Sholay2011's Posts
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WILDFIRE (Dramedy) By SHOLAY FADE IN: INT. DUPLEX/MASTER BEDROOM- DAY We see the hand of VERO (38) HOLD unto the feet of her HUSBAND (50), who lies on the bed. Vero BURSTS into irrepressible tears and SCREAMS. INT. FLAT/SITTING ROOM- DAY MRS OBONG (55), dressed in shirt and wrapper, SITS on the sofa and READS from a newspaper in her hand. VERO (VOICEOVER CRY THAT EMANATES FROM THE NEARBY DUPLEX) Ah-ah-ah-ah! My husband! Ah-ah-ah! Oh no! Mrs Obong instantly stops reading while the loud cry catches her attention. MRS OBONG (mutters) Oh my God. She DROPS the newspaper on the centre table. Her cell phone lying on the table RINGS. She picks the call. MRS OBONG (Pauses briefly) Afternoon. Shey the cloth don ready ni? INT. TAILORING SHOP- DAY BOLANLE (32) is seated with a dress in her hand and a threaded needle held with her mouth. A tape rule is worn on her neck like a long, unending chain. She HOLDS her phone between her bent head and right shoulder. BOLANLE Not really ma, but I will drop it at your place when I’m done. I just wanted to ask… INTERCUT BETWEEN MRS OBONG’S FLAT AND BOLANLE’S SHOP MRS OBONG -You can’t believe it… BOLANLE Believe what? MRS OBONG It’s like Chief Ikechukwu don die o. BOLANLE Jesu! Bolanle DROPS the dress in her hand on a table and firmly HOLDS the phone to her ear with her hand. MRS OBONG I just heard the wife shouting… BOLANLE -So he didn’t survive that illness… MRS OBONG At all… BOLANLE Na wa; the rich indeed also cry. And they keep acting as if they are not human beings. Will he now carry all his wealth to heaven with him? Ah, it’s his wife I pity sha. MRS OBONG Pity as how? (Hisses) A woman I suspect has a hand in his death. BOLANLE Ehn-ehn-ehn? MRS OBONG Isn’t it obvious? What does a young woman like her want with a very rich man that’s fifteen years older than her? I know gold diggers when I see them. BOLANLE This is serious. Let’s just pray that God continues to protect us. MRS OBONG Amen o. And we should keep doing good. Let me quickly check on her. BOLANLE Okay ma. Mrs Obong ends the call and RETIES her wrapper. Bolanle SIGHS and picks up the dress on the table. BOLANLE (To one of her apprentices) Chisom, drop whatever you’re doing and pick up that Mrs Obong’s material. I don’t want her to skin me alive. CHISOM (O.S) Yes ma. INT. FLAT/SITTING ROOM- DAY Mrs Obong takes the newspaper on the centre table along with her cell phone and leaves for the bedroom quickly. INT. TAILORING SHOP- DAY Bolanle REMOVES the tape rule from her neck and takes some measurements on some yards of Ankara. FUNMI (31), dressed in expensive traditional regalia, emerges with car keys in her hand. The conversation between Bolanle and Funmi is in Yoruba language. BOLANLE Ah...ah, my dear friend... FUNMI How are you? BOLANLE You showed up here today. FUNMI I just decided to branch at your shop. BOLANLE Chisom, get my friend a good chair. CHISOM (O.S) Yes ma. BOLANLE Funmi, the big madam. Your skin is really glowing oh. FUNMI See who’s talking. A blue plastic chair enters frame (with the help of Chisom) and Funmi SITS comfortably. FUNMI How is work? BOLANLE Fine jare. I just heard that Chief Ikechukwu is dead o. FUNMI He is dead?! BOLANLE He is dead o. He died this afternoon. FUNMI Ah, at last. When he would be involved in occult stuffs, why won’t the illness kill him? There’s no gain in such things. BOLANLE You mean the man is involved in fetish things? FUNMI Aren’t you aware? A man is that rich without any child to call his own, don’t you know he used his manhood? BOLANLE I don’t believe oh. The man was a 'sound' Christian naa. FUNMI Na u sabi. I don talk my own. BOLANLE -But I’m sure his wife has a hand in his death. Such a young, beautiful woman didn’t see the single men out there but rather a man that’s twenty years older…pfft! FUNMI That’s true. I didn’t even think towards that side. BOLANLE It’s quite obvious. Human beings are terrible. That woman is not innocent I tell you. Funmi SHAKES her head and CHECKS her wristwatch. FUNMI Ah, it’s getting late. My customers will be waiting for me. Let me be going. BOLANLE I’m grateful that you even came. INT. FLAT/SITTING ROOM- DAY Mrs Obong emerges from the bedroom, HOLDS a mirror while she COMBS her partly grey hair. She is dressed differently now. INT. CAR- DAY Funmi DRIVES in her car while she SCROLLS down the call list on her phone. She MAKES a call. FUNMI Hello dear… INT. CAR- DAY CHIBUZOR (34), dressed in shirt and slackened tie, while his suit lies beside the driver’s seat, DRIVES in his car too. CHIBUZOR How far, baby? INTERCUT BETWEEN FUNMI AND CHIBUZOR FUNMI Fine. I just felt like checking on you. How is work? CHIBUZOR Work is fine. I’m having this serious headache; I’m heading home now. FUNMI Sorry. There is a packet of paracetamol on the dressing mirror. CHIBUZOR Okay. FUNMI Ehn-ehn, I just heard that Chief Ike is dead. CHIBUZOR Chief Ikechukwu? FUNMI Ehn naa. He is dead o. His wife killed him from what I’m hearing. CHIBUZOR Are you serious? FUNMI Hm-hm. (Beat) I’ve always known that lady didn’t marry him for nothing. CHIBUZOR Na wa. Maybe I will branch at Chief’s place to see things for myself. FUNMI Okay. CHIBUZOR You’re in shop abi? FUNMI Yes. CHIBUZOR Okay. ‘Will call you when I get home. FUNMI Okay. Bye. Funmi ENDS the call. EXT. FLAT- DAY Mrs Obong emerges from her flat and LOCKS the door. EXT. ROADSIDE- DAY Mrs Obong WALKS the tarred road, towards the duplex. We see TAYO (29), cleaning a car parked by the road in a vest and ‘three-quarter’. He cleans with a damp cloth. TAYO (O.S) Good afternoon, ma. MRS OBONG Afternoon, Tayo. You no go work? TAYO I’m on leave. MRS OBONG I see. You’ve heard that Vero just lost her husband? TAYO Chief Ikechukwu is dead? MRS OBONG (nods) It’s really unfortunate. TAYO God. Is that where you’re going? MRS OBONG Hm-hm. Tayo SQUEEZES out the little moisture left in the damp cloth. MRS. OBONG’S POV- Chibuzor’s car arrives and STOPS in front of his fenced house, which is a stone throw from the duplex. Mrs Obong and Tayo amble towards the house. Chibuzor marches towards them. They soon meet and continue strolling towards the duplex. CHIBUZOR Afternoon, ma. MRS OBONG Afternoon, my brother. CHIBUZOR Is it true Chief is dead? TAYO He is o. CHIBUZOR What could have made his wife kill him? MRS OBONG Who told you that? CHIBUZOR Has the police taken up the case? MRS OBONG Hun? We see a longshot of five people MARCH towards the gate of the duplex. The gate suddenly FLIES open and we see Vero come out of the house, amidst tears and CARRIES two travelling bags and a hand bag. She is shocked and confused to find five people standing outside. She gently CLOSES the gate and CLEANS her face. VERO What’s…what’s happening? CHIBUZOR Where are you running to? VERO Excuse me? MRS OBONG (Interrupts) -Don’t mind him. Vero, we are very sorry about what happened. Man proposes, but God disposes. Just know we are here for you if… VERO What are you talking about? MRS OBONG I heard you when you screamed. (Beat) We all know Chief is dead. VERO W-What rubbish?! My husband is alive on his sick bed. In fact, he is getting better. Where did all this come from? And what are you people doing here?! CHIBUZOR If he is getting better, where are you running to, without taking any of your cars? VERO (Scoffs) You must be kidding me. (Voice cracks) I just discovered my husband of eleven years has a three year old boy with one stupid-looking girl and you expect me not to scream?! (Beat) He was okay when I met him, but all the wealth he amassed today is not without my effort. Yes, I married him for love, not his money. And I tried my best having a child for him…God knows I tried but…but it has been futile. Is…is this how he should pay me back? MRS OBONG Sorry ehn. Man proposes, God disposes… TAYO (whispers to her) I think you already said that once. VERO (CONT’D) To cap it all, my name is not in his will…not even a mention. Oh yes, his ‘son’ is his next of kin and beneficiary of everything I’ve laboured for. But you know what, I will not give up without fighting back. I’m not taking a dime from this house; I’m calling my lawyer. (Beat) So, are you all happy now? There is an awkward silence. MRS OBONG It’s obvious there has been a misconception here. We are sincerely sorry. Vero eyes her. MRS OBONG (To others) Oya, make we go our house now… VERO -Please do! And I wonder how such nonsense spreads like wildfire. If it’s good news, none of you will be here. Please, leave for your homes! Life would be better if everyone minds their own business. Mrs Obong and her ‘cohorts’ quickly DISPERSE amidst low-key chats. A cab arrives and stops in front of Vero. FADE OUT |
I love this. |
tobbie247:Nice one! |
TochiPhotos:Cool! I'm so glad a fellow Nigerian loves tennis like I do. It's my favourite sport. Nice one. |
bb4522:Please elaborate on your analysis and how you arrived at 7 minutes as the 'cut off time'. Thanks. |
pretydiva:Na wa oo...una wicked for this thread oo.. ![]() Beverly and Melvin don suffer. |
tunapa2009:Loool...nice one. |
Na wa for una oo.. "I just wrote mine"..."I have written it"...o jebi...who asked you ![]() "I have answered my 20 questions"...the questions are for all who got the mail abegi! ![]() Na wetin go full next 3 pages be dat if I no para... ![]() |
barcanista:Are you for real? What's her message? That she doesn't want to be serving her husband food in prison, so APC should not be voted in? It's well. |
I like the concept...at least. ..it's a deviation from the two inseparable lovers or royal nonsense movies I see all over the place. But I'm curious if it won't be a rehash of the average Hollywood 'haunted mansion' movies. I hope the movie has its own VOICE. And I'm not that sold on the husband-wife chemistry between Omoni and Mike (might be too early to judge...this is just a trailer). I am not savvy with camera and sound issues but all looks fine to me judging from the trailer. ![]() And I love me some Omoni Oboli. Looking forward to it. |
Rapmoney:What of country music ![]() |
Wow! This is amazing. You even show face for 'Moments with Mo' sef. Hope it was fun with Bolanle and Dolapo? |
Hbd sir. |
An2elect2:I love this answer. |
Lol |
^^^^ Art is subjective. And there are some movies that they're so deeply rooted in their 'themes/backdrops' (for example wrestling for Foxcatcher, baseball for Money ball, stageplay behind-the-scenes for Birdman) that if you're not connected with it, you either don't 'get' the film or you find it 'uninteresting'. Just like I didn't find 'The Imitation game' that interesting because I didn't get the backdrop of the movie and wasn't ready to connect with it. Birdman is easily my favourite of 2014. I'm surprised such a crazy film won best picture at the Oscars. And it's the most rewatchable for me out of all I saw. You keep finding new things as you watch again and again. This is my personal ranking: *Birdman *Whiplash *American Sniper *Gone Girl *Snowpiercer *Foxcatcher *Xmen: DOFP *Guardians of the galaxy I haven't watched 'Boyhood'. |
Nice one. I enjoyed 'The Meeting'. 'Will be looking forward to this. I hope she does a good job sha oh...'cos I'm finding it difficult imagining Rita in a convincing, three-dimensional 'Christian Sister' role. ![]() I believe shez up to the task. ![]() |
Wow!!! |
Oh boy. .. |
mayorde:Congrats! The sky is your beginning. It would be worth it in Jesus name. It's really nice that you gave a feedback. |
I'm not sure. But she stands a chance for the title. |
I have watched these in last couple of days: Birdman, Whiplash, Foxcatcher, Mockingjay Part 1, Top Five, Imitation Game. My favourite was 'Birdman', the Best Picture winner. I love this movie and I've rewatched it at least 4 times already. It's a unique dark comedy and plays like a filmed stage drama. The performances are top notch and the ensemble work is admirable. 'Whiplash' is a close second. Very interesting movie...full of tension as the story of a young man that wants to be the best at drumming is pushed into the extremes by a psychopathic music director unfolds. Foxcatcher is the 'darkest' of the movies. Feeling of tension and unease throughout the movie...and Steve Carrell did a solid job as the psychopathic Du Pont. |
Forgive my ITK op... You are at a "juncture", not a "junction". Let me pave way for the career experts to come and advise accordingly. |
ebdib:Okay bro. Thanks. |
ebdib:Thanks for the post. And I didn't take offence. I know what I applied for (MSc in Agricultural economics, which is a thesis programme), not this. This non-thesis programme is a recently established track in my Department. And I just got my admission three days ago, and that's why I'm just raising dust. Or how do I figure out what I'm being admitted for without an admission letter? I ensured I applied (to the thesis programme) before the deadline for students that are interested in funding. You mean I should have been bombarding them with mails after I applied? Please enlighten me. While I am not playing a blame game but want to seek for advice as regards my case, it was Purdue that decided to give me admission into this other aspect of my course and not that I ignorantly stated I wanted it. Maybe they had a lot of qualified applicants and had to 'push' some of us into the 'non-thesis programme', because that was what I could infer from previous mails from my advisor. It's now my choice to accept it or not. And this non-thesis programme automatically doesn't get funding. So, what is my fault? And what homework should I have done? When I didn't even envisage this? I appreciate your advice, thanks. |
streetMic:Na wa for this Purdue ppl o. My advisor talk say there is no funding for what I was admitted for. I actually got admission for Professional Master of Science in International Agribusiness (in Agricultural Economics). I later checked my admission letter and saw that it's a self-funded program and students there aren't eligible for tuition waivers and etc within the dept...imagine. I still dey disturb the woman (advisor) that she should please look into my case and dat I can serve as her assistant in any capacity. ![]() Also, for what I was admitted for...though my advisor said the students write papers, it's a non-thesis programme. I just dey confuse now...wen me I don dey imagine how research go be like...and it isn't the best programme for someone dat wants to advance to PhD since the 'traditional' (na so dem cal am) Agricultural Economics programme where students write thesis, are funded etc. dey dia. This is the last mail my advisor sent me: "This degree is primarily for students who plan to work in the industry, especially multinational firms. Purdue’s own PHD program does not admit professional MS students. However, you are required to take the same Microeconomic theory, Macroeconomic theory, Econometrics, Programming, courses together with research track (all funded) MS students. You can take any MS courses offered in our department. You don’t write a thesis, but write a none-thesis paper. It is up to the students how good a research paper can be. I once advised a non-thesis international student who is now a PHD student in the US fully funded as an RA, partly because we turned her non-thesis paper into a journal publication, while most research track MS students do not have. Please consider all carefully before you make this big decision involving a lot of $$. We truly welcome you to our program but will understand whatever your decision." Please, what do y'all think? Should I just focus on hopefully getting admission into the other schools I applied to? Thanks. |
streetMic:AMEN!!!!! Thanks bro. |
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was a little tricky sha.


Looking forward to it.