Mokset123's Posts
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These media houses should watch what they churn out to we the populace as par information. Imagine the link says monthly and the report heading says annually, which do we believe? |
If all the independent marketers sold pms at their pumps for 86.50 naira rather than 180-210 naira. Why would people queue endlessly at pumps of major marketers including nnpc mega stations struggling to purchase pms at 86.50 naira. |
gemale:Lol, Okay oh |
the senate president shaking with two hands |
Where is tiwa savage |
Its a cbt mostly o level questions in ur subject speciality. 40mins, 70 questions |
Let's all be patient and work for the greatness of our country Nigeria. Let the change start with us. |
For the past three weeks in Benin, I have bought a litre of pms at 140, 150 and 160 |
Istandagainstcorruption |
The Nigerian vs Egypt match in Kaduna has been slated for 5pm naija time, no longer 4pm on friday |
This is a show of shame and very embarrassing. When would the political class get it right in this country ![]() |
Much of the attention devoted to emerging market countries focuses on their economies and politics. The Financial Times and OppenheimerFunds’ 2016 Emerging Voices awards demonstrate our organisations’ commitment to learning more about — and telling readers about — the cultural lives and achievements of those countries and their people. This is the second year that we have run these awards to recognise the most innovative and inspiring art, film and fiction from emerging market countries. The 2015 awards — in which we gave prizes to the Peruvian artist Cristina Planas, Malaysian film director Yuhang Ho and Nigerian novelist Chigozie Obioma — achieved everything we hoped for. Our aim was not just to recognise outstanding artists: it was also to bring their work to a wider audience. Last year, we set out to find the best artists in Latin America and the Caribbean, the best film-makers in Asia-Pacific and the best fiction writers in Africa and the Middle East. The response was overwhelming. We received 872 entries overall and the standard was exceptionally high. We are hoping for an even bigger response this year. In 2016, we will be sticking to different art forms for different regions, but we will change things around. In this year’s awards, we will be looking for the best art from Africa and the Middle East, the best films from Latin America and the Caribbean, and the best fiction from Asia-Pacific. Entries will open on February 1 and will close on May 2. The awards are open to nationals and passport holders of these countries, wherever they are living. On June 6 we will announce a longlist of 10 artists in each category. The judges will be, as they were last year, distinguished artists, film-makers and writers, as well as critics and academics. The judging panels will be announced over the next few weeks. They will include some of the judges from last year and some new faces. The judges will choose a winner in each category, who will receive a $40,000 prize, and two runners-up, who will each receive $5,000. The winners and runners-up will be announced at a gala dinner at the New York Public Library on September 26. They will be profiled on FT.com and in a colour magazine that we will hand out at the end of the awards and which will appear with the newspaper worldwide the next day. What sorts of works can you enter? Books must have been published in English or in English translation between January 1, 2015 and August 31, 2016. Each imprint may submit up to three books. Artists can submit up to 12 works, which can be paintings, drawings, photographs, sculptures, installations or mixed media. They must have been produced since September 2011. Submissions in the art category should include an explanation of up to 500 words about the works and their context, written in English. Films should be no longer than 40 minutes, including opening and closing credits and, if they are not in English, they must be subtitled in English. They must have been completed or be available for distribution between January 1 2015 and March 31 2016. Links to submissions guidlines can be found under Category Overview. What will the judges be looking for? Distinctive voices, engaging images and narratives, and a sense of place. If last year’s deliberations are any guide, the judges’ discussions will be lengthy, detailed and impassioned. Last year’s longlists included artists well known in their own countries, some with worldwide reputations and some who had received little exposure. We welcome entries from all these groups. As the chair of the judging panels, I can say that we learnt a huge amount from the longlisted entries in 2015. We expect to do the same this year. Source: http://www.ft.com/intl/cms/s/2/b68b0266-b531-11e5-b147-e5e5bba42e51.html#axzz42YzsfnfB |
Much of the attention devoted to emerging market countries focuses on their economies and politics. The Financial Times and OppenheimerFunds’ 2016 Emerging Voices awards demonstrate our organisations’ commitment to learning more about — and telling readers about — the cultural lives and achievements of those countries and their people. This is the second year that we have run these awards to recognise the most innovative and inspiring art, film and fiction from emerging market countries. The 2015 awards — in which we gave prizes to the Peruvian artist Cristina Planas, Malaysian film director Yuhang Ho and Nigerian novelist Chigozie Obioma — achieved everything we hoped for. Our aim was not just to recognise outstanding artists: it was also to bring their work to a wider audience. Last year, we set out to find the best artists in Latin America and the Caribbean, the best film-makers in Asia-Pacific and the best fiction writers in Africa and the Middle East. The response was overwhelming. We received 872 entries overall and the standard was exceptionally high. We are hoping for an even bigger response this year. In 2016, we will be sticking to different art forms for different regions, but we will change things around. In this year’s awards, we will be looking for the best art from Africa and the Middle East, the best films from Latin America and the Caribbean, and the best fiction from Asia-Pacific. Entries will open on February 1 and will close on May 2. The awards are open to nationals and passport holders of these countries, wherever they are living. On June 6 we will announce a longlist of 10 artists in each category. The judges will be, as they were last year, distinguished artists, film-makers and writers, as well as critics and academics. The judging panels will be announced over the next few weeks. They will include some of the judges from last year and some new faces. The judges will choose a winner in each category, who will receive a $40,000 prize, and two runners-up, who will each receive $5,000. The winners and runners-up will be announced at a gala dinner at the New York Public Library on September 26. They will be profiled on FT.com and in a colour magazine that we will hand out at the end of the awards and which will appear with the newspaper worldwide the next day. What sorts of works can you enter? Books must have been published in English or in English translation between January 1, 2015 and August 31, 2016. Each imprint may submit up to three books. Artists can submit up to 12 works, which can be paintings, drawings, photographs, sculptures, installations or mixed media. They must have been produced since September 2011. Submissions in the art category should include an explanation of up to 500 words about the works and their context, written in English. Films should be no longer than 40 minutes, including opening and closing credits and, if they are not in English, they must be subtitled in English. They must have been completed or be available for distribution between January 1 2015 and March 31 2016. Links to submissions guidlines can be found under Category Overview. What will the judges be looking for? Distinctive voices, engaging images and narratives, and a sense of place. If last year’s deliberations are any guide, the judges’ discussions will be lengthy, detailed and impassioned. Last year’s longlists included artists well known in their own countries, some with worldwide reputations and some who had received little exposure. We welcome entries from all these groups. As the chair of the judging panels, I can say that we learnt a huge amount from the longlisted entries in 2015. We expect to do the same this year. Source: http://www.ft.com/intl/cms/s/2/b68b0266-b531-11e5-b147-e5e5bba42e51.html#axzz42YzsfnfB |
Horrible, terrible, epileptic, worse off. BEDC should do something |
U re a very big foooooooool. God girls wot do u pple really want. God ve mercy |
Bovi you sure say na you be that fine boy for that pic. |
Akaujaa:Grow up old man, you really didn't get my post |
Akaujaa:Go watch arsenal vs Leicester city game. See the reaction that trailed after walcot scored the equalizer to put the game at 1-1. Compare and contrast then you would understand what truly transpired |
[quote author=bedspread post=42840078]what is welcome here!!! Did you read dt?? Handing over GHOST WORKERS to EFCC?? This is not Welcome!! This is Wahala[/quote They said the banks and ghost workers would be handed over to the EFCC. That also means the EFCC would conduct its own investigation and uncover those behind this scam. |
[quote author=bedspread post=42840078]what is welcome here!!! Did you read dt?? Handing over GHOST WORKERS to EFCC?? This is not Welcome!! This is Wahala[/quote They said the banks and ghost workers would be handed over to the EFCC. That also means the EFCC would conduct its own investigation and uncover those behind this scam |
This is a welcome development |
Check the pay package for both coys. Which ever pays better would be your best option |
Its high time many tertiary institutions in our country enforce this standing clause in the rules guiding students academic performance |
You are on the right track man. My advice would be you go out organizing trainings for skill acquisition in person and report the stories on your blog. I see you have the desire to bridge a gap and be a problem solver |
I bought N86:50k at total filling station off akpakpava in benin city on January 2, 2016. But most Independent marketers still sell at N120, N130 and N140 |
ritux:2 V - corporal 3 V- sergent 1 straight bar - Sub Inspector 2 straight bar - Inspector 3 straight bar - chief inspector 2 * - ASP 3 * - DSP 1 coat of arm - SP 1 * & a coat of arm - CSP |
porka:I beg to differ. The last administration wasn't the first to see or observe the unsustainabillty of subsidy. They where the only ones bold enough to take all away. But at that time Nigerians didn't understand why government did such and hence the occupy nigeria took pace |
Seriously dangote group has to do something drastic to the drivers of their truck or switch to rail lines for transport of their products |
tobimillar:Sure you are right but when our refineries can't meet domestic consumption. Then we hope and pray that market prices would bring the cost of imported refined fuel to an amount which the common man can afford or better still more investors build refineries in Nigeria. |
