timeless thing. Right?” In actuality, there are at least two generations of Dylanists to consider: Shelton, and critics Ellen Willis, and Landau, followed by David Hadju, Clinton Heylin, Christopher Ricks, and Greil Marcus. None has had as much access as Shelton. They have to rely on the accounts of other people, and the songs, to tell Dylan’s story.



Over the course of his long career, there are many Bob Dylans. “Performers had always changed their names and adopted professional images that diverged from their biographies…. The irony of Robert Zimmerman’s metamorphosis into Bob Dylan lies in the application of so much elusion and artifice in the name of truth and authenticity.” This accusation by David Hadju, one of Dylan’s most astute biographers, is oft repeated in writings about Dylan’s participation in the folk movement. Folk gave Dylan his fame, and forced people to take him seriously, as folk was a serious business. Serious because it was “authentic, local, associated with hillbillies and hobos, antithetical to the times and sounded real.” And a business, as Robert Shelton points out, because, “the music business was jolted by such widespread decentralization of talent and audiences. For a time, the folk movement ran on greased wheels of anti-show-business idealism, more commercially oriented folk singers had to present themselves as idealistic, they had to dress simply and appear indifferent toward money.” Hadju’s summary of the folk ideal is “down with the aristocracy of the Hit Parade, up with egalitarian amateurism,” and the anti-commercial, underground sensibility it represented, that statement which teenagers utter with such pride: “no one else was listening to it.” (see more)

cc lalasticlala, seun, mynd44
http://www.dwartonline.com/the-man-bob-dylan-newly-crowned-nobel-laureate/

1 Like

Literature / Re: "Pay Your Child To Read"- Chimamanda Adichie On Child Care, Feminism. by PopeExplicit(m): 7:24pm On Oct 13, 2016
Lalasticlala, Seun, Mynd44, let's take this to promise land
Literature / "Pay Your Child To Read"- Chimamanda Adichie On Child Care, Feminism. by PopeExplicit(m): 7:23pm On Oct 13, 2016
Award-winning Nigerian novelist Chimamanda Adichie posted a brilliant, honest essay on her facebook wall on the 12th of october 2016, titled 'DEAR IJEAWELE, OR A FEMINIST SUGGESTIONS IN FIFTEEN SECONDS'. The essay was an advice to her friend, a newly-birthed mother whom Adichie referred to as 'Ijeawele'. The name of the baby girl in question was Chizalum.

In the witty, concise piece, Adichie lays down fiteen crucial rules for raising a feminist daughter. Her rules range from "Unapologetic Attitude", to "Absolute self awareness", and, most importantly, "Kindness". Adichie states some of the 'absurd' sentiments towards feminism and dissolves them into nothingness.
On child care between parents, Adichie tells her friend:
And please reject the language of help. Chudi is not ‘helping’ you by caring for his child. He is doing what he should. When we say fathers are ‘helping,’ we are suggesting that childcare is a mother’s territory, into which fathers valiantly venture. It is not. Can you imagine how many more people today would behappier, more stable, better contributors to the world, if only their fathers had been actively present in their childhood? And never say that Chudi is
‘babysitting’ – people who babysit are people for whom the baby is not a primary responsibility. Chudi does not deserve any special gratitude or praise, nor do you – you both made the choice to bring a child into the world, and the responsibility for that child belongs equally to you both. It would be different if you were a single mother, whether by circumstance or choice, because ‘doing it together’ would then not be an option. But you should not be a ‘single mother’ unless you are truly a single mother. My friend Nwabu once told me that, because his wife left when his kids were young, he became ‘Mr. Mom,’ by which he meant that he did the daily care-giving. But he was not being a ‘Mr. Mom,’ he was simply being a dad.


On behavioral patterns of boys and girls, Adichie says;
A young woman once told me that she had for years behaved ‘like a boy’ – she liked football and was bored by dresses – until her mother forced her to stop her ‘boyish’ interests and she is now grateful to her mother for helping her start behaving like a girl. The story made me sad. I wondered what parts of herself she had needed to silence and stifle, and I wondered about what her spirit had lost, because what she called ‘behaving like a boy’ was simply that
she was behaving like herself.

Adichie further states:
Ofcourse I am angry. I am angry about racism. I am angry about sexism. But I am angrier about sexism than I am about racism. Because I live among many people who easily acknowledge race injustice but not gender injustice.

On books, Chimamanda says;

Teach Chizalum to read. Teach
her to love books. The best way is by casual example. If she sees you reading, she will understand that reading is valuable. If she were not to go to school, and merely just read books, she would arguably become more knowledgeable than a conventionally educated child. Books will help her understand and question the world, help her express herself, and help her in whatever she wants to become – a chef, a scientist, a singer all benefit from the skills that reading brings. I do not mean school books. I mean books that have nothing to do with school, autobiographies and novels and histories. If all else fails, pay her to read. Reward her. I know of this incredible Nigerian woman who was raising her child in the US; her child did not take to reading so she decided to pay her 5 cents per page. An expensive endeavor, she later joked, but a worthy investment.

The essay was published on her facebook wall by her publishers Alfred A Knopf, and it triggered both well meaning comments and backlash. A certain commenter was known to have called her a hopeless feminist. But, of course, Adichie would not see that. Her facebook account is not managed by her.

To read the full essay, go through: https://m.facebook.com/story.php?story_fbid=10154412708460944&id=40389960943&refid=17&_ft_=top_level_post_id.10154412708460944%3Atl_objid.10154412708460944%3Athid.40389960943%3A306061129499414%3A2%3A0%3A1477983599%3A8720056734303563602

http://www.dwartonline.com/pay-your-child-to-read-chimamanda-adichie-on-child-care-feminism/

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Literature / Re: Abubakar Adam Ibrahim Wins The 2016 Nigeria Prize For Literature. by PopeExplicit(m): 6:49pm On Oct 12, 2016
MrsExplorer:

I must win this prize someday
With hard work and doggedness, you'll surely win.

1 Like

Literature / Re: Abubakar Adam Ibrahim Wins The 2016 Nigeria Prize For Literature. by PopeExplicit(m): 1:28pm On Oct 12, 2016
lalasticlala, seun , mynd44 . Please push this to fp.
Literature / Abubakar Adam Ibrahim Wins The 2016 Nigeria Prize For Literature. by PopeExplicit(m): 1:23pm On Oct 12, 2016
Abubakar Adam Ibrahim has won the 2016 NLNG sponsored Nigeria Prize For Literature for his debut novel, "Season Of Crimson Blossoms". The award announcement was made on Wednesday, 12th of October, 2016.

Abubakar's novel "Season Of Crimson Blossoms", beat the other other shortlisted novels, "Born On A Tuesday", by Elnathan John, and "Night Dancer", by Chika Unigwe, to clinch the $100,000 prize. Chika Unigwe had previously won the prize in 2012 for her novel "On Black Sister's Street".

The Nigerian Prize For Literature valued at $100,000 is one of the world richest literary prize, and the richest in Africa. Previous winners of the Prize include, Kaine Agarry for "Yellow Yellow", Tade Ipaedola for "Sahara Testament", Akachi Adimora Eze-Igbo, and Chika Unigwe for "On Black Sister's Street" amongst others.

The three shortlisted novels were drawn from a longlist of eleven that included Etisalat Prize longlisted novel, "On The Bank Of The River", by Ifeoluwa Adeniyi, and 74 year old Ifeoma Okoye for her new novel, "The Fourth World". The three novels on the shortlist were particularly spectacular and we can't be prouder of Abubakar for winning the Prize.

Congrats to the winner and the shortlisted writers!

http://www.dwartonline.com/abubakar-adam-ibrahim-wins-the-2016-nigeria-prize-for-literature/

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Literature / Dwarts Poetry Prize Calls For Submissions by PopeExplicit(m): 9:11am On Oct 12, 2016
[img][/img]
We welcome you to the first edition of our quarterly poetry prize. Dwarts Poetry Prize came into existence because of the misconstrued notions of the twenty-first century writers of poetry that poetry is being controlled by passion and not to suit one’s self but, a poor poet is a half-written poem.

Dwarts Poetry Prize will run quarterly, that is, every three months and each will have only a winner who will cart away the prize. A theme shall be given in every contest and interested writers are to explore around it.


Theme: Redemption

Prize: Five Thousand Naira only, (5,000)
Period of Submission: October 11 – November 12.

See more on http://www.dwartonline.com/dwarts-poetry-prize-calls-for-submissions/

Education / Re: 2017/2018 University Of Ilorin Admission Guide Thread by PopeExplicit(m): 1:41pm On Sep 15, 2016
Alfredex:
Are we to expect screening score or list?

Both, you'll check your score, then check your admission status.
Education / Re: 2017/2018 University Of Ilorin Admission Guide Thread by PopeExplicit(m): 1:16pm On Sep 15, 2016
I've logged into my account but my screening result isn't visible yet. It only has % as the score. Who else has that?

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