PROMO! PROMO!! PROMO!!

Ebenz Media

Presents

June Promo For All Upcoming Artiste

Let's help you record that hit song of yours for just #9000 and get benefits like free promotion on facebook and twitter,bbm and whatsapp broadcast,access to put your song in MTN Music Plus inorder to make cash from the downloads of your song at no cost.

Interested artistes should contact Ishola on 07032617747 or ping 2915230E for bookings.

NOTE

This bonanza ends by tomorrow 30th of June,2016.

You can also contact us on 07032617747 or ping 2915230E for;

¤ Song Writing

¤ Advert Placements on all platforms

¤ Mixing and mastering

¤ Creation of beat or instrumental

¤Voice over

¤DJ Jingles

¤ Caller tune, Radio/Tv promotion, Alaba mixtape/selection and Online promotion such as itunes,amazon,cloud 9,naijaloaded,notjustok and other blog sites

¤ Video editing, Video shooting/Coverage

¤ Training on music production

¤ Training on any musical instrument of your choice

¤Voice Training

¤ Graphics/Art Cover

¤ Website/Blog Creation

¤ Logo Designs

¤ Creation of artist page/business page,and all other entertainment services at very cheap and affordable prices you can't resist...We are here to render to you the best of quality service. All services are cheap and affordable. Try us and you'll be glad you did...powered by ‪#‎Ebenzmedia

Please can some one help me with the chords of praise him in advance by marvin sapp? Please can some one help me with the chords of praise him in advance by marvin sapp?

Latest Advance Piano Tutorial Course by Johnsonkeyz...
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God bless

Jeremiah360:
Please can some one help me with the chords of praise him in advance by marvin sapp? Please can some one help me with the chords of praise him in advance by marvin sapp?

It's pretty simple, you can figure it out, just listen to the song a number of times and you'll get the gist of it.

Unfortunately I score mainly K-Bond's songs almost exclusively, not really a fan of Lindsey.

Feelingfree:


Thanks again for ur explanation on tritones and application.

My QUESTION today is tips/exercises on how to add bass runs/licks while playing bass line progressions for gospel on keyboard eg while playing circle of fourths

This is to help fill spaces and avoid sitting too long on a single bass

I hope the question is clear

Expecting ur reply earnestly

Been thinking about your question (and how best to answer it well )...

I'm not a keyboardist but primarily a pianist (in fact, a classical pianist sef, not even gospel or jazz etc), so I don't really play in that style so much these days, using the LH to play bass only. I'll try to do justice to your question though

What I can say is, try to use your LH to emulate the way a world-class bass guitarist would sound in whichever style of music you're interested in

Some tips:

One thing about bass is that it incorporates RHYTHM as well as the progression or bass line. So don't just use one finger to hit one note, make it rhythmic

Also, as you mentioned, use the cycle of 4ths/5ths frequently (many progressions utilise this). If you have a target note, like fah for instance, you can quickly play s-d then land in fah

Use tritone substitutes occasionally e.g. instead of r-s-d you play r-de-d (or r-s-de-d), t-m-l becomes t-ta-l (or t-m-ta-l)... especially if the harmony suggests it e.g. when playing altered dominant 7ths. Veeeery jazzy, handle with care

If you're hitting one single note in several bars, like a constant doh for example (in music theory this is called a pedal point or a 'basso ostinato'), you can vary it a lil'. By adding the dominant note (soh) in-between, making it rhythmic also depending on the style of the music

In modern gospel, the PENTATONIC scale is used a lot in bass progressions. Again, if you're hitting one constant bass note like doh, you can do stuff like d-s-l-d.... d-l-s-d... d-s-l-s-d... d-re-m-s-l-d

You can always go CHROMATICALLY into a target bass note either from above or below: d (r-re-m) f (l-ta-t) d is a typical up-tempo gospel progression


Consider this progression from the Jackson-5 (yep, I'm very old school )
in 'I Want You Back'


https://www.youtube.com/watch?v=prfUzZU1oKw

d..r-m-s-l-f..r-m-f-fe-s-se-l - m - f - d..r - s - d

Here's the breakdown:

d

r-m-s-l (pentatonic scale on doh)

f

r-m-f-fe-s-se (diatonic (r-m-f), then chromatically going to the target note lah)

l-m-f-d (fourths intervals l-m and f-d)

r-s-d. (2-5-1)

Don't forget the rhythm of this progression as well as the notes. This goes for any bass line you play in any style, let your LH feel the rhythm and play it as such.

My two kobo.

let the music gurus in the house please help me with praise songs solfas. both english and yoruba. C.A.C and some beautiful chord progressions.

I have recently bought a lesson from jamal hartwell for keyboardist and i created a whatsapp group so join my group and lets learn from each other add me 07086740935

!

Jeremiah360:
Please can some one help me with the chords of praise him in advance by marvin sapp? Please can some one help me with the chords of praise him in advance by marvin sapp?

check old pages of this thread u will find it. Bt heres my mine.
Db/f.Bb.c.f
Eb/f#.Bb.Db.f#
f/Ab.Db.Eb.
F#/Bb.Db.Bb
A.F#.A/C.Eb.F#.A
Bb.f.Bb/Db.F.Ab.Db
Bb.f.Bb/Db.F.Ab.Db
A.f#.A/Eb.F#.A.C
Ab/f.Bb.Db.f
g/f.Bb.Db.F
Eb>Ab/Eb.Ab.C.Eb
c>Db/Db.F.Ab.Db
LH/RH
> signifies a quick succession to d next to i.e from Eb to Ab.

Jeremiah360:
Please can some one help me with the chords of praise him in advance by marvin sapp? Please can some one help me with the chords of praise him in advance by marvin sapp?

check old pages of this thread u will find it. Bt heres my mine.
Db/f.Bb.c.f
Eb/f#.Bb.Db.f#
f/Ab.Db.Eb.
F#/Bb.Db.Bb
A.F#.A/C.Eb.F#.A
Bb.f.Bb/Db.F.Ab.Db
Bb.f.Bb/Db.F.Ab.Db
A.f#.A/Eb.F#.A.C
Ab/f.Bb.Db.f
g/f.Bb.Db.F
Eb>Ab/Eb.Ab.C.Eb
c>Db/Db.F.Ab.Db
LH/RH
> signifies a quick succession to d next to i.e from Eb to Ab. This is d intro tho if u knw d intro well, u'll be able to play thru d entire song.

pharmsamy:
Can anyone help me with the solfa notes of oghene doh by Frank edwards

which part? the intro or where. Anyway dis is the intro m d m d m d. m f m r m d m d m d m f s s d. d r m. t d r .l t d. l s f m.

A new gospel music recording studio in osogbo requires the service of a gospel music producer or a studio engineer. Call for enquiries-07063094026. Spread the word.

Check Out

https://johnsonkeyz./2016/06/13/blog-post-title/

fellow keyboardists, who can help me with any enlightening piano video tutorial. of any genre.

SaintAlbert53:
I play all kind of songs,bt can't play makossa very well without the help of bass guitar

And I am a bassist that loves makossa music especially with those lead lines

Hey guys, I'm a bassist and I need a church to play or a group. Anyone with useful information please contact 08169985876

Download kiss Daniel - Jombo Video - http://naijabambam.com/kiss-daniel-jombo-video-download/

Hello guys, happy Sunday to you!

I briefly wanna share with you the idea of clean, open voicings today.

If you've ever wondered why and how some of the piano playing you hear on gospel tracks (even in many R$B songs) sound very sweet, one of the secrets behind them lies in the use of cleaned out, open chord voicings.

In these voicings, the notes in them are usually spread out in wider intervals, usually intervals higher than a major third, unlike what you have in triads.
A lot of fourths (e.g. quartal voicings), fifths, sixths, sevenths, open octaves, and also wide, 'phat' left hand tenths usually feature in them.
They are usually good for worship songs, where they help to create a good atmosphere.

I'll show you an example of a short intro to the song 'In The Sanctuary' (played by Kevin Bond back in the day), note for note!
Study the voicings and emulate them in your playing as much as possible, and you'll start to see the difference.






Key of Db (you can transpose it into other keys in the vicinity of Db e.g. A,Bb,B,C,D,Eb,E,F), melody in bold.

LH/RH (name of chord on key Db)

d r
l /s t d m (Bbm9)
s
r d/l d f (Ebm7)
m
t r s/s r (Ab/C)
s
d m s/s m (Db)
m r s/r s r (Fm7)
l s/d s d (Bbm7)
m
r l f/d f (Ebm7)
l
t r/l r s (Ab2/C)
f
d d'/s d m (Db)
m t r/s l r (Fm11)

Enjoy!

Loluores:
Hello guys, happy Sunday to you!

I briefly wanna share with you the idea of clean, open voicings today.

If you've ever wondered why and how some of the piano playing you hear on gospel tracks (even in many R$B songs) sound very sweet, one of the secrets behind them lies in the use of cleaned out, open chord voicings.

In these voicings, the notes in them are usually spread out in wider intervals, usually intervals higher than a major third, unlike what you have in triads.
A lot of fourths (e.g. quartal voicings), fifths, sixths, sevenths, open octaves, and also wide, 'phat' left hand tenths usually feature in them.
They are usually good for worship songs, where they help to create a good atmosphere.

I'll show you an example of a short intro to the song 'In The Sanctuary' (played by Kevin Bond back in the day), note for note!
Study the voicings and emulate them in your playing as much as possible, and you'll start to see the difference.






Key of Db (you can transpose it into other keys in the vicinity of Db e.g. A,Bb,B,C,D,Eb,E,F), melody in bold.

LH/RH (name of chord on key Db)

d r
l /s t d m (Bbm9)
s
r d/l d f (Ebm7)
m
t r s/s r (Ab/C)
s
d m s/s m (Db)
m r s/r s r (Fm7)
l s/d s d (Bbm7)
m
r l f/d f (Ebm7)
l
t r/l r s (Ab2/C)
f
d d'/s d m (Db)
m t r/s l r (Fm11)

Enjoy!

I really enjoyed this. Please can you keep more of it coming?

vicechancellor:
fellow keyboardists, who can help me with any enlightening piano video tutorial. of any genre.

check out quennel gaskin, Jason white, Jonathan Powell, Jamal Hartwell, etc

Loluores:


Been thinking about your question (and how best to answer it well )...

I'm not a keyboardist but primarily a pianist (in fact, a classical pianist sef, not even gospel or jazz etc), so I don't really play in that style so much these days, using the LH to play bass only. I'll try to do justice to your question though

What I can say is, try to use your LH to emulate the way a world-class bass guitarist would sound in whichever style of music you're interested in

Some tips:

One thing about bass is that it incorporates RHYTHM as well as the progression or bass line. So don't just use one finger to hit one note, make it rhythmic

Also, as you mentioned, use the cycle of 4ths/5ths frequently (many progressions utilise this). If you have a target note, like fah for instance, you can quickly play s-d then land in fah

Use tritone substitutes occasionally e.g. instead of r-s-d you play r-de-d (or r-s-de-d), t-m-l becomes t-ta-l (or t-m-ta-l)... especially if the harmony suggests it e.g. when playing altered dominant 7ths. Veeeery jazzy, handle with care

If you're hitting one single note in several bars, like a constant doh for example (in music theory this is called a pedal point or a 'basso ostinato'), you can vary it a lil'. By adding the dominant note (soh) in-between, making it rhythmic also depending on the style of the music

In modern gospel, the PENTATONIC scale is used a lot in bass progressions. Again, if you're hitting one constant bass note like doh, you can do stuff like d-s-l-d.... d-l-s-d... d-s-l-s-d... d-re-m-s-l-d

You can always go CHROMATICALLY into a target bass noten either from above or below: d (r-re-m) f (l-ta-t) d is a typical up-tempo gospel progression


Consider this progression from the Jackson-5 (yep, I'm very old school )
in 'I Want You Back'


https://www.youtube.com/watch?v=prfUzZU1oKw

d..r-m-s-l-f..r-m-f-fe-s-se-l - m - f - d..r - s - d

Here's the breakdown:

d

r-m-s-l (pentatonic scale on doh)

f

r-m-f-fe-s-se (diatonic (r-m-f), then chromatically going to the target note lah)

l-m-f-d (fourths intervals l-m and f-d)

r-s-d. (2-5-1)

Don't forget the rhythm of this progression as well as the notes. This goes for any bass line you play in any style, let your LH feel the rhythm and play it as such.

My two kobo.

Are you a musicologist?

Isholaoni:
PROMO! PROMO!! PROMO!!

Ebenz Media

Presents

June Promo For All Upcoming Artiste

Let's help you record that hit song of yours for just #9000 and get benefits like free promotion on facebook and twitter,bbm and whatsapp broadcast,access to put your song in MTN Music Plus inorder to make cash from the downloads of your song at no cost.

Interested artistes should contact Ishola on 07032617747 or ping 2915230E for bookings.

NOTE

This bonanza ends by tomorrow 30th of June,2016.

You can also contact us on 07032617747 or ping 2915230E for;

¤ Song Writing

¤ Advert Placements on all platforms

¤ Mixing and mastering

¤ Creation of beat or instrumental

¤Voice over

¤DJ Jingles

¤ Caller tune, Radio/Tv promotion, Alaba mixtape/selection and Online promotion such as itunes,amazon,cloud 9,naijaloaded,notjustok and other blog sites

¤ Video editing, Video shooting/Coverage

¤ Training on music production

¤ Training on any musical instrument of your choice

¤Voice Training

¤ Graphics/Art Cover

¤ Website/Blog Creation

¤ Logo Designs

¤ Creation of artist page/business page,and all other entertainment services at very cheap and affordable prices you can't resist...We are here to render to you the best of quality service. All services are cheap and affordable. Try us and you'll be glad you did...powered by ‪#‎Ebenzmedia

A very good morning to boss, I'm sorry to have disturbed you,but you have to help me now.

The Mr nairaland contest is on,as a matter of fact,today is going to be the semi finals and I need you to help me vote falconey. I am writing you because I am trusting You.

the link to the voting thread is

https://www.nairaland.com/3265483/mr-nairaland-contest-2016-semi-final

voting starts 10am- 6pm

the voting format is "" I vote falconey Cc; NLjega"


Thanks so much Boss.

Dramadiddy:
okay add me on whatsapp 08071395807

A very good morning to boss, I'm sorry to have disturbed you,but you have to help me now.

The Mr nairaland contest is on,as a matter of fact,today is going to be the semi finals and I need you to help me vote falconey. I am writing you because I am trusting You.

the link to the voting thread is

https://www.nairaland.com/3265483/mr-nairaland-contest-2016-semi-final

voting starts 10am- 6pm

the voting format is "" I vote falconey Cc; NLjega"


Thanks so much Boss.

Goroz:

Are you a musicologist?

At all oh, I'm a scientist who likes music.

Loluores:


At all oh, I'm a scientist who likes music.

Well, I am. Strangely, you understand basic music theory

EzePromoe:

I really enjoyed this. Please can you keep more of it coming?

Glad you enjoyed it!

Yeah, from time to time I'll put up some interesting ideas for taking different aspects of piano playing to the next level.

Goroz:


Well, I am. Strangely, you understand basic music theory

Yeah, I've found that just basic musicianship is really the solution to most of our probs as creators of music,,, it's good to return to first principles from time to time.

EzePromoe:

I really enjoyed this. Please can you keep more of it coming?

Loluores:
Hello guys, happy Sunday to you!

I briefly wanna share with you the idea of clean, open voicings today.

If you've ever wondered why and how some of the piano playing you hear on gospel tracks (even in many R$B songs) sound very sweet, one of the secrets behind them lies in the use of cleaned out, open chord voicings.

In these voicings, the notes in them are usually spread out in wider intervals, usually intervals higher than a major third, unlike what you have in triads.
A lot of fourths (e.g. quartal voicings), fifths, sixths, sevenths, open octaves, and also wide, 'phat' left hand tenths usually feature in them.
They are usually good for worship songs, where they help to create a good atmosphere.

I'll show you an example of a short intro to the song 'In The Sanctuary' (played by Kevin Bond back in the day), note for note!
Study the voicings and emulate them in your playing as much as possible, and you'll start to see the difference.






Key of Db (you can transpose it into other keys in the vicinity of Db e.g. A,Bb,B,C,D,Eb,E,F), melody in bold.

LH/RH (name of chord on key Db)

d r
l /s t d m (Bbm9)
s
r d/l d f (Ebm7)
m
t r s/s r (Ab/C)
s
d m s/s m (Db)
m r s/r s r (Fm7)
l s/d s d (Bbm7)
m
r l f/d f (Ebm7)
l
t r/l r s (Ab2/C)
f
d d'/s d m (Db)
m t r/s l r (Fm11)

Enjoy!

Happy Sunday once again!

For those of us who can read sheet music (or who are interested in sight-reading), I put together the chords of this song spelled out here, for y'all to be able to read it (or practise reading it), see picture below.

There's also a link online that has the sheet music of the first page of the song... you can compare both. Here:

http://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0057275

Let's not lose sight (pun intentionally intended ) of the ability to sight-read in this digital world we live in, cuz it's cool to be well-rounded as a musician.

Loluores:


Yeah, I've found that just basic musicianship is really the solution to most of our probs as creators of music,,, it's good to return to first principles from time to time.

I guess you can also read sheet music