Mokset123's Posts
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ednut1:There is ECA (excess crude account) it has about $2.1b dollars and we also have a separate account called foriegn reserves with about $27b dollars. |
I predicted this yesterday, i hope it gets better with time.........my solemn prayer |
Akainzo:My brother not all, if you say some or most i will agree with you |
Try homeland season 1-5 |
All these politicians and their deceitfulness. I hope he remembered to purchase the 115 suvs for the Obas from Innoson motors or any other local car manufacturer in Nigeria |
They collect allowances as militants under fg, still they blow up stuff, ignoring its environmental consequences. Ignorance is truly a disease, whosoever is sponsoring this group, take note repent now or your day of reckoning is coming. |
Nigerite is currently recruiting Project Engineers and Design Estimators. Interested folks should possess at least 2.1 in Civil or Building Engineering or Architecture. An addition of MSc and proficiency in Autocad is an edge. You can send your CVs to balogunsegun@nigeritelimited.com. |
You could partner with one who would provide conterpart funding of your project, as an alternative to outright borrowing |
Anowax:If you listen to news often you would get the gist okay |
I hear the quota intake for constable 7500, cadet inspector 1500 cadet ASP 500 and specialist 500 |
AdeniyiA:I drove the 04 and 05 EoD for 3 years, and i can tell you it never happened to me. Now this was the sign i observed, that whenever i am in a traffic jam and i had to apply the brakes often, i would hear a squeaky sound come from the tyre that has a bad ball joint I immediately took the car to my mechanic and after his check we discovered it was the lower arm ball joint which was faulty |
This is laughable and saddening, if this write up is true. It says alot with how far we politicise things in this country. |
mrvitalis:Even if we have no idea where it is done world wide. A situation where there isn't a policy that ensures that a sitting president, governor, local government chairman and other political office holders are separated from the finance of their office doesn't mean well for our democracy. Revelations from Dasukigate is an example of why the NASS should look into this ugly trend and raise a bill to address it |
These media houses should watch what they churn out to we the populace as par information. Imagine the link says monthly and the report heading says annually, which do we believe? |
If all the independent marketers sold pms at their pumps for 86.50 naira rather than 180-210 naira. Why would people queue endlessly at pumps of major marketers including nnpc mega stations struggling to purchase pms at 86.50 naira. |
gemale:Lol, Okay oh |
the senate president shaking with two hands |
Where is tiwa savage |
Its a cbt mostly o level questions in ur subject speciality. 40mins, 70 questions |
Let's all be patient and work for the greatness of our country Nigeria. Let the change start with us. |
For the past three weeks in Benin, I have bought a litre of pms at 140, 150 and 160 |
Istandagainstcorruption |
The Nigerian vs Egypt match in Kaduna has been slated for 5pm naija time, no longer 4pm on friday |
This is a show of shame and very embarrassing. When would the political class get it right in this country ![]() |
Much of the attention devoted to emerging market countries focuses on their economies and politics. The Financial Times and OppenheimerFunds’ 2016 Emerging Voices awards demonstrate our organisations’ commitment to learning more about — and telling readers about — the cultural lives and achievements of those countries and their people. This is the second year that we have run these awards to recognise the most innovative and inspiring art, film and fiction from emerging market countries. The 2015 awards — in which we gave prizes to the Peruvian artist Cristina Planas, Malaysian film director Yuhang Ho and Nigerian novelist Chigozie Obioma — achieved everything we hoped for. Our aim was not just to recognise outstanding artists: it was also to bring their work to a wider audience. Last year, we set out to find the best artists in Latin America and the Caribbean, the best film-makers in Asia-Pacific and the best fiction writers in Africa and the Middle East. The response was overwhelming. We received 872 entries overall and the standard was exceptionally high. We are hoping for an even bigger response this year. In 2016, we will be sticking to different art forms for different regions, but we will change things around. In this year’s awards, we will be looking for the best art from Africa and the Middle East, the best films from Latin America and the Caribbean, and the best fiction from Asia-Pacific. Entries will open on February 1 and will close on May 2. The awards are open to nationals and passport holders of these countries, wherever they are living. On June 6 we will announce a longlist of 10 artists in each category. The judges will be, as they were last year, distinguished artists, film-makers and writers, as well as critics and academics. The judging panels will be announced over the next few weeks. They will include some of the judges from last year and some new faces. The judges will choose a winner in each category, who will receive a $40,000 prize, and two runners-up, who will each receive $5,000. The winners and runners-up will be announced at a gala dinner at the New York Public Library on September 26. They will be profiled on FT.com and in a colour magazine that we will hand out at the end of the awards and which will appear with the newspaper worldwide the next day. What sorts of works can you enter? Books must have been published in English or in English translation between January 1, 2015 and August 31, 2016. Each imprint may submit up to three books. Artists can submit up to 12 works, which can be paintings, drawings, photographs, sculptures, installations or mixed media. They must have been produced since September 2011. Submissions in the art category should include an explanation of up to 500 words about the works and their context, written in English. Films should be no longer than 40 minutes, including opening and closing credits and, if they are not in English, they must be subtitled in English. They must have been completed or be available for distribution between January 1 2015 and March 31 2016. Links to submissions guidlines can be found under Category Overview. What will the judges be looking for? Distinctive voices, engaging images and narratives, and a sense of place. If last year’s deliberations are any guide, the judges’ discussions will be lengthy, detailed and impassioned. Last year’s longlists included artists well known in their own countries, some with worldwide reputations and some who had received little exposure. We welcome entries from all these groups. As the chair of the judging panels, I can say that we learnt a huge amount from the longlisted entries in 2015. We expect to do the same this year. Source: http://www.ft.com/intl/cms/s/2/b68b0266-b531-11e5-b147-e5e5bba42e51.html#axzz42YzsfnfB |
Much of the attention devoted to emerging market countries focuses on their economies and politics. The Financial Times and OppenheimerFunds’ 2016 Emerging Voices awards demonstrate our organisations’ commitment to learning more about — and telling readers about — the cultural lives and achievements of those countries and their people. This is the second year that we have run these awards to recognise the most innovative and inspiring art, film and fiction from emerging market countries. The 2015 awards — in which we gave prizes to the Peruvian artist Cristina Planas, Malaysian film director Yuhang Ho and Nigerian novelist Chigozie Obioma — achieved everything we hoped for. Our aim was not just to recognise outstanding artists: it was also to bring their work to a wider audience. Last year, we set out to find the best artists in Latin America and the Caribbean, the best film-makers in Asia-Pacific and the best fiction writers in Africa and the Middle East. The response was overwhelming. We received 872 entries overall and the standard was exceptionally high. We are hoping for an even bigger response this year. In 2016, we will be sticking to different art forms for different regions, but we will change things around. In this year’s awards, we will be looking for the best art from Africa and the Middle East, the best films from Latin America and the Caribbean, and the best fiction from Asia-Pacific. Entries will open on February 1 and will close on May 2. The awards are open to nationals and passport holders of these countries, wherever they are living. On June 6 we will announce a longlist of 10 artists in each category. The judges will be, as they were last year, distinguished artists, film-makers and writers, as well as critics and academics. The judging panels will be announced over the next few weeks. They will include some of the judges from last year and some new faces. The judges will choose a winner in each category, who will receive a $40,000 prize, and two runners-up, who will each receive $5,000. The winners and runners-up will be announced at a gala dinner at the New York Public Library on September 26. They will be profiled on FT.com and in a colour magazine that we will hand out at the end of the awards and which will appear with the newspaper worldwide the next day. What sorts of works can you enter? Books must have been published in English or in English translation between January 1, 2015 and August 31, 2016. Each imprint may submit up to three books. Artists can submit up to 12 works, which can be paintings, drawings, photographs, sculptures, installations or mixed media. They must have been produced since September 2011. Submissions in the art category should include an explanation of up to 500 words about the works and their context, written in English. Films should be no longer than 40 minutes, including opening and closing credits and, if they are not in English, they must be subtitled in English. They must have been completed or be available for distribution between January 1 2015 and March 31 2016. Links to submissions guidlines can be found under Category Overview. What will the judges be looking for? Distinctive voices, engaging images and narratives, and a sense of place. If last year’s deliberations are any guide, the judges’ discussions will be lengthy, detailed and impassioned. Last year’s longlists included artists well known in their own countries, some with worldwide reputations and some who had received little exposure. We welcome entries from all these groups. As the chair of the judging panels, I can say that we learnt a huge amount from the longlisted entries in 2015. We expect to do the same this year. Source: http://www.ft.com/intl/cms/s/2/b68b0266-b531-11e5-b147-e5e5bba42e51.html#axzz42YzsfnfB |
Horrible, terrible, epileptic, worse off. BEDC should do something |
U re a very big foooooooool. God girls wot do u pple really want. God ve mercy |
Bovi you sure say na you be that fine boy for that pic. |
Akaujaa:Grow up old man, you really didn't get my post |
Akaujaa:Go watch arsenal vs Leicester city game. See the reaction that trailed after walcot scored the equalizer to put the game at 1-1. Compare and contrast then you would understand what truly transpired |
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Pple and hearsay