Welcome, Guest: Register On Nairaland / LOGIN! / Trending / Recent / NewStats: 3,194,334 members, 7,954,355 topics. Date: Friday, 20 September 2024 at 05:24 PM |
Nairaland Forum / Entertainment / Music/Radio / Patoranking Signs Distribution Deal With World’s Largest Reggae Company, VPAL (390 Views)
[Music] Okpo Record: Reggae Blues Remix / Official VIDEO: Patoranking – Another Level / Who Sang This Reggae Song? (2) (3) (4)
(1) (Reply)
Patoranking Signs Distribution Deal With World’s Largest Reggae Company, VPAL by mattkelly: 12:41am On Feb 10, 2015 |
24 year old Nigerian dancehall ariste, Patoranking flew to New York weeks back for undisclosed reasons but we can finally reveal why. The Happy Day singer was in Queens, New York to sign a distribution deal with world’s largest reggae company VP Associated Label Group (VPAL) which is owned by VP Records. Patoranking’s music deal is attached to Foston Music but VPAL will now be in charge of his distribution network. VPAL is home to the biggest reggae and dancehall artistes world wide such as Sean Paul, Beenie Man, Elephant Man, Lady Saw, Mavado, Busy Signal, Shaggy, Gyptian and many others. Congrats to him. http://9javibes.com/gist/patoranking-signs-distribution-deal-worlds-largest-reggae-company-vpal/ |
Re: Patoranking Signs Distribution Deal With World’s Largest Reggae Company, VPAL by paulbets: 12:51am On Feb 10, 2015 |
Good for him |
Re: Patoranking Signs Distribution Deal With World’s Largest Reggae Company, VPAL by dre11(m): 10:33am On Feb 10, 2015 |
Happy for him The sky is his stepping stone |
(1) (Reply)
Download And Listen To This Hot Music By A.Y SHOW / Asa Enters A Stage Like A Boxer / Freestyling Rhymes
(Go Up)
Sections: politics (1) business autos (1) jobs (1) career education (1) romance computers phones travel sports fashion health religion celebs tv-movies music-radio literature webmasters programming techmarket Links: (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) Nairaland - Copyright © 2005 - 2024 Oluwaseun Osewa. All rights reserved. See How To Advertise. 5 |