₦airaland Forum

A brethren of Passion Of Christ movie...

Time will tell

Very touchy story

You go start by leading by example. Kill yourself

E don start

With his own coin. Lol

Ok

shortgun:
Wrong!
Don't speak out of ignorance, the only people that can represent and act on behalf of the president are only official office holders appointed by the president and the vice president.
It is unconstitutional for any other category of persons to perform the functions of the president

Thank you! So technically, he can appoint his wife then...

Adeniyi620:
Greetings I'm seeking for a professional video editor for NBA basketball video game highlights kindly send dm 08113660059

Location

Father and sons.. very sad story

The president has the power to send anyone to represent him... Anyone

Vice versa

Awka and killing na 5 & 6.

Only unsafe state capital

Fear of 6 months in jail is beginning of wisdom

Crazy people

I don't understand this post..

No story, no direction!

What happened?, why did it happen? Then the aftermath; consequences and recommendations

mohbadliveson:
Cry me a river. US, UK and other African countries doing much worse for Nigerians

Increase your volume please

Tell them my brother..

Infact, the fee suppose to be $1000

ValCon888:
There's

something called Reciprocity. The reporter should first find out how much Nigerians pay for visas to the US.

It will do him good to know the amount is nonrefundable, the rejection rate is extremely high, yet Nigerians pay the same fees every time they apply for a visa to the USA

judatech:
I thought he used to brag he is a billionaire.
Up to the point of suing a journalist that referred to him as a millionaire

Do you really think that trump will may the money?

SadiqBabaSani:
Omo this Ijaw people hate oeacey. egbesu deity always make them believe bullet cannot penetrated them.
Meanwhile this Press release failed to disclose any casualty on the side of the attackers now.

When government go come with its might, even the deity go understand say na only government get power

I shot the road map documentary around 2014

Make I laugh in Swahili

As a person who personally knows John Okafor, popularly known as Mr Ibu, I am gutted by his present predicament, and hurt by the way it has now turned into a public affair. A number of people with no knowledge of how the industry works have seized this opportunity to launch offensive agaisnts an industry that is doing a great job in employment and job creation, as well as excellent PR for the nation.

For example, Adamu Garba's response to Mr. John Okafor's distressing plea for financial assistance has stirred up controversy and raised questions about the role of government and industry unions in supporting Nigerian artists. While Garba's call for the Nigerian Film and Video Censors Board to establish a life insurance policy for screen personalities like Mr. Ibu seems well-intentioned, there are several criticisms and concerns that need to be addressed.

First and foremost, the timing of Garba's response has sparked suspicion. Some critics argue that he might be exploiting Mr. Ibu's vulnerability and the public's sympathy for his situation for political gain. Given Garba's history in Nigerian politics and his involvement in controversial issues, it's reasonable to question his motives. When individuals in the public eye, especially artists, face difficulties, it is essential to approach the situation with empathy and genuine concern, rather than seizing it as an opportunity for political grandstanding.

Another critical aspect is the suggestion that the Nigerian government should step in and provide insurance for artists like Mr. Ibu. While it is important to recognize the contributions of artists to the nation's culture and entertainment, the idea of the government providing such insurance raises concerns. The Nigerian government is often criticized for its inefficiency and corruption, and entrusting them with the responsibility of managing insurance policies could potentially lead to mismanagement and funds being diverted elsewhere. Instead of relying on the government, a more viable solution may be to encourage private insurance companies to offer tailored insurance packages for artists and entertainers.

Furthermore, I believe that Adamu Garba's proposal might create a moral hazard. If artists believe that the government will provide insurance to cover their later years, it may disincentivize them from taking personal responsibility for their financial well-being. This, in turn, could lead to complacency and a lack of financial planning, which is not in the best interest of the artists themselves.

Another criticism of Garba's response is that it oversimplifies the complex issue of support for artists. He suggests that Mr. Ibu should have been qualified for insurance based on his contributions to the industry, but determining eligibility for such support is not straightforward. There are numerous talented artists in Nigeria, and creating a system that fairly assesses who should receive insurance and to what extent is a challenging task.

Moreover, I believe that insurance is not the only effective way to support artists in need. While insurance can provide financial security for the future, it does not address the immediate financial crises that artists like Mr. Ibu might face. A more comprehensive approach to support could include an industry-wide fund to help artists during times of illness or crisis. Such a fund could be supported by industry unions, production companies, and even voluntary contributions from successful artists or enthusiasts.

It's also essential to highlight that not all artists in Nigeria are members of industry unions or associations, and many may have legitimate reasons for not participating. Encouraging greater cooperation and coordination within the industry is undoubtedly beneficial, but imposing union membership as a prerequisite for support might be counterproductive. Film Creative Minds Association (FCMA) for example has structures in place for members, but can anyone be forced to unionize? Hell no.

Adamu Garba's response to Mr. Ibu's situation should focus on a more fundamental issue, which is the need for a more robust social safety net in Nigeria. The lack of a comprehensive healthcare system and social support mechanisms means that individuals, including artists, are often left to fend for themselves during times of crisis. While the entertainment industry has its unique challenges, addressing the broader issue of healthcare and social welfare would be a more inclusive and effective solution.

In light of these criticisms, it is worth considering the alternative responses to Mr. Ibu's situation. Former Kaduna lawmaker Shehu Sani's pledge of support, for instance, was more restrained and empathetic, avoiding the political undertones present in Garba's response. Sani's approach focused on offering assistance rather than pushing for government intervention.

Additionally, there is a critical argument that the public and media should play a role in responsibly reporting and responding to artists in need. Instead of sensationalizing their difficulties, it is crucial to verify whether artists have reached out to the right people or organizations for help. Responsible reporting could also help avoid creating a negative image of the entertainment industry and its artists.

Conclusively, while Adamu Garba's proposal to provide life insurance for Nigerian screen personalities is well-intentioned, it has faced significant criticism. The timing, potential political motives, the government's track record, the moral hazard it may create, and the complexity of determining eligibility are all valid concerns. The issue of supporting artists in need is multifaceted, and the solution may require a combination of private initiatives, industry-wide funds, and improved social safety nets, rather than relying solely on government intervention. Addressing the immediate financial crises faced by artists is also an important consideration, and responsible reporting and support from the industry and the public can play a vital role in assisting artists during times of need.

Muoma Obinna


Source: @mrmuomaobinna

Bad boi

EXPORTING POSITIVE STORIES FROM NOLLYWOOD

In a world where media and entertainment play a pivotal role in shaping perceptions and stereotypes about nations, it is crucial to consider the power of storytelling. The US for example, benefits hugely from the positive press Hollywood generates. Nigeria on the other hand, a nation rich in culture, diversity, and history, has often been misunderstood and misrepresented in the global arena. Foreigners, influenced by the narratives portrayed in commercial films, have sometimes labeled Nigeria as a "juju country," perpetuating negative stereotypes. However, this narrative is far from the reality of Nigeria, and it is high time to change this perception.

A few months ago, Nigeria's Ambassador to Burundi, Elijah Onyeagba, paid a courtesy visit to the office of Inside Nollywood, an influential player in Nigeria's film and entertainment industry, was not just a formal visit but a call to action. Ambassador Onyeagba recognized the need to change the narrative surrounding Nigeria and encouraged those in the industry to export positive stories that reflect the true virtues of the country.

"What you show people is what you are," Ambassador Onyeagba emphasized during his visit. These words hold immense significance in the context of Nigeria's portrayal in the global media landscape. The stories and images projected by the country's commercial filmmakers have a profound impact on how Nigeria is perceived abroad.

Of course, Ambassador Onyeagba is a robustly educated and well traveled man, and his interactions with people from numerous nations and classes influenced the alacrity with which he asked that filmmakers changed their storytelling.

It is essential to acknowledge that Nigeria, like any other nation, faces its own set of challenges and problems. However, reducing Nigeria to a single, negative stereotype based on certain aspects of its culture or history is not only unfair but also harmful. Commercial filmmakers, in their pursuit of profit and audience engagement, have sometimes resorted to sensationalism and exaggeration, reinforcing harmful stereotypes about juju practices, crime, and corruption.

For example, stories of missing joysticks sadly frequently feature in Nollywood movies. Also, tales of a young lady used for rituals by her young rich Yahoo boy boyfriend is also a mainstay in the industry. We also find tales of jilted lovers angrily leaving the village for the city, where they link up with an old friend who is a member of a ritual killing cult.
These narratives not only misrepresent Nigeria but also overshadow its rich cultural heritage, its vibrant arts, its resilient and enterprising people, and its contributions to various fields on the global stage. The time has come to shed light on the positive aspects of Nigeria and its people.

To change the narrative about Nigeria, it is imperative to start promoting the true virtues of the country. Nigeria is a nation of diversity, with over 250 ethnic groups and languages, each with its unique traditions and contributions to the national fabric. It is a country of innovation, with a thriving tech industry and a burgeoning creative sector. It is a nation of resilience, where people overcome challenges daily and make strides toward progress.

Nollywood is one of the largest film industries globally, producing a wide range of movies each year. By crafting narratives that reflect the true essence of Nigeria, Nollywood can reshape the country's image on the global stage.

Changing the narrative about Nigeria is not an overnight process; it requires dedication and effort from both the entertainment industry and society at large. It involves a shift from sensationalism to storytelling that captures the complexities of the nation's identity. It means showcasing the stories of ordinary Nigerians who contribute to their communities and the world in extraordinary ways.

It also involves engaging with international audiences, promoting cultural exchange, and fostering mutual understanding. Platforms like Inside Nollywood can serve as bridges between Nigeria and the global community, enabling the sharing of stories that transcend stereotypes and promote unity.

It is essential to acknowledge that Nigeria, like any other industry, faces challenges. These challenges should not be ignored but approached with a constructive mindset. By addressing issues piracy, lack of research into lost or subdued cultural practices and increased funding corruption, Nigeria and Nollywood can demonstrate its commitment to progress and development.

Furthermore, initiatives that highlight the nation's cultural diversity, invest in education of the populace, and empower its youth can pave the way for a brighter future. The positive narratives emerging from these efforts can counteract negative stereotypes and highlight Nigeria's potential as a global movie powerhouse.

Ambassador Elijah Onyeagba, thanked Inside Nollywood for what we do in the industry, and prayed for strength for us to continue our campaign. Changing the narrative is a collective responsibility, one that Inside Nollywood and others in the industry can champion to help Nigeria shed the shadows of misrepresentation and emerge as a truly valued and appreciated nation on the global stage.

https://open.substack.com/pub/muomaobinna/p/exporting-positive-stories-from-nollywood?r=2szqvj&utm_campaign=post&utm_medium=web

We get money for pay for ads nah..

Space booked

Georgekyrian:
If you no come finish this story. Your papa No know Wetin time be ??🥹

😅😅😅

You said it all my brother!
He who puts his house on fire, will always love to see the aftermat of his decision

aminulive:
https://politicsnigeria.com/the-deceptive-tactics-of-ipob/

My favorite

InsideNollywood:
Elizabeth ‘Liz’ Benson Listen, born on April 5, 1966, stands as an iconic figure in Nigeria’s entertainment industry, leaving an indelible mark as an actress, television personality, and philanthropist. Hailing from Etinan, Akwa Ibom State in southern Nigeria, Benson’s journey to success and prominence is marked by her early start in acting, her breakthrough roles, her hiatus from the film industry, and her inspiring return as a born-again Christian.

Liz Benson’s trajectory toward stardom began at an early age. From the tender age of 5, she showcased her acting talents, setting the stage for a remarkable career. Her educational pursuits led her to Sylvania State College in the United States, where she honed her skills and graduated with a degree in Dramatic Arts. This foundation in dramatic arts would become the cornerstone of her successful acting journey.

Benson’s ascent to stardom took a definitive turn when she starred in the television soap opera “Fortunes” in 1993. In the role of Mrs. Agnes Johnson, Benson captivated audiences with her compelling portrayal. The soap opera’s success only foreshadowed her meteoric rise as an actress. However, it was her role in the home video film “Glamour Girls” (1994) that solidified her status as a notable figure in the Nigerian film industry. Her powerful performance in a film that delved into the sensitive theme of prostitution showcased her versatility and depth as an actress.

Despite her remarkable success, Benson made a surprising decision to step away from acting in 1996. This hiatus was not just a pause in her career; it marked a pivotal moment of transformation in her life. During her time away from the spotlight, she underwent a profound spiritual journey that led her to embrace Christianity fervently. Her newfound faith became the guiding force in her life, influencing not only her personal choices but also her professional path.

Read more @
https://insidenollywood.ng/archives/4012