Sunky200's Posts
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fairfora:Yes, they speak Yorùbá language Yorùbás are also natives to more than five countries outside Nigeria, the invasion and systems of the Europeans was why we see ourselves as countrymen instead of Kingdoms |
Sarah20A:I believe our story is best told and understood when we using Kingdoms unlike what we now regards ourselves "country" |
fairfora:actually Yoruba are part of the native residents of Gambia, the population of the native Yorùbá in Gambia is about a million |
" "ghost population"" this people can be annoying sha, imagine calling our ancestry ghost population well it's not their fault, this their nonsense will continue unless we start writing our history by ourselves, by the way "ghost population" is our darling "Irunmole's", though many among us have been brainwashed and made to think they come from Adam but Millions among us knows who we really are. Irunmoles' blood flows in us Some of us still maintain or seek to restore connection with the Irunmoles Irunmoles lives |
Type any country you wish to visit and put .com
Then type Nigeria and put .com
you will cry
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Oxford English Dictionary said it has added 29 Nigerian words and expressions in the January updates to the dictionary . “The majority of these new additions are either borrowings from Nigerian languages, or unique Nigerian coinages that have only begun to be used in English in the second half of the twentieth century, mostly in the 1970 s and 1980s,” OED’s World English editor Danica Salazar said in a statement. ‘Next tomorrow,’ is one of the new entries into the dictionary. The expression is regarded as the oldest among the over 25 uniquely Nigerian words/expressions. According to Salazar, ‘next tomorrrow’ was first used in written English as a noun in 1953, and as an adverb in 1964. Kannywood , which refers to the film industry in northern Nigeria, is deemed the youngest among the lot . Others such as ‘buka ,’ ‘bukateria ’ and ‘severally’ also made the dictionary. The full list of the new entries is below: • agric, adj . & n . • barbing salon , n . • buka, n . • bukateria , n . • chop, v . / 6 • chop- chop, n . / 2 • danfo , n . • to eat money , in eat , v . • ember months , n . • flag - off , n . • to flag off in flag, v . • gist, n . / 3 • gist, v . / 2 • guber , adj . • Kannywood , n . • K - leg , n . • mama put, n . • next tomorrow , n . & adv . • non - indigene , adj . & n . • okada, n . • to put to bed , in put, v . • qualitative, adj . • to rub minds ( together) in rub, v . / 1 • sef , adv . • send- forth , n . • severally , adv . • tokunbo , adj . •zone , v . • zoning , n . https://m.guardian.ng/news/oxford-dictionary-adds-okada-danfo-mama-put-26-other-nigerian-words-expressions/ |
judgementyard:w can't forever be in silence while foreigners in collaboration with our short sighted/evil men in authority takes over every resources in our backyard |
lala come puish this sensitive topic to front page o fishing is a multi million dollar businesses and these foreigners are cashing in big due to our ignorance plus the government 'I don't care attitude' to their activities so, since lala is synonymous to snake/bush meat and/or pepper soup, just come and help sensitive our people small |
Binaebi Oyeghe Mangrove Don wrote: The Trawlers are prowling, emptying our oceans, people are quiet, the government is quiet, but just one whale or turtle or dolphin that missed the Chinese trawlers, or missed navigation route and lands on our shores or the native fishermen toil to catch, that is when the conservationists, marine biologists, marine geologists, and even the marine engineers, oceanographers, the whole city people made up of the Facebook Bayelsa Nat Geo Wild executives will now remember the theories of Engendered Species and will pour out with their vuvuzelas on why we should not eat this or that. If you go to Foropa coastal waters right now in Southern Ijaw LGA you will spot legions of trawlers from Lagos owned mostly by the Chinese raking up even the smallest bonga and prawn just few nautical miles away from the shores. They sometimes destroyed the nets and hook lines of local fishermen and threatens to shoot them. No one has said anything about the atrocities of these trawlers and the economic dismantling of our local fishing industry as they leave virtually nothing behind their scavenging trail in that direction of the ocean. While I think proper enlightenment of our local fishing folks on the need to spare some rare species of aquatic creatures is important, it is quite unfortunate that our government has not shown any interest in this direction. These fishermen who are fighting for economic survival on our fast deplating ocean resources see anything edible caught from the ocean as part of God's favour in their subsistent struggle for survival. They are finding it relatively difficult to face the competition from these fishing trawlers that employs modern fishing methods and technology to scoop the ocean resources. For the local offshore fishermen to increase fishing output our government should check the fishing methods and activities of these trawlers around our coastal ommunities, as this will improve productivity of the local fishing industry. This way they might be content with their daily catch and spare these rare aquatic creature considered to be near extinct. Our goverment should demonstrate commitment on the need to set up coastal guards/lifeguards, establish a conversation and properly educate fishermen, as well as hunters, to spare certain categories of wildlife. #MANGROVEDON Saveourwildlife
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improve security around your home will definitely make the thieves angry see them running their mouth anyhow with no logical and rational points |
Amotekun ploy to declare Oduduwa Republic –Balarabe Musa, ex-Kaduna governorhttps://www.sunnewsonline.com/amotekun-ploy-to-declare-oduduwa-republic-balarabe-musa-ex-kaduna-governor/
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Simongm:Amotekun security model will be extended to all Yorùbá land outside Southwest region but it must work within the south-west first This said extension is exactly what's scares the north to their marrow |
AnalQueenluci:that is not so true sis your people were the one's that mocked the Yorùbá race, called us lot of names during your struggle, having done that what do you xpect, an applause? |
Yorùbá World Congress Press Statement On Operation Amotekun: Yoruba World Congress to hold Solidarity Walk Tuesday January 21st ...Says South West Governors Must Not Backdown The Yoruba people within and beyond the shores of Nigeria have been urged to come out in their large numbers on Tuesday 21st January 2020 to stage a protest rally in support of Operation Amotekun, a security network recently established by Governors from Western Nigeria to wage war against the spate of insecurity ravaging the zone. The protest code-named "Amotekun Solidarity Walk" which is being organized by Yoruba World Congress (YWC); an umbrella body of all Yoruba Socio-cultural and Self Determination Groups within and beyond Nigeria will take place in all the South West States capital. The YWC is being led by Yoruba Leader, Emeritus Professor of History and Second Republic Senator, Banji Akintoye. According to a statement made available to News Men on Saturday by YWC Director of Contacts and Mobilization, Comrade Victor Taiwo, the protest will hold simultaneously in Lagos, Abeokuta, Ibadan, Osogbo, Akure and Ado-Ekitirespectively from 9am. “All Yoruba people are urged to come out in their millions any where they are in Oduduwa Land on Tuesday to show to the world that Amotekun has come to stay. We must show to the external forces and their internal collaborators who want to stampede our resolve to protect ourselves, safeguard our land from kidnappers, armed-robbery and put an end to consistent destruction of our farm lands that enough is enough. “Well-meaning Yoruba people and leaders of thought would be at designated venues to address the protest. We want to assure our Governors that Yoruba people are behind them on Amotekun. We urge them not to shiver and they must never shiver. It is no retreat, no surrender. We will not surrender Amotekun” On the meeting points, those in; LAGOS are to converge at Gani Faweyinmi Freedom Park, Ojota; OYO: Opposite Agodi Cenotaph, Ibadan; OGUN: Pansheke Junction, Abeokuta; OSUN: Nelson Mandela Freedom Park, Osogbo; ONDO: Alagbaka Roundabout, opposite First Bank, Akure while those in EKITI are to converge at Fajuyi Round about, Ado-Ekiti. The list of state co-ordinators, according to the statement, would be released on Sunday after proper consultation with relevant stakeholders. Comrade Victor Taiwo, Director of Contacts and Mobilization, Saturday 18th January, 2020.
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ÀMỌ̀TẸ́KÙN is not a duplication or replacement for the Nigeria Police but was established to complement the existing security agencies.https://guardian.ng/news/national-security-agencies-backed-amotekun-says-fayemi/
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immaculatesense:thanks you bro |
YorubaLord:actually bro Cheetah is Amottekun whille leopard is Ekun allow to back my submission/claim with logical proof An ideal rendition of the animal call "Tiger" by a Yoruba man will likely be "ẹkùn abilà" just as we have adopted "kẹ́tẹ́kẹ́tẹ́ abilà" for zebra. To this debate I have some responses to make in order to clear the air. First of all, tiger is an Asian animal. What we have here is leopard. Thank God I was born and brought up in rural area and followed elders a little. More, my hometown, Ibese in 1979 became famous when a stray ẹkùn was killed in a farmland near the town by some brave hunters. We have pictures of what Yoruba refers to as Ẹkùn and it is leopard. Concerning Àmọ̀tẹ́kùn, there is no confusion about it. Àmọ̀tẹ́kùn is cheetah. Yoruba says, "Asunkún pani obìnrin Àmọ̀tẹ́kùn." This saying draws a comparison between a deceptive woman who can kill her husband even though she will be the first to start crying at the slightest provocation, and Àmọ̀tẹ́kùn with its two black stripes on its face resembling black tears streaming down its cheek. The comparison also fits perfectly because of the sleeky shape of Àmọ̀tẹ́kùn (compared to the robust shape of leopard) which Yoruba must have regarded as prominent feminine feature. More, cheetah is common in Africa and in Yorùbá land. The colonialists recorded it was a common site in Ilorin then. also this Amotekun debate shows that we Yorùbás need a central authority in terms of reference book where we can turn to for accurate Yorùbá names of flora and fauna. |
Actor John Abraham grew up in a multi-faith family with his parents, Abraham John and Firoza Irani, holding Catholic and Zoroastrian beliefs. "There was never a religion I was forced to follow," the actor said. At the age of 4, his father asked him to not follow any particular religion. The actor was told, "if you really want to pray or go to any temple, mosque or gurudwara, the only way to do it is actually serve humanity." At the launch of Braille edition of book 'Karma Sutra', the actor once again recalled his father's advice. "You don't have to go to a religious place to be a good person. You have to do good to be a good person. I'd probably be wrong and I don't want to create any controversy but I think 'the most religious people are the most dangerous people.' It's better that you stay away from religion. Just use religious guidelines in your life correctly. It's good to follow certain practices but the most important practice that you can follow is being good to all living beings," John said. The event was organised by the National Association for the blind, which advocates for protection of rights of the visually challenged. John has been associated with this cause for a decade now. The actor said the condition of differently-abled in India hardly seems to be improving because of their inaccessibility to proper infrastructure. "Many European counties and the USA have a system that is not just inclusive of differently-abled people, but animals as well. It's only in this country that we push differently-abled people; we stone animals. We don't care about them. It's strange and I don't know what's on our minds. We're the kind of country where we need to be kinder. We're a democracy. We just need to be kinder to humans and animals alike, and we are not," he said. "Infrastructure-wise, we are a disaster for differently-abled people. We're not prepared at all. So, I think we must move towards a direction where we make things easier for them. We don't have infrastructure for regular people so we are a far cry away from providing proper logistics and support for the differently-abled people in public spaces and transport. I think we must move in the proper direction. We are a progressive nation. I hope in our lifetime, we get to see a differently-abled person move comfortably in public space," the actor added. Source: https://www.news18.com/news/movies/the-most-religious-people-are-the-most-dangerous-people-says-john-abraham-2446901.html?fbclid=IwAR2LYnm094GZmpN_QMFhj4KzFMtmEc0r_f7ujfbqrmgoc7sRQ79xYEszcuA |
10. Xênia França Xênia França is one of Brazil’s most promising singers and composers, and to get there, she’s drawn on the energy of her ancestors. While her music identifies most closely with the sounds of Brazil’s Candomblé, she understands the linkages between Bahian and Cuban rhythms as part of one larger African diaspora. On tracks like 2017’s “Pra Que me Chamas,” França takes influence from Santería’s sacred batá, infusing it with Candomblé’s rum, rumpi, and lé atabaque drums all to punctuate her electronic aesthetic. Source: https://remezcla.com/lists/music/10-santeria-artists-list/?fbclid=IwAR1-oCFJvYTzYT121iyVpdd1LwdNblEQy8QaInCrbxeob7NLKlzdUo6pY1E
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9. OSHUN Taking their name from one of Santería’s most cherished and benevolent orishas, OSHUN have clearly set themselves up for “Blessings on Blessings.” The project is the brainchild of Thandiwe and Niambi Sala, two NYU students with an Afrofuturist mission. On their debut bittersweet vol. 1 , OSHUN cradle hip-hop and R&B melodies with ease—Niambi stuns with her punchy flow, whereas Thandi’s harmonies add a necessary ethereal quality to their work. The result is a record of divine reckoning, without any stuffy doctrines.
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8. Serena Assumpção As a practitioner of Candomblé, Brazil’s sister religion to the Caribbean’s own Santería, Serena Assumpção worked on Ascensão during her fatal battle with cancer. She passed at 39 years old, only months before the posthumous record was released. Assumpção’s gentle voice, which honored the likes of iemanjá (Brazil’s iteration of the sea goddess, Yemaya), remains with us on the album. Listening is a bittersweet reminder of her gifts, inasmuch as it affirms that her aché — her life force — continues to live on in this universe.
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7. Orquesta Akokán If the Yoruba word “Akokán,” which means “from the heart,” is any indication, then you can expect each track on Orquesta Akokán’s titular 2018 debut to deliver a sound of true, heartrending devotion. Devotion to Cuba’s mambo, yes. Devotion to its big bands, to those 1940s and 50s bass and sax-heavy orchestras. And, of course, devotion to their island’s divine orisha forces. Members, including Cuban vocalist Jose “Pepito” Gomez, producer Jacob Plasse, and arranger Mike Eckroth, all unite on “Un Tabaco para Elegua” to honor the orisha of all caminos in life. Clearly, he has continued to guide their path: Orquesta Akokán were nominated at last year’s Grammy awards , and have been successfully touring the world since.
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6. Princess Nokia Self-proclaimed bruja Destiny Frasqueri, aka Princess Nokia, is always vocal about her connection to Regla de Ocha. Given that her work as a New York City rapper is as multivalent as the city itself, Frasqueri takes what’s otherwise a quiet ancestral practice into the spotlight on tracks like “Young Girls” and 2017’s “ Brujas” — infusing her spirituality with what it means to be a proud “ghetto bitch” of the African diaspora. Her standout track highlights a strong lineage from Yoruba to the indigenous Taíno peoples of her native Puerto Rico, acting as a clear primer for anyone unfamiliar with Caribbean spiritual history — and honestly, the labor is a gift. 6. Princess NokiaSelf-proclaimed bruja Destiny Frasqueri, aka Princess Nokia, is always vocal about her connection to Regla de Ocha. Given that her work as a New York City rapper is as multivalent as the city itself, Frasqueri takes what’s otherwise a quiet ancestral practice into the spotlight on tracks like “Young Girls” and 2017’s “ Brujas” — infusing her spirituality with what it means to be a proud “ghetto bitch” of the African diaspora. Her standout track highlights a strong lineage from Yoruba to the indigenous Taíno peoples of her native Puerto Rico, acting as a clear primer for anyone unfamiliar with Caribbean spiritual history — and honestly, the labor is a gift.
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5. Orishas Orishas — the pioneering rap en español group from Cuba — have proudly repped Santería in their name from the very start. As in, for the past twenty years since they dropped their legendary debut effort, A lo Cubano. “Orishas is a powerful name [associated with spirituality],” the group told Remezcla in 2019, “so the music needed to be the same: powerful and great.” Members Yotuel, Roldán, and Ruzzo have only upped the ante since. Certainly powerful and great, tracks like “Bembé” bring syncretic hip hop taste to the devotional practice of a Yoruba spirit party. And in the music video for the track, we see a bow-and-arrow wielding depiction of one orisha, likely Ochosi, bringing balance and justice to star-crossed lovers.
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4. Ibeyi Twin sisters Naomi Diaz and Lisa-Kaindé Diaz took on the eponym Ibeyi — the Yoruba word for “twins” — back in 2013. Since then, the French-Cuban duo harnessed their syncretic beliefs in a series of projects steeped in the haunting energies of death and love. From tracks like Ash ’s power anthem “Deathless” with sax king Kamasi Washington, to earlier work like “Oya” on Ibeyi, the Diaz women assert their Yoruba roots with true diasporic weight — combining the brooding electronica, jazz, and 808s of their American influences with the Yoruba rhythms of their ancestors.
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3. Okonkolo Named for the smallest “baby” Batá drum used during traditional Santería ceremonies, Okonkolo’s work honors divine form but isn’t afraid to bring it to a new, hypnotic plane. On 2018’s modestly titled, Cantos , Okonkolo combines. Western instrumental runs with the thumping sounds of un bembé — a party for the Orishas. Take “Yemaya,” for example, where Batá drums build atop a fleeting violin and whirling clarinet arpeggios. As the project of New York-born Chango santero and master percussionist, Abraham “Aby” Rodriguez, Okonkolo successfully brings listeners and orishas one step closer to each other, where they may meet between worlds.
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2. Daymé Arocena Cuban songstress and composer Daymé Arocena is on a visionary track. With her latest work, Sonocardiogram, the 27year-old cemented herself as one of the most powerful voices in the game, brought up by her sacred frequencies and rich, Afro-Cuban jazz stylings. At the start of the record, Arocena highlights her own holy trilogía of orishas with songs to Oyá, Oshún, and Yemayá — Santería saintesses of the dead, of love and sensuality, and women’s prosperity respectively. The result is a sprawling, mercurial arrangement that does more to the soul than any work Arocena has already blessed us with in the past.
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1. ÌFÉ When Otura Mun’s ÌFÉ burst onto the scene in 2017 with the electric IIII+IIII, it became clear just how boundless praise songs could be. IIII+IIII is titled for “Ejiogbe” — the Ifá representation for expansion and evolution in the universe — and certainly lives up to its namesake with diasporic tracks that blend dancehall beats, twinkling electropop synths, and devotional messages of sacrifice and acceptance from Yoruba deities. As for Mun, who took off in Puerto Rico as a DJ before devoting himself to the Santería branch of Ifá, his work with and beyond ÌFÉ is an experimental promise for practitioners yet to come.
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Santería’s sacred influences are all over some of today’s best Latin music. Of course, the religion’s ceremonial rhythms and incantations have always held a place in Afro-Latino communities, yet they haven’t always entered into contemporary popular taste without backlash . Santería — a syncretic mashup of Christian doctrines and west and central African spiritual figures — inevitably carries with it a history that many in the Western world would rather care to forget. The formation of Regla de Ocha, as it is also known, harnesses the legacy of enslaved Yoruba peoples first brought to the solares of Cuba and the Americas. Under the grips of slavery and later racist stigma, the practice of Santería and other Yoruba religions, like Brazil’s iteration of Candomblé, were often forced into secrecy. But in an age where ancestral belonging has become increasingly attractive, many have started loudly turning back to their roots. There are brujería collectives sprouting up across the States, television series like Netflix’s Siempre Bruja, and music artists across the diaspora who are passionate about infusing elements of Santería — from its orishas and imagery, to its ivory Santero/a ensembles — into their performances. Yet upon first listen, there are times where those unfamiliar may not even realize Santería’s influence. The religious presence can feel subtle, as many of the artists on the list below take traditional Cuban batá rhythms into new territory altogether Coupled with electrobeats, sprawling jazz stylings, and American hip hop flows, these songs emerge as Santería arrangements for the new age. And while they remain a gift for members of the Regla de Ocha, each song delivers an accessible glimpse into the spirit world for anyone who cares to listen. At best, you’ll hear your own slice of peace. From New York rapper Princess Nokia to Cuba’s Orquesta Akokán, here are 10 artists reinventing the sound of Santería today.
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Xavi2019:sometimes in 2018 Gostaria usar esse opportunidade para parabenizar os povos de Yorubas no Estado de Rio de Janeiro e Brasil geral pelo esse ato de Governador do Estado do Rio de Janeiro. PARABENS BRASIL!!! ................................................ The Government of Rio de Janeiro has approved and accepted Yoruba language as part of their Cultural Heritage taking a cue from UNESCO as the body did to some World Intangible Heritage sites. Religion and Culture. This translate into teaching Yoruba language, culture, tradition and religion especially in the various Yoruba religion houses (Ilé Ase) in Rio de Janeiro and am sure soonest in the whole of Brasil. make use of Google for more info as I don't have the link
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Xavi2019:you may be right |
Xavi2019:actually Yorùbá is now an official language alongside other official language in Brazil. check the date the news you're reading was created, Yoruba was recognised as an Intangible Heritage sometimes this year or so |

6. Princess Nokia