A few weeks ago, on this website, Mark Bowden said the film Argo was "brilliant" and "capture the moment when [the hostage crisis in Iran] perfect. There a film about a small" farce played between bigger rescue six Americans that the [US] embassy left the day of purchase, and hid in the Canadian Embassy. I hope I can make a small dent in the persistent perception episode as a trait American epic disaster."

I wonder: Are there dents or bends, the more confused in a film that is fun and exciting way to old. In fact, it is an image which could have been made during 1979-1980 or earlier. But Bowden deserves to be heard: tell stories about American courage under pressure (eg, Black Hawk Down), where it may mislead the political decision that requires sacrifice. He has also written a book, guests of the ayatollah, hostage. Still, it's a film about Iran, a country that is now a crisis of epic proportions carefully studied.

The film is well done; have a hero (played by director Ben Affleck), who happens to be beautiful, cool and laconic; the other white, at least, is quirky and kind and tense with anxiety; and the film earned $ 40 million in the first ten days. Some have suggested that it would be the best material on the frame. This is absurd and dangerously close to our simple acceptance of the Iranian population is represented by a noisy crowd, as we can see in The Four Feathers or Gunga Din, or one of those movies that people consider east of Suez extras like crazy and dangerous.

So in a sense it is a remake of Casablanca (70 years), where the good do their escape, but without a shadow of evil Colonel Strasser and Nazis. "Tony Mendez" hero looks as good as Ben Affleck could never long hair, beard and tweed jacket, he is a brother to 70 years Warren Beatty (The Parallax View crossed with McCabe and Mrs. Miller). He is C.I.A. means getting Tehran to recover from six undercover as Canadians doing a silly fantasy film, Argo. There was a man, but it was not Latin detail UN Affleck test matches.

This is an indication of how "based on a true story" was an effective expertly son of Casablanca. The conclusion is the plane of decisive importance for Zurich Tehran track chased by police cars and trucks cross troops. It happened this way? Is not as six memories. If the Iranian authorities so ruthless and know all they had to do was summoned air traffic control tower ban and take off. But this set pieces ports Affleck and exuberant tribute to destroy Hollywood panache.

And "the funniest scenes in Los Angeles, with John Goodman and Alan Arkin as cynical veterans who conspire in the Argo stories nonsense press, posters, scripts and storyboards, and office phone, such as airport security, we decided to try it. These guys understand immediately the idea about a fake movie that many of his projects have been and there are moments worth Billy Wilder. Probably a nomination as best Supporting Actor for Arkin, who has gone from being the star of the movie that no one old man who steals every picture is going to buy.

It's no wonder we laugh a lot; No wonder we keep each suspended because the fugitives slowly getting through airport security. But what worked in Casablanca in 1942, has requested a hearing innocence and faith in America is unlikely today. This is to convince Iran to us that a catastrophe US had its good side and ripping yarn.

However, Iran has been a disaster in a way that is superior to that fear Netanyahu. Argo opens curiously, with newsreels and a plaintive female voice telling the story of how recently the country in the early 50 'Mohammed Mossadegh was elected as prime minister of a country ruled by the Shah Pahlavi family and his country. Mossadegh still a respected figure in Iran because of his social reforms and his attempts to nationalize the oil industry UK subsidiary. The British were so upset by this that Churchill and Eisenhower launched a coup in 1953 by the CIA (headed by Allen Dulles, brother of Minister John Foster Dulles) is performed. That success will surely be inspired action Suez few years later, when the Anglo-French-Israeli collusion was seized by a chastened Eisenhower.

So the Shah recovered and returned to the offers with the West, abuse of his people, and the denial of the reforms. The Shah was portrayed by the Western media as urban, beautiful 'white' Iran with beautiful manners and glamorous women. At the end of his regime was overthrown by revolution and exile to return to Iran ayatollah. A few months later, the embassy staff hostage.

And it was very bad and cruel act, even if all the hostages alive. But it is time we honored the complexity of Iran and justice for many of their attitude, and Argo is a blatant attempt to restore the old enmity and the cliché of Iranian street and the audience in the name of making a smart thriller, but hockey.

So, the success achieved in the spirit of the CIA coup launched in 1953 ("Operation Ajax", another version of "Argo". This is part of the propaganda that Iran describes as a threat theocratic and a source of terrorism. Argo feels healthier voice Iran. There is a lady the Canadian Embassy and paranoia thriller plot she fears the transmission of information to the authorities, while it appears that side of the hostages. This is welcome, but never had the chance to say why. Film fans know that Iran is a complicated country as a separation (one of the best films of recent years) and a body of method for interrogation, directors humans produced by Abbas Kiarostami. I think it was boring Argo and missed opportunity and certainly misunderstanding that shows the acceleration. Argo aperture, but it is less clear.