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Dramadiddy's Posts

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Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 9:11am On Jul 22, 2014
gameboi: Not really. What I meant is what chords does one play to create tension before moving to the fourth, fifth and sixth of any scale.
Music is a free world, of experiences....9,11,13 and d alterations can be used anywhere, dont limit urself to rules..except you're a classical pianist...you can play any chord tension before resoluting to a degree, what matters is taste...if it sounds nice to u, den no problemo...
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 9:08am On Jul 22, 2014
abolem369: Both of you are right, both work hands in hands! In a worship session u don't need to learn all the songs to play,since u can play by ear(u can fit it chords according to the tune and rythym of the song) and good for u if u already learnt the song that is sang by the worship leader and most cases modern churches have a pre-arranged worship session, learning the song is a pre-requisite! The most impt Is during choir rendition, learning the song, and infact thorough scoring Is colossal! I think I've shed more light to that! I hope I didn't create more confusion though
Perfect killer...this is it...thanks bro
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 8:06am On Jul 22, 2014
gameboi: for a starter, he only needs to know the major(1 3 5), minor(1 3b 5) and diminished(1 3b 5b) chords.
he still needs the rest, those chords are what form the bigger ones
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 8:05am On Jul 22, 2014
gameboi: To my ogas. What chords on the keyboard create tension and what chord create relief as well?
9, 11, 13 and their alterations
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 7:20am On Jul 22, 2014
2rhymestharap: not about learning songs.. Is about knowing progression
When you learning song, you learn how to play it in the key it was played, with the original progression....there's nothing as good as playing a song the original way even in church because the person singing that song aso listened to the original, there are people in the congregation, who also listened to the original, so I still say "learn the song".... there's much to learn from a song than just "progression"
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 12:46am On Jul 22, 2014
Good to know nairaland has jazz masters, classical guys and gospel guys...such a full house!!!
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 12:29am On Jul 22, 2014
gameboi: nope we're just 3. But they started playing the piano before me
okayy nice...more strength
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 12:22am On Jul 22, 2014
gameboi: It's not evil oh. If I don't play well I might end up sitting with the congregation which I hate. So, I always try to improve
Seems there's an overflow of musicians in ur church
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 12:21am On Jul 22, 2014
peacemaranatha: Pls help beginners here. I only know one cord & use it to play hymns d cord is on middle c. Pls someone shld shed light on 7th 13th e.t.C cords do cords have orders. Then i play hymns but i dont knw hw to play to praises. Pls can anyone guide me on this i will quickly grab. Praises are fast songs & dont knw hw to play. Pls i nid help or if there is any materials that can help pls my mail is peacemaranatha54@gmail.Com
wow...a lotta work my brother...firstly...you're a beginner, you dont need 7th and 13ths now, you need to work on the basics :
Major
minor
augmented
diminished
dominant
minor7
half-diminished7
maj7
dominant7#5
dominant7b5
min7#5
And a few, these are the basics, try researching on them and practicing to play them and come back...Goodluck
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 12:17am On Jul 22, 2014
goddysweb: If you listen to music, you’ve definitely heard a
“2-5-1″ progression. They are found in just about
any type of music — regardless of style, genre, or
rhythmical pattern. It is commonly the series of
chords that end a song or phrase. However, it can
be used in several situations (I can only go over a
few in this lesson but encourage you to check out
my course for further instruction).

In this chord progression, the 2 chord (you’ll learn
what this is later on in this lesson) leads to the 5
chord which in turns, produces a strong pull
towards the ending chord (which is usually the
1st major chord of the scale).

First, let me start by showing you what chords
correspond to each tone of a major scale:

1 tone – Major
2 tone – Minor
3 tone – Minor
4 tone – Major
5 tone – Major (dominant)
6 tone – Minor
7 tone – Half Diminished

To understand the chart above, you must
understand that each tone of a major scale has a
chord which goes along with it. For example, the
following is a

C major scale:
(C — D — E — F — G — A — B — C)

Each tone above has a matching chord. Simply
add the endings of the chart above to the scale
as shown below:

>C MAJORD MINORE MINORF MAJORG MAJOR /
DOMA MINORB HALF-DIMINISHED<

To further understand progressions, lets number
each chord:

1 = C major
2 = D minor
3 = E minor
4 = F major
5 = G dominant
6 = A minor
7 = B half – diminished
8 = C major

Now, to create a “2-5-1″ chord progression (or
any numbered chord progression), simply take the
2, 5, and 1 chord out of the entire series of
chords above. That is, we would not use the 3,4,
6, or 7 chord.

The 2 chord is D minor; the 5 chord is G
dominant; and the 1 chord is C major.

This right here is the most basic “2-5-1″ chord
progression you’ll ever see:

Dmin — Gdom — Cmaj
min = minor
dom = dominant
maj = major

REFERENCE 1A:
D minor chord = (D) + (F) + (A)
G dominant chord = (G) + (B) + (D) + (F)
C major chord = (C) + (E) + (G)
Example: To play a Dminor chord simply play all
three of the notes shown above at the same time
(D+F+A)

Moving on…

Now that we have covered some theory (I’m glad
that’s out of the way), let me just show you a
few chords that I love to play. I will try not to be
as theoretic … I will simply give you the chord
changes and you’ll have to apply them to your
understanding of chords and alterations. All of
these progression will be shown in the key of C
major…

1) “Churchy 2-5-1 Chord Progression”

Style #1
D7 (b9) — G13 —- Cmaj
(pronounced “D seven, flat nine —– G thirteenth — C major”) D7 (b9) =
Bass * Play “D” ——— F# + A + C + D#
G13 = Bass * Play “G” ———- F + A + C + E
Cmaj = Bass * Play “C” ———– E + G + C (1st
inversion)

Example: For D7 (b9), we would play F# + A + C
+ D# with “D” on the bass (left hand).
Inversion just refers to the way the chord is
played. Since “C” is the highest note, it is said to
be played in its “first inversion”
Note: I love playing this chord progression in
gospel music. You try playing it and let me know
what you come up with!

2) “Churchy 2-5-1 Chord Progression” Style #2
For this progression, every chord will be the same
except for the D7 (b9). We will simply play a
regular D9 chord.
D9 = F# + A + C + “E” (not D#)

Notice: The only difference in a D9 and a D7 (b9)
is the difference in the “ninth” tone. Since we are
not flatting the 9th tone, we use “E” instead of
“D#.”

D9 = Bass * Play “D” ——— F# + A + C + E
G13 = Bass * Play “G” ———- F + A + C + E
Cmaj = Bass * Play “C” ———– E + G + C

3). “Contemporary 2-5-1 Chord Progression”
Style #1
For this progression, we are going to use:

D9 add 6 —> G13 —> Cmaj
D9 add 6 = Bass * Play “D” ——— F# + B + C + E
G13 = Bass * Play “G” ———- F + A + C + E
Cmaj = Bass * Play “C” ———– E + G + C

4.) “Contemporary 2-5-1 Chord Progression”
Style #2
This progression will follow the same exact
pattern as #3 with the following chord alteration:

D9 b5 —> G13 —-> Cmaj
*** You are going to have to extend your fingers
for this one!

D9 b5 = Bass * Play “D” ——— F# + B + C + E +
A#
G13 = Bass * Play “G” ———- F + A + C + E
Cmaj = Bass * Play “C” ———– E + G + C
Well, that’s it for this lesson. See ya next time!

Here's me playing around a common hymn "I Surrender All"

http://www.hulkshare.com/mobile/index.php#goddysweb/i-surrender-g-hillary
Nice one bro...thanks for taking time out to explain...I appreciate
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 12:13am On Jul 22, 2014
gameboi: it's a new skill I developed cos of that guy that copies all my basslines. And by the way when I play macossa I sometimes leave the transpose at -12 for anykey just to make the notes thick and not easily heard but the feel would be good and killing. Trust me!
Eeeeevil mehn...Eeeevil...Chai take it easy ooo
Music/Radio › Re: A Thread For Pianists: Amateurs, Intermediaries, Professionals. by Dramadiddy(m): 11:22pm On Jul 21, 2014
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 11:16pm On Jul 21, 2014
gameboi: well, I've been playing for over 8yrs and I can confidently tell you that the key to playing Macossa is by using 13th chords. If only I could record a little hint I would av shared some to you
Wow! A thirteenth chord for makossa...that sounds kinda heavy for a makossa, 13ths fit in well into those neosoul stuff na, hmmm but u must b veery sophisticated o!...to dey use 13th for makossa *doffs hat*
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 10:44pm On Jul 21, 2014
Alright guys, to the ones that haven't slept yet, you can use this to sleep...to the ones that have slept, it will be a good gift for the unfolding day... I'm a minorish guy when it comes to piano..its all about personality...i love things that sound wicked and sad and all...I love the feel...I no be vampire ooo...Just wanted to share a 7-3-6 progression I learnt...I'll do it on the simple key of Cmajor and it goes thus :
7- B Gb A// A D Gb A(Bmin7)
3- E B D// D Ab B(Edom7)
6- A E G// E A D(Amin7)



Feel free to ask questions about it...I'll back it up with theoretical answers
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 10:37pm On Jul 21, 2014
abolem369: This is the most interesting thing I've seen on Nairaland!!!
Thank u so much
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 10:37pm On Jul 21, 2014
heatmeup: pls am new here oooo and i play keyboard.i play pianist version very well but when it comes to nigeria gospels the bass line gives me problem
Hello....as a beginner, what you need to know is that the key to getting better is practice, keep practicing a particular bass line until u get it...you will surely get it...although u don't need to play bass lines, esp when a bass player is around...but it still helps to learn bass lines if no bass player is around... Cheers!
Celebrities › Wole Oni Becomes United Nation Ambassador For Peace. by Dramadiddy(op): 12:19pm On Jul 21, 2014
The Youth Federation for World Peace (YFWP), a global network of individuals
and organizations dedicated to building a world of peace and prosperity, will
today, decorate music producer, Wole Oni, as one of its ambassadors, at a
ceremony which holds at The Golden Tullip, Amuwo Odofin, Lagos.
Commenting on the development, an excited Oni said that he was overwhelmed
that the platform has chosen him as one of its ambassadors.
“It has always been my dream to mentor the younger generation and this
honour has further assured me that I am on the right track. I want to thank
the organisers for this opportunity to serve mankind.”
Oni, who was nominated by the Ambassadors in Action Initiative, has
contributed to the gospel music and entertainment industry producing music
for the likes of Sammie Okpose, Midnight Crew and Lara George to mention a
few. https://fbcdn-photos-d-a.akamaihd.net/hphotos-ak-xfp1/t1.0-0/10534624_681216328601007_6187117235968911415_n.jpg
As Peace Ambassador, Wole will be attending meetings at the United Nations,
lobbying world leaders and using his influence and fame to promote a culture
of peace. Other celebrities to be inducted on the night include Davido and
Skales.
YFWP implements its programs through a global network of Ambassadors for
Peace and encourages all religions to dialogue and cooperate for peace based
upon the recognition that human dignity derives from a universal divine source
which is the basis of harmony and unification.
YFWP offers relief and humanitarian programs, experiential service-learning
projects, character education and sports programs with a special focus on
personal leadership and peacemaking skills.
Music/Radio › Re: Welcome to PIANO home, Sharing ideas Here! by Dramadiddy(m): 11:45am On Jul 21, 2014
Music/Radio › Re: Instrumentalists And Musicians (keyboardists, Drummers, Bassist: Etc) by Dramadiddy(m): 11:44am On Jul 21, 2014
Music/Radio › Re: A thread for acoustic guitarist: beginners,amateurs and professionals by Dramadiddy(m): 11:43am On Jul 21, 2014
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 11:37am On Jul 21, 2014
cbrass: Why Island? Do you prefer that place to the mainland?

Join the instrumentalist on facebook. Nairaland is poor in music. You will definitely see some one that will hire you
Kindly paste the link here so i can knw the exact one...Any good one with good pay is nt a problem
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 8:21am On Jul 21, 2014
cbrass: Yea lagos, I only get paid when I play at anglican
Okay, that's nice to know, at the moment, I'm looking for a pentecostal church to play for on d island
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 7:31pm On Jul 20, 2014
cbrass: "My Redeemer Liveth Ministries"

Some times I play at St Andrews Anglican Church Ogudu
Lagos...? Besides, are you paid there?
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 7:25pm On Jul 20, 2014
TeeVee: Wanted to keep it just piano,but I listen to George Benson,but I'm not sure its the "jazz master six" I listened to...is it the album that has "Marvin Said"?!
Yeeeeeeeeeeaaaaahhhh....the ones i love there are medicine man, deeper than u think, johnnie lee, summer love, the thinker, to mention a few sha
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 11:37pm On Jul 19, 2014
cbrass: I do Bro
Okay so which church do you play for?
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 10:32pm On Jul 19, 2014
cbrass: You know am a Trumpeter by major hence my name Cbrass, so I tend to follow Jazz/classical Trumpeters.
Okay...so u dont do gospel
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 10:27pm On Jul 19, 2014
TeeVee: Listening to Earl Klugh n Bob James now,really liking it,Bobby Mcferrin,some mamborama (love latin),Dave Brubeck,some Jazz standard improvisations (black orpheus,take 5,All of me,green sleeve etc)...Pls,anytin from U̶̲̥̅̊ guys,I really intend learning from this thread...
woooooow...I'm suprised you don't listen to the Great george benson...his album "the jazz master six" has lovely tunes...you can check on tubidy or just google
Celebrities › Re: Peter Okoye Replies Those Bashing Him For Snubbing His Brother's Wedding by Dramadiddy(m): 10:25pm On Jul 19, 2014
kennyamusa: idiotic baboonnwhat has tribe got to do with dis,grow up man
Oga what's your plight na...peter no vex na u dey vex
Sports › Nigeria Moves Up In Latest FIFA Rankings by Dramadiddy(op): 4:41pm On Jul 19, 2014
The Super Eagles, who reached the last-16 of the World Cup for the first
time since France 98, garnered 660 points and moved up 10 spots to 34th as
against their previous 631 points which left them 44th position in June.
Algeria, who got to the second round of the World Cup for the first time in
their history, has 874 points to occupy the 24th position in the world and be
the best team in Africa, while Cote d’Ivoire has 850 points for 25th place in
the world and consequently dropped to second in the continent.
The Black Stars of Ghana, slipped down by one spot to 38th in the world and
fifth in Africa, behind Egypt, who remained static with 645 points.
Tunisia, Guinea, Cameroon, Bukina Faso and Mali makes up the top ten in
Africa in that order.
On the global scene, 2014 World Cup winners, Germany, as expected, are in
number one on the rankings for the first time in 20 years with 1,724 points,
reaping the reward of their fourth triumph at the expense of Argentina, who
are second on the list with 1,606 points.
Third-place finishers, Netherlands, have moved 12 positions up the table and
are now third in the world with 1,496 points while Brazil, has dropped four
places to the seventh position.
South Africa 2010 World Cup winners, Spain, have fallen from the top spot to
eighth place, while Portugal is now 11th, down by seven spots, and Italy is
14th, down by five spots, while England is now placed 20th, down by 10 spots.
Criteria for arriving at a country’s placing/position on the monthly rankings
is determined by the result(s) and number of matches placed by a particular
country in the month under review.
FIFA, in a statement, said that the results of 111 international “A” matches
have been taken into account for the current edition of the FIFA/Coca-Cola
World Ranking.
“Sixty-four out of these matches were played at the World Cup in Brazil, 46
were friendlies and one was a CONCACAF continental qualifier. The total
number of international “A” matches taken into account so far this year is
now 362″, the FIFA Media Office said in a statement.
Celebrities › Re: Peter Okoye Gives Reasons He Was Absent At Brother's Wedding by Dramadiddy(m): 4:08pm On Jul 19, 2014
newsfollowme: Peter Okoye Gives Reasons He Was Absent at Brother's Wedding... See his reasons here continue... http://www./2014/07/peter-okoye-gives-reasons-he-was-absent.html
But ya mad ooo.. shocked
Music/Radio › Re: A Thread For Keyboardists by Dramadiddy(op): 3:57pm On Jul 19, 2014
cbrass: I listen to gospel Jazz works by Phil Driscrol (cos am also a trumpeter and that's my major instrument)
I've heard of this guy
cbrass: I love Luis Amstrong too
I've heard of this guy too haven't listened to the compositions of any of them though
cbrass: then I top it with Wilson Marsalis. Those are the three jazz guys I don't joke with. I also play classical works too
Hmmm haven't heard of Wilson Marsalis, don't you like kirk whalum, although he's not a trumpeter, he does good music too

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