Fake Prophet, Madam Boy’s Quarters, Iyobosa and other Nigerians


In his gripping play, The Anger of Unfulfillment, Jekwu Ozoemene  has captured the heart and soul of the disenchantment and discontentment of majority of Nigerians in his contemporary analysis of the Nigerian crisis.
The title of his captivating book of three plays is deduced from the indignation of the victims of the lingering anomie plaguing Nigeria as desperate times call for desperate measures in the struggle for survival and a sense of belonging. The author gives us a naturalistic montage of glaring realities of the challenges of living and working in Nigeria under a corrupt government of kleptomaniacs.

He takes us into the human trafficking ring of the fake Prophet, a tall bald and bearded middle-aged man with an imposing stature and his bootylicious assistant Madam Boy’s Quarters who must have been a Nigerian love-peddler in Italy and their willing clients posing as the congregation of the fake duo posturing as ministers of a Christian fellowship. The well educated non-compromising and hopeful Adesuwa who uses her blog to expose the ills in the Nigerian society and her hopeless squatter Iyobosa, the flirtatious drama queen who has lost faith in the Nigerian Dream and exploits her sexuality to comfort herself show us the contrasts of two young Nigerian women who respond to the Nigerian crisis with positive and negative resolutions. Nari, aka “General Tinker-Tailor” the Niger Delta militant with his comrades Zino and Marshall tell us the raison d’être of their revolutionary mission for resource control for which they were ready to die. The Narrator who is also Greg the repentant 419 fraudster with the hilarious Ben and Orji binging at the local bar give us informed commentary on the social, political and economic malaise in the country.

Through these principal characters Ozoemene has succeeded to use the picture of each one to capture the psyche of the unfortunate victims of the corrupt ruling class.

The other plays address other unavoidable issues such as the fears and ignorance of the scourge of the HIV/AIDS pandemic in “Hell’s Invitation” where I could see another Adesuwa in the intelligent Stella who is the only female among four young men and they are all unemployed graduates from different tribes sharing a room with only one bed and discussing the nightmares haunting their Nigerian Dream. The exciting prospects of a dream job for one of them are soon threatened by the fears of having a compulsory HIV test. In the last play “This Time Tomorrow” Ozoemene takes us into the theatre world and probably reminiscent of his days with Theatre 15 at the University of Lagos where he studied English. The principal characters address the ethics and economics of the Nigerian family, social and political sensibilities of the old and young people in Nigeria.

Ozoemene’s characters are real people one can actually recognize among us in the Nigerian society and most of them like Madam Boys’s Quarters, Nari, Iyobosa, Orji, Bimbo, Aliyu, Papa Ruka, the eccentric Professor and his wife Folake, his brilliant and smart son Jide and daughter Keji with her sexy swagger are going to end up among the most memorable characters in Nigerian drama.

If you really want to know what life is like in Nigeria in the last decade of the 20th century and in the first decade of the 21st century and how her citizens have been reacting to the challenges of surviving and succeeding in spite of the embarrassment and harassment of a corrupt government, then you should read Jekwu Ozoemene’s The Anger of Unfulfillment: Three Plays Out of Nigeria. It is a good recommendation for every collection of must read books.

~ By Ekenyerengozi Michael Chima
Thursday April 7, 2011.