₦airaland Forum

Aisha Lawal is an actress, a scriptwriter, a filmmaker and an event host. She is popular in the Yoruba movie industry and has been featured in many movies. In this interview by ROTIMI IGE, she speaks about her role in the biopic ‘Awujale’ and the importance of documenting history.

When you received the script for the film ‘Awujale’, how did you feel?

I am playing the role of ‘Olori Iyabo’ in this movie and am ready to ‘pepper’ people’s faces as the number one olori. When I received the script and read it. I noticed there is something about biopics and autobiographies — it’s like going through someone’s memoirs or something like that. It was so captivating. It was enlightening. There were some things I didn’t know about the king that I just got to know via the script.

I feel good to be a part of it — being a part of someone’s history means you are a part of an icon. I don’t want to mention names, but you know Awujale is one of the first-class kings in Yoruba land. So, it’s a privilege to be a part of the biopic.

Why do you think it’s important for us to document history with biopics like this?

I think it’s important because if people didn’t document books like the Psalms, Genesis, and the Synoptic Gospels, there may not be a Bible. These are the ways to preserve histories and stories through movies, folktales and the like. So, now that it’s even more modern, you don’t need to look for a scroll or base stories on ‘my grandfather said’. When we have things documented in scripts, movies, books, etc., in the next 100 years, people can go to the library to access them, pick them up, watch them as movies, or Google them. With this, you get to know all about traditions. It preserves tradition.

How did you prepare for the role?

The first thing I did was to reach out to my mum. My mum is half Ijebu. So, I asked a couple of questions from her and she was able to answer me. I knew a little of Ijebu because I’ve been to Ojude Oba a couple of times. But I know the Ijebu people and the way they carry themselves. I had to ask a couple of questions like: Do they all speak the same way, or is it different? Can I have an idea of the way they speak? Does anybody know Olori Iyabo? Can they tell me what her lifestyle was like? How did she cope with situations? How does she accommodate people? How does she relate to people? Her carriage, manners, and the like. This was so that I can have an idea. I didn’t intend to copy her manners from A to Z. I just wanted to have an idea so that I can understand the character herself.

What elements appeal to you before taking on a role? And, what do you look for in scripts?

I look for challenging roles majorly. And if the role is not challenging, I want to know how the movie can add to my profile. So, it’s either you are adding to my profile or the character itself is challenging. That would make me showcase myself in another dimension.

In your career as an actress, what do you think prepared you for the role of an Olori Adetona?

That question is coincidental because when we shot a scene and I posted a picture of myself on my status, my husband was the first person that commented. He said, “You will soon become an olori in real life.” I have played the role of olori in a couple of big-screen movies. So, when I got this script, it was not too difficult. In fact, there are some movies that I play roles in that I have to travel in time — I’ll play the younger version and the older version too. But, they are not yet out. There are movies like ‘Ashiri Ade’ and the like that are big-screen cultural movies that I played something similar in it. Being an actor, you should be able to flow with whatever characterisation you are given — mad woman, religious woman, whatever, you should be able to do it.

From what you have read and the research you have done on the personality of the role you are playing, what is your takeaway from the film?

I grew up hearing about ‘Awujale’. So, even before I received the script, I knew that he is someone that everyone would want to know more about. When I read the script and saw his journey and the trials he passed through, I understood that some people have grace added to their journey and there is faith at the same time. So, whatever happens, that grace and faith would keep working for you. I think that has been the major thing that has been working for the man. God has been so good to him. With all the obstacles he has faced, he comes out better. From what we have read about him, he is not the best — he is just like Daniel in the Bible. I think he is just lucky and God loves him a lot.

Critics are saying that streaming platforms have come on board and are now pumping money into the industry and that the Yoruba aspect of Nollywood is playing catch-up. What can you say about that?

We own the industry. Go back to research. The industry belongs to the Yoruba people. If you go back to research, you will hear from people like Hubert Ogunde and Ade Love. I don’t want to go into details. But, if you go and research very well, you will discover that Yorubas own this industry, we started this industry. We messed up at some point, but we are not playing catch-up. We are there already. Now, everybody wants to shoot a Yoruba movie.

Are there areas we need to improve on?

There are a lot of areas — basically in technical areas. But, I think we have also done that. Please, see ‘Jagun Jagun’ before you say we are playing catch-up.

doctorbabs:
GET YOUR FACT RIGHT... YORUBA STARTED HOME VIDEO IN 1988, EKUN BY TITLE AND PRODUCED BY LATE PRINCE MUYIDEEN ALADE AROMIRE. LIVING IN BONDAGE WAS PRODUCED IN 1992

FreeStuffsNG:
Some people actually think that Nollywood started with 'Living In Bondage ' and 'Dormitila'. Smh.

Aisha is even schooling them for free when they should be paying to recieve this kind of knowledge.

Everything about entertainment in Africa, from the first TV station to the first stadium etc, has its root in Ibadan, the heart of Yoruba. Thank you Aisha for the free education you are giving them.

funmijoyb:
Who doesn't know Yoruba started Nollywood and Music in Nigeria.
South Westerners are the pioneers entertainments including skits and comedy

GoodLife4live:
Herbert ogunde movie in 1973... No play ooo

Things fall apart 1983 .haha the gap is much to justify..

But things fall apart is more recognized than all Herbert ogunde's film

LagosPrince:
Una don from Nollywood to music now?

Always measuring dicks with the Igbos .

Inferiority complex

funmijoyb:
So where did I mentioned Igbo?

Validated:
Abeg what is the title of the first Nollywood film by Yoruba? We know of living in bondage ooo.

Validated:
Abeg what is the title of the first Nollywood film by Yoruba? We know of living in bondage ooo.

GoodLife4live:
Dem never even born u our mum talkless u... First televised movie was in 1973... A Yoruba film..

Jaguar in 1978 in bronkin English..
.

igwebuike01:
Yet, Desmond Elliot dumped his yoruba name to get a role in Igbo dominated Nollywood

GoodLife4live:
Dem never even born u our mum talkless u... First televised movie was in 1973... A Yoruba film..

Jaguar in 1978 in bronkin English..
.

FreeStuffsNG:
Some people actually think that Nollywood started with 'Living In Bondage ' and 'Domitila'. Smh.

Aisha is even schooling them for free when they should be paying to recieve this kind of knowledge.

Everything about entertainment in Africa, from the first TV station to the first stadium etc, has its root in Ibadan, the heart of Yoruba. Thank you Aisha for the free education you are giving them.

Obagreatdatoye:
School them biko...they like to argue too dumb, a people.

LagosPrince:
What is jaguar ?

Probably one of those stage play that they usually act on primary schools sometimes around 1995

GoodLife4live:
Dem never even born u our mum talkless u... First televised movie was in 1973... A Yoruba film..

Jaguar in 1978 in bronkin English..
.

igwebuike01:
Was it recorded and produced for Mass distribution? Oga una lack business sense. Na we be the first to record film. Iweka Road Onitsha

GoodLife4live:
Herbert ogunde movie in 1973... No play ooo

Things fall apart 1983 .haha the gap is much to justify..

But things fall apart is more recognized than all Herbert ogunde's film

LagosPrince:
Na Igbo get Nollywood

Yoruba get Nollywood yoruba since they couldn't break into the English version of Nollywood Epic