₦airaland Forum

"Natasha
From Nigeria
Didn't have a chance
She just had to dance
With the freedom
Of my rhythm".

Slinger Francisco, ORTT, CM, OBE (born 9 July 1935), better known as Mighty Sparrow, is a Grenadian born, Trinidadian calypso vocalist, songwriter, and guitarist. Known as the "Calypso King of the World", he is one of the best-known and most successful calypsonians. He has won Trinidad's Carnival Road March
competition eight times, Calypso King/Monarch
eight times, and has twice won the Calypso King of Kings title.

Early life and career

Slinger Francisco was born in the fishing village of Grand Roy, Grenada, West Indies, on 9 July 1935. He moved to Trinidad as a one-year-old with his mother, his father having relocated there in 1937. He grew up in Laventille, a suburb of Port of Spain. He began singing as a small child, but his love of calypso was discouraged while at Newtown Boys Catholic School, where he sang in the choir. At the age of 14, he joined a steel band comprising neighbourhood boys, and performed with the band at Carnival.
He received his performing name "Little Sparrow" during his early career, as a result of his energetic stage performances:

Your calypso name is given to you by your peers, based on your style. In the old days they tried to emulate British royalty. There was Lord Kitchener, Lord Nelson, Duke. When I started singing, the bands were still using acoustic instruments and the singers would stand flat footed, making a point or accusing someone in the crowd with the pointing of a finger, but mostly they stood motionless. When I sing, I get excited and move around, much like James Brown, and this was new to them. The older singers said "Why don't you just sing instead of moving around like a little sparrow?" It was said as a joke, but the name stuck.

—Mighty Sparrow

After a couple of years, he changed his stage name to "Mighty Sparrow".

On leaving school, he began working for the government Control Board, but continued to perform calypso, which became the better paid of the two, and his residency at the Lotus Club made him a star locally.


Calypso King

His first performance as a carnival singer came in 1954, with "The Parrot and the Monkey". In 1955, Sparrow made his first recordings – "Missing Baby (Ruby)", "High Cost of Living" and "Race Track" for Vitadisc – which were included on the Royalties of Calypso Kingdom
compilation a few years later. In 1955 and 1956, he also recorded "Give The Youngsters A Chance", "Family Size Coke", "Goaty", "Clara Honey Bunch" and "Yankee's Back Again" for GEMS, "Jean And Dinah" and "The Queen's Canary" for Kay, and "Sailor Man" for Veejay Special Ace.

In 1956, Sparrow won Trinidad's Carnival Road March and Calypso King competitions with his most famous song, "Jean and Dinah"
(also known as "Yankees Gone", a song celebrating the departure of US troops from Trinidad). A live performance of "Yankees Gone" was included in the album Jump Up Carnival in Trinidad. His prize for winning the Calypso King title was $40. In protest at the small sum (the winner of the Carnival Queen beauty contest won $7,500), he wrote the song "Carnival Boycott" and attempted to organize other singers to boycott the competition. About half of the singers followed, including Lord Melody. Sparrow claims credit for succeeding improvements in the conditions of calypso and steelband musicians in Trinidad, as well as the formation of the Carnival Development Committee, a musicians' assistance organization. Sparrow refused to officially participate in the competition for the next three years, but he continued to perform unofficially, even winning another Road March title in 1958 with "P.A.Y.E." He did perform at the 1957 carnival in the Young Brigade Calypso Tent, where the four songs he performed were recorded and later released on the album Calypso Kings and Pink Gin
.
Sparrow went on to have local hits in 1956 and 1957 with singles such as "Jack Palance", "No Doctor No", and "Sailor Man", before beginning a musical slanging match with Lord Melody, each releasing singles attacking the other. The rivalry went on for several years. In 1957, Sparrow recorded his first album, Calypso Carnival 58, released the following year on the Balisier label.

He again boycotted the carnival in 1959, choosing instead to tour extensively, and early that year released the album Sparrow in Hi Fi
before signing a deal with RCA, for whom he recorded eleven albums between 1960 and 1964.

Taking calypso abroad

Calypso music enjoyed a brief period of popularity in other parts in the world during the 1950s. Trinidadian expatriate Lord Kitchener
had helped popularize calypso in the United Kingdom, and Sparrow also found some success there. In the United States, interest in calypso was sparked largely by Harry Belafonte's 1956 album Calypso, the first LP to sell over one million copies. In January 1958, Sparrow, along with longtime rival Lord Melody, travelled to New York City seeking access to the American music audience. Sparrow had already been recording with Balisier and Cook Records, and with Belafonte's help he also began to record for RCA Victor. He did not achieve the success he had hoped for; he said in a 2001 interview, "When nothing happened for me, I went back to England and continued on with my career."

In 1960, Sparrow returned to the Calypso Monarch competition, winning his second Kingship and third Road March title with "Ten to One Is Murder" (an autobiographical song about an incident in which Sparrow allegedly shot a man) and "Mae Mae". He also began recording for his own label, National Recording. He won the Road March title in 1961 with "Royal Jail" and won his third Calypso King title in 1962 with "Model Nation" and "Sparrow Come Back Home".
He won further titles in the 1960s and 1970s and continued to enjoy great popularity in Trinidad. He recorded prolifically, with forty albums released in the 1960s and 1970s. In the latter half of the 1960s his recordings began to be released in the United Kingdom.


In 1968, he recorded the album Sparrow Meets the Dragon with Byron Lee in Jamaica. Their version of "Only a Fool Breaks His Own Heart" (written by Norman Bergen and Shelly Coburn) gave them an international hit in 1969, earning a gold disc upon its re-release in late 1977, igniting a No. 2 hit record in 1978 in the Netherlands.

He had his greatest success internationally in the 1970s, starting with the album The Best Of, featuring live recordings in Brooklyn, New York of Sparrow favorites. In 1974, with Van Dyke Parks as producer, he recorded the album Hot and Sweet for Warner Bros. in Miami, and the following year reunited with Byron Lee for the Sparrow Dragon Again album. He had a big hit in 1977 with "Crawford", a tribute to sprinter Hasley Crawford, and that year embarked on a tour of West Africa, during which he was given the honorary Yoruba title Chief Omo Wale of Ikoyi.
In 1978, he recorded the album Only a Fool in London for Trojan Records.

Sparrow recognized the advantages of using New York as a base for recording and international touring, and by the mid-1960s moved his operation and family to Jamaica, Queens. He became a fixture in Brooklyn’s Labor Day Carnival, regularly appearing at the big Dimanche Gras show at the Brooklyn Museum. He wrote a number of calypsos about life in New York, bookended by his 1969 classic "Mas in Brooklyn" and his provocative 1991 "Crown Heights Justice."

Soca

As soca began to supplant calypso in popularity in Trinidad and Tobago during the late 1970s and early 1980s, Sparrow embraced the hybrid of calypso and soul fused with the local chutney music. In 1984 he won his eighth Road March title with the soca-influenced "Doh Back Back". Also around this time, he began to spend at least half the year in New York City, finding an apartment in the West Indian neighborhoods in Jamaica, Queens. In 1985, he performed at the carnival's King of Kings show alongside The Mighty Swallow, Blue Boy, Scrunter, Blakie, Mighty Duke, and Black Stalin, taking the "King of Kings" title and the US$10,000 first prize. He would later win the title for a second time. His last major title came in 1992, with "Both of Them" and "Survival" winning him the Calypso Monarch title. He made an appearance at the Reggae Sunsplash festival in 1993. Although less active since the mid-1990s, Sparrow continued to perform, and tour into the 21st century; in a 2001 interview, he mentioned that he had been singing and performing a "Gospel-lypso" hybrid. In 2008, he released a song supporting Barack Obama's presidential campaign, "Barack the Magnificent". He also did a remake of his "Congo Man" song with fellow Trinidadian Machel Montano on the 2008 Flame On album.

In 2010, Sparrow left the stage in a wheelchair after a performance in Trinidad, and later that year was hospitalised after suffering an inguinal hernia while performing in Maryland. He made a full recovery and continued to tour internationally. He has been hospitalised several times with complications of diabetes. In September 2013, he was due to receive a lifetime achievement award from the Trinidad & Tobago consulate in New York, but was admitted to a New York hospital, where he fell into a coma for two weeks before regaining consciousness.

He returned to public performance in January 2014, with a 40-minute set at a bar in Brooklyn, New York. At the end of the year, he was voted "Express Individual of the Year 2014" by the Trinidad Express.

In 2020, he released Live at 85!, a recording from December 2019 of a show at Joe's Pub
in New York City.


Lyrics

Sparrow's lyrics are famous for being witty, ironic, and ribald. He sings flirtatiously of the attractions of Hispanic women in "Margarita", and of East Indian women in "Marajhin".
He tells some outrageously frank tales of sexuality in "Mae Mae", "The Lizard" and "Big Bamboo", and there is humorous commentary on West Indian culture to be found in "Obeah
Wedding" and "Witch Doctor". Robert Christgau
called his controversial song "Congo Man" "a wildly perverse piss-take on African roots, interracial revenge, interracial sex, male-female relations, and cannibalism".
The 1965 song was criticized for its attitudes toward women and Africans, and banned from radio airplay until 1989.

Sparrow also frequently comments on social and political issues in his songs. During his early career he was a supporter of Eric Williams and his People's National Movement (PNM), which formed in 1955 and led Trinidad and Tobago to independence in 1962; songs such as "Leave The Damn Doctor Alone" and "William the Conqueror" mentioned Williams directly, while others such as "Federation" (blaming Jamaica for the breakup of the short-lived West Indies Federation), "Our Model Nation" (celebrating Trinidadian independence), and "PAYE" (supporting the PNM's pay-as-you-earn tax system) echoed PNM positions. Sparrow did express discontent in 1957's "No, Doctor, No", but it was comparatively mild, and aimed at holding PNM politicians to their promises rather than replacing them. Sparrow cleverly combined political criticism with sexual innuendo in his mid-1960s song "BG Plantain", which decried the ban levied by PM Williams on imported plantain
from British Guiana (BG); plantain, a large banana-shaped vegetable, is a staple of West Indian cuisine, and Sparrow praised the BG plantain as larger, sweeter, and superior to the home-grown Trinidadian variety.

One of his most famous hits, "Dead or Alive" (1979), which achieved international acclaim, addressed the tyranny of rulers such as Idi Amin, the Shah of Iran and other leaders of the era.

His tongue-in-cheek humour is best expressed by his 1970 hit "Sparrow Dead", which addressed the premature rumours of his death, which persist to this day. The lyrics of the song include:

"I hear he have cancerI hear he have yellow feverSomething in the bladderAnd a double dose of leukemia!"

Two gossip mongers gossipin'I stand in a corner listenin'Before I could ask who dey talkin' aboutA newspaper boy started to shout"Extra! Read all about it! Paper!""Who killed the Sparrow - nobody know . . . "

Well big mouth LillianSay de funeral was on televisionShe picky head cousin say that the coffin cost twenty thousandThis is why he sell de companyTo pay de doctor and de burial fee!"

In more recent times, Sparrow continues to incorporate social issues into his music. "Crown Heights Justice" is a plea for peace and understanding in the wake of the 1991 Crown Heights Riot in Sparrow's adopted home of New York City. The themes of peace, tolerance, and concern for the poor show up repeatedly in songs such as "Human Rights" (1981), "Capitalism Gone Mad" (1983), and "This Is Madness" (1995).

Press Statement: The African Democratic Congress (ADC) is deeply alarmed by reports that today, officials of the Independent Corrupt Practices and Other Related Offences Commission (ICPC) forcefully denied Mallam Nasiru El-Rufai access to medical care, arrested his personal physician and physically assaulted his wife.

Information reaching us is that El-Rufai was billed for treatment at the National Hospital in Abuja today. But against the hospital's advice that he would require hospitalisation in view of his failing health, officials of the ICPC insisted on returning him into custody. Protests by his personal physician and his wife led to scuffles during which his wife was assaulted and the doctor subsequently arrested.

The actions of the ICPC and the Tinubu government have for months now gone beyond the realm of law enforcement.

Their actions have become an assault on the Constitution of 200 million Nigerians, on human dignity, and on the most basic principles of justice and human rights.

The world should know today that President Bola Ahmed Tinubu is holding a political prisoner in Nigeria by the name of Mallam Nasiru El-Rufai.

No democratic government that claims to respect the rule of law should deny a detainee access to medical care or prevent close family members from seeing him in flagrant disobedience of the courts, which granted him unfettered access to his lawyers, physician and family members.

Such conduct belongs to authoritarian regimes that use state institutions to break political opponents rather than to uphold justice.

This is no longer about Mallam El-Rufai alone. It is about whether Nigeria remains a constitutional democracy or has descended into a republic where law enforcement agencies have become instruments of political persecution.

As we have said since this treatment of Mallam El-Rufai began: “Today it is El-Rufai. Tomorrow it could be any Nigerian whose only offence is to disagree with those who wield power.”

The ICPC owes Nigerians immediate explanations. On whose authority was access to his family denied? Why has access to his doctor been refused despite concerns about his health? What legal basis exists for these actions? Why were El-Rufai’s wife and doctor assaulted by the ICPC operatives?

President Tinubu cannot continue to hide behind anti-corruption agencies while pretending that these actions are independent of his administration.

Under our Constitution, the buck stops with the President. Every day that Mallam El-Rufai remains in custody under these circumstances is another day that Bola Tinubu keeps criminalising political opposition instead of confronting the grave crises of insecurity, unemployment, inflation, and hunger confronting millions of Nigerians.

The ADC therefore demands the following:

1. Immediate and unrestricted access for Mallam El-Rufai to his wife, children, legal team, and personal medical practitioners.

2. An urgent review of the punitive and disproportionate bail conditions imposed on Mallam El-Rufai, with a view to ensuring that they conform with the Constitution and the fundamental principle that bail is intended to secure attendance at trial, not to inflict punishment before conviction.

3. An immediate end to the harsh, degrading and unnecessarily restrictive conditions under which he is being held and supervised, and his release from what has become a regime of political persecution masquerading as lawful process.

4. Full compliance with all constitutional guarantees and internationally recognised standards governing the treatment of persons in custody.

5. Complete transparency from the ICPC regarding the legal and factual basis for every restriction imposed on him.

6. An immediate end to the use of state institutions as instruments of political intimidation, vendetta and selective justice.

Signed:

Mallam Bolaji Abdullahi, @BolajiADC 
National Publicity Secretary
African Democratic Congress (ADC)

Mr. President, Sir, I campaigned for you. I stood up and went to every nook and cranny of Kaduna State for you. My husband stood by your side. Is this what our family deserves? The ball is in your court, Mr. President. All these can stop if you say a word. We believe that you are… pic.twitter.com/g0MMqLTRLa

— Nigerian Affairs Journal (@NigAffairs) July 8, 2026

Today, I met with my brother and National Leader @elrufai.

Our conversation has only deepened our resolve. The ADC in Kaduna is not merely ready, we are fully ABLE to dislodge the incompetent APC-led administration that has failed the good people of our state.

Enough of the hardship, enough of the excuses. With unity, courage and the will of the people, we will rescue Kaduna and restore justice, development and dignity.

Kaduna! 2027 is our year of redemption.

Corruption case: ICPC arrests El-Rufai’s personal physician over alleged false statements

By : Saxone Akhaine
Date: 8 July 2026

The Independent Corrupt Practices and Other Related Offences Commission (ICPC) has explained the circumstances surrounding the arrest of Professor Bello Abubakar, personal physician to former Kaduna State Governor, Nasir El-Rufai.

The anti-graft agency said the doctor was arrested for allegedly making false statements after photographs surfaced showing the African Democratic Congress (ADC) governorship candidate in Kaduna State, Isa Ashiru, and other visitors meeting with El-Rufai during a court-approved medical visit to the National Hospital, Abuja.

In a statement issued by its spokesperson, Demola Bakare, the commission said the incident raised concerns that the hospital visit may have been used for purposes beyond the medical consultation authorised by the court. According to the ICPC, El-Rufai was taken to the private wing of the National Hospital, Abuja, on July 7 under security arrangements approved by the Kaduna State High Court to enable him receive medical attention.

The commission said its security and medical personnel conducted themselves professionally throughout the exercise and respected the former governor’s privacy by remaining outside the consultation room while he was being examined by an oncologist. However, the agency said the situation took a different turn after a Facebook post by Isa Ashiru surfaced online.

According to the statement, the post contained photographs showing Ashiru, Professor Abubakar and three other individuals meeting with El-Rufai during the period he was expected to be undergoing medical consultation. The ICPC said the development suggested that the hospital visit had gone beyond the scope authorised by the court.

“The images and post by Isa Ashiru indicated that the arranged medical visit was utilised for activities outside the scope contemplated by the court and the ICPC. This is a clear violation of the court order,” the statement said.

The commission added that Professor Abubakar was subsequently taken into custody for allegedly making false statements regarding the circumstances surrounding the visit. It further alleged that professional courtesies repeatedly extended to the former governor had been abused, making a thorough investigation necessary.

The ICPC, however, did not disclose the specific false statements allegedly made by the physician, stating that investigations were ongoing. The arrest adds a fresh dimension to the corruption case involving the former governor.

Efforts to obtain reactions from Professor Abubakar, El-Rufai or Isa Ashiru were unsuccessful as of the time of filing this report.

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